Showing posts with label Spain. Show all posts
Showing posts with label Spain. Show all posts

Saturday, January 14, 2017

Queen Elizabeth, Spain, and the Sea Beggars

by Barbara Kyle

William de la Marck
[Public Domain] Wikimedia Commons

This is a David and Goliath story of the 16th century. "David" was Dutch rebel William de la Marck. "Goliath" was the mighty Philip II of Spain. Elizabeth I of England was the surprise catalyst of an uprising that sparked the Dutch War of Independence against Spain.

Elizabeth I by William Sugar
[Public Domain] Wikimedia Commons

In 1571 Elizabeth, at the age of thirty-eight, had reigned for thirteen years. She was far from secure on her throne. England had no standing army and an undersized navy, and Elizabeth feared that Philip of Spain, the most powerful monarch in Europe, was poised to invade. To strike at her, his army would sail from the Netherlands. There, less than a hundred miles off her shores, his troops had already subjugated the Dutch.

Philip II

Philip was lord of Spain, portions of the Italian peninsula, and the Low Countries (modern-day Belgium and the Netherlands) whose cities of Antwerp and Bruges were Europe's richest trading centres. He was also stupendously wealthy thanks to his vast New World possessions. The Spanish Main, a scythe-shaped slice of the globe, ran from Florida through Mexico and Central America to the north coast of South America, gateway to the riches of Peru.

Twice a year the Spanish treasure fleet, the flota, crossed the Atlantic to deliver hoards of New World gold, silver, and precious gems to Philip's treasury in Spain. Philip used this constant river of riches to finance his constant wars. Throughout Europe, Spain's armies were feared and triumphant.

Nowhere were they more feared than in the Netherlands. There, Philip's general, the Duke of Alba, had crushed Dutch resistance to Spanish rule. "The Iron Duke," as Alba was called, was governor of the Netherlands from 1567 and had set up a special court called the Council of Troubles under whose authority he executed thousands, including leading Dutch nobles. The people called it the Council of Blood. Here are Alba's own words: "It is better that a kingdom be laid waste and ruined through war for God and for the king, than maintained intact for the devil and his heretical horde."

The Duke of Alba
The Dutch Prince William of Orange was one of the ten thousand people summoned before the Council. But the Prince escaped. He gathered a rebel army and marched into Brabant, the Dutch heartland. But his troops were inexperienced and untrained, and with winter approaching and money running out, the Prince turned back. He went into exile in the German lands, awaiting his next chance.

Religion, as always in the 16th century, was a fiery instrument of division. Philip of Spain was known as "the most Catholic prince in Christendom." Catholics considered Elizabeth of England a bastard, since they did not acknowledge her mother Anne Boleyn's marriage to her father Henry VIII, and a heretic, since Elizabeth's first act as queen had been to make the realm officially Protestant. That act had also made her the supreme head of the church in England, a concept that Catholics found grotesque: a woman as head of a church. In 1570 Pope Pious V excommunicated Elizabeth in a fierce decree, calling her a heretic and "the servant of crime." He released all her subjects from any allegiance to her, and excommunicated any who obeyed her orders. Scores of affluent Catholics left England with their families and settled in the Spanish-occupied Netherlands.

Mary, Queen of Scots
These English exiles considered Elizabeth's cousin Mary, Queen of Scots the legitimate claimant to the English throne. But by this time Elizabeth held Mary under house arrest in England, a comfortable captivity in Sheffield Castle. Elizabeth did not dare set Mary free, fearing she would foment an invasion by a Catholic League of Spain, France, and the Pope. In the Netherlands, the English exiles were plotting to overthrow Elizabeth with military help from their powerful Spanish friends and install Mary in her place . . . and there, in the Netherlands, just a day's sail from the English coast, Spanish troops under the merciless Duke of Alva stood ready should Philip give the invasion order.

But the Dutch rebels had not given up, only gone to ground. They still considered Prince William of Orange their leader. He was keen for a second chance to win back his country for the Dutch. And Elizabeth of England was eager to secretly support him. That second chance came in the spring of 1572. This time the rebels would not come marching, as an army. They would come from the sea: a motley fleet called the Sea Beggars.

The origin of their name is intriguing. Before Alba's arrival in the Netherlands the governor was Philip's sister, Margaret. A delegation of over two hundred Dutch nobles appeared before her with a petition stating their grievances. She was alarmed at the appearance of so large a body, but one of her councillors exclaimed, "What, madam, is your highness afraid of these beggars?" The Dutch heard the insult, and after Margaret ignored their petition they declared they were ready to become beggars in their country's cause, and adopted the name "Beggars" with defiant pride. Scores of them took to the sea to harry Spanish shipping. Led by William de la Marck, they called themselves the Sea Beggars.

William de la Marck

For several years Elizabeth gave safe conduct to the Sea Beggars, allowing La Marck and his rebel mariners to make Dover and the creeks and bays along England's south coast their home as they continued their raids on Spanish shipping, which infuriated Philip. England was far weaker than mighty Spain, so Elizabeth was playing "a game of cat and mouse" with Philip, says historian Susan Ronald in her book The Pirate Queen; helping the Sea Beggars was "the only course open to her to show her defiance of Spain."

But as 1572 dawned Philips's fury grew dangerous. In March, Elizabeth ordered the expulsion of the Sea Beggars from her realm, an act that people assumed was to placate Philip. It turned out, however, that Elizabeth had struck a lethal blow at Spain: by expelling the Sea Beggars she had unleashed their latent power. For a month theses rebel privateers wandered the sea, homeless and hungry, until, on the first of April, they made a desperate attack on the Dutch port city of Brielle, which had been left unattended by the Spanish garrison. They astounded everyone, even themselves, by capturing the city.


The Capture of Brielle


Their victory provided the Dutch opposition's first foothold on land and launched a revolution: the Dutch War of Independence. The capture of Brielle gave heart to other Dutch cities suffering under Spain's harsh rule, and when the Sea Beggars pushed on inland they rejoiced to see town after town open their gates to them. The exiled Prince of Orange now sent troops to support them. But Spain ferociously struck back. Taking the rebel-held cities of Mechelen and Zutphen, the Duke of Alba's troops massacred the inhabitants; in Mechelen the atrocities went on for four days. The town of Haarlem bravely resisted during a long siege, but finally surrendered. Alba's troops methodically cut the throats of the entire garrison, some two thousand men, in cold blood.

By 1585 Elizabeth could no longer tolerate Spain's tyranny in the Netherlands, and she sent an army under the Earl of Leicester to support the Dutch revolution. Nevertheless, it took six decades more until the people of the Netherlands won their freedom, in 1648.

To this day, on the First of April every year, the Dutch people still exuberantly celebrate the Sea Beggars' capture of Brielle.



This Editor's Choice was first published on November 26, 2013. 

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Barbara Kyle is the author of seven acclaimed historical novels – the Thornleigh Saga series – all published internationally, and of contemporary thrillers, three under pen-name Stephen Kyle, including Beyond Recall, a Literary Guild Selection. Her latest novel is The Traitor's Daughter. Over 500,000 copies of her books have been sold in seven countries. Barbara has taught writers at the University of Toronto School of Continuing Studies and is a popular guest presenter at writers' conferences. Before becoming an author Barbara enjoyed a twenty-year acting career in television, film, and stage productions in Canada and the U.S.

Barbara’s workshops, master classes, and manuscript evaluations have launched many writers to published success. She recently released a non-fiction writing resource, Page-Turner: Your Path to Writing a Novel That Publishers Want and Readers Buy. Barbara welcomes you to her website: www.BarbaraKyle.com.

The Sea Beggars feature in Barbara Kyle's novel The Queen's Exiles.


About The Queen's Exiles: "1572. Europe is in turmoil. A vengeful faction of exiled English Catholics is plotting to overthrow Queen Elizabeth and install her cousin Mary, Queen of Scots on the throne. And in the Netherlands the streets are red with the blood of those who dare to oppose the brutal Spanish occupation. But amid the unrest one resourceful young woman has made a lucrative enterprise. Scottish-born Fenella Doorn salvages crippled vessels. It is on one of these ships that she meets wealthy Baron Adam Thornleigh. Secretly drawn to him, Fenella can’t refuse when Adam enlists her to join him in war-torn Brussels to help find his traitorous wife, Frances—and the children she’s taken from him. But Adam and Fenella will put their lives in peril as they attempt to rescue his young ones, defend the crown, and restore the peace that few can remember."



Barbara Kyle's six-book Thornleigh Saga follows an English middle-class family's rise through three tumultuous Tudor reigns.

"Riveting...adventurous...superb!" Historical Novel Society, "Editor's Choice."
"Kyle knows what historical fiction readers crave." RT Book Reviews
"A beautifully written and compelling novel. Again, Barbara Kyle reigns!” - New York Times bestselling author Karen Harper
 

Wednesday, September 23, 2015

Duty first - of Philip II, his Tudor Matter and life in general

by Anna Belfrage

Philip II
Philip II of Spain tends to be remembered for two – well, three – things from an English perspective:

  • He married Mary Tudor – a match not exactly made in heaven between a love-sick woman and a man who married out of political obligations 
  • He wooed his former sister-in-law Elizabeth Tudor, supposedly hoping to marry her when Mary died 
  • He sent the Spanish Armada to conquer England.

One could think, based on this, that Philip had a special affinity for England, that his heart and soul longed to be an Englishman. I’m sorry to break this to you, but from Philip’s perspective, England was pretty insignificant – this was a man with more titles than would fit on the fly leaf of a Bible, ruler of a huge empire. No, Philip’s interest in England emanated from his irritation with this pesky Protestant kingdom and its determined support to those equally pesky Protestants in the Spanish Dominions.

Philip II comes down to us through the years as something of a bore. Too stiff, too dour, too fond of black…Rarely does anyone mention his impressive library in El Escorial, where the books were turned the wrong way so that instead of spines, the visitors saw only gold-edged pages. Rarely does anyone mention that Philip had read a substantial part of all those books – conversant in multiple languages, raised to rule, and from a family that set a high value on schooling their princes, Philip had received an excellent and thorough education. And rarely does anyone mention his other wives, his problems with his children, his affectionate letters to his daughters, his carefully chosen gifts to both his children and his wives – or his gruesome death.

So today, I thought we’d spend some time with Philip – or Felipe el Prudente, as those of us who speak Castilian prefer to call him.

Charles I&V
Being born the son of an extremely capable man is not always a blessing. In this case, Philip II had giant footprints to fill, but he doesn’t seem to have been unduly daunted. Philip was born the eldest son of Charles I & V, that powerful Holy Roman Emperor who was ever a champion of his aunt, Catherine of Aragon (see? Another, if indirect, English connection) who ruled an empire so vast he decided it was too big for any mortal man to manage well – which was why, upon Charles’ death, Philip did not become the next Holy Roman Emperor. Being King of Spain and its growing empire was enough of a challenge.

Charles married Philip’s mother to make his Spanish grandees happy. He himself was in no hurry to wed, but by all accounts he was happy with his Portuguese wife, and his son and heir was raised in a harmonious household. Once again, to appease those Spanish grandees, Philip was raised in Spain, speaking Castilian as his first language.

Philip was a serious man – and somewhat shy. Already as a boy, his distinguishing characteristic was his sense of duty. Duty to his father, duty to his mother, duty to his tutors – and as he grew, this would morph into duty to his country, to his family and wives.

Rarely did Philip do something for himself. Never did he caper about while warbling “don’t worry, be happy.” In Philip’s strictly regimented life, happy was not something a serious man aspired to, and as to worry, well Philip always worried. About being good enough. About the lack of sons. About the situation in England. About the Spanish Netherlands. About God. About the state of his linens – Philip had an abhorrence of anything dirty and was meticulous about his hygiene. Major plus, if you ask me…

Charles was quite taken with this reflective son of his, and once Philip was over his childhood years, father and son bonded as Charles tried to teach Philip everything he knew about ruling an empire consisting of various people, various languages, various cultures. There was one fundamental difference between Charles and Philip: Charles had been raised in the polyglot court of his aunt Margaret of Austria, had as a matter of course been exposed to various creeds, various cultures. Philip, on the other hand, had been raised in the tender care of devoted Catholics in a country that viewed all cultures but their own with a sizeable pinch of suspicion. Let’s just say that Philip’s upbringing left him somewhat less…flexible.

He was however, ever the obedient and dutiful son. So when Charles arranged Philip’s first marriage with Princess Maria Manuela of Portugal, Philip of course agreed. As an aside, being a prince – just as much as being a princess – meant little say in who you married. Royal marriage was for building alliances and consolidating power, not for something as ephemeral as love.

Purportedly Maria Manuela
Anyway: Maria Manuela and Philip were of an age – both of them were sixteen – and liked each other well enough. They were also very closely related: Maria’s mother was Philip’s paternal aunt, and Philip’s mother was Maria’s paternal aunt, plus Philip’s maternal grandmother was his father’s maternal aunt. Well: let’s just say it was complicated. Very complicated – and it didn’t help that the somewhat unstable bloodline of Juana of Castile  appeared all over the place. So when little Maria Manuela gave birth to a son in 1545, the baby had a DNA cocktail that did not exactly predestine him to greatness. Even worse, Maria died in childbirth, and Philip was left with a feeble if male heir but no wife.

Years passed. In England, that heretic of a king, the man who’d broken with the Holy Church, finally died – and it was Philip’s conviction Henry VIII was destined for hell. As we all know, Henry’s son was not long for this world, and in 1553, Mary Tudor became Queen of England.

Holy Roman Emperor Charles made happy sounds, as did the Pope. At last an opportunity to bring England back into the fold of the true faith! At the time, Mary was in her late thirties. She was more than aware that time was running out, and she desperately wanted an heir of impeccable Catholic lineage. Charles slid a look at his son – at the time 27 or so – slid a look at Mary, and suggested they wed, despite being cousins. Well: it was suggested to Mary – Philip was ordered to comply with daddy’s wishes.

Mary, wearing Philip's gift to her,
the famous pearl La peregrina
Mary was over the moon. Handsome Philip had everything she desired in a bridegroom. Whether the groom was as thrilled is debatable – his aide wrote that “the marriage was concluded for no fleshly consideration” – but as always Philip set his shoulders and proceeded to do his duty. In this case, his duty was to check the growing power of France and preserve control over the Low Countries. A fiercely Protestant England had offered succour to the Protestants in the Spanish Netherlands, but now, with Mary and Philip firmly in charge, such safe harbours no longer existed. Philip could therefore hope to quell the difficult Dutch before they all embraced the Reformation. That did not go so well for him, putting it mildly, but that is a story for another day.

Mary very much wanted to become pregnant. Here, yet again, Philip did his duty, but despite hope, prayers and effort there was no child – there was just a phantom pregnancy. Philip seems to have doubted all along that Mary was pregnant, and after the sad matter had come to an end, he left his bride for the restless Low Countries. Mary was inconsolable. What Philip felt is unknown, but he was courteous enough to bid his wife a tender farewell.

Philip and Mary
We are now in 1555, and this is when Philip supposedly was starting to regard Elizabeth Tudor as a potential replacement for his sister. Hmm. At the time, Mary was not yet forty, and while barren there was nothing to suggest she was about to die anytime soon. Not that Philip did not enjoy Elizabeth’s company – he liked intelligent and erudite women – and Elizabeth came with the added plus of being younger than Philip rather than eleven years older. But there were issues regarding Elizabeth’s faith, and Philip would never consider marrying a Protestant – his soul shrieked in pain at the thought.

Still, I imagine there was some attraction, and Elizabeth was smart enough to establish a cordial relationship with her brother-in-law, very soon to become one of the more powerful European monarchs.  In 1556, Charles abdicated in favour of his son and brother. Philip became king of Spain and all its dominions, his uncle became the next Holy Roman Emperor, based in the historical homeland of the Hapsburgs, namely Austria.

Mary’s reign was plagued by famine, by her cleansing of the heretics among her subjects, by dwindling trade as her Spanish husband forbade her from doing anything detrimental to Spain. Of course her subjects grumbled, and there were plots aplenty – even, in some cases, headed by her Catholic subjects. France and Spain were at loggerheads, and with Mary being married to Philip, France considered England an enemy too – rightly so, as per Philip, who wanted England’s help in defeating these upstart Frenchies who had the temerity to question just who was the most important Catholic monarch in the world. That’s why Philip popped by on a visit in 1557 – to convince Mary to support war with France. Mary hoped this conjugal visit would lead to other things, and lo and behold, some months later Mary declared herself pregnant. Yet again, a phantom pregnancy…

Poor Mary – no child, no loving husband, just a cool political union as expressed by Philip’s rather laconic comment upon hearing about Mary’s death in 1558. “I feel reasonable regret,” he said.

Elizabeth of Valois
Philip had other matters to concern himself, first and foremost the situation in France. And then there was the matter of his son, Don Carlos, all of thirteen and showing worrying signs of mental instability. Don Carlos had been proposed as a groom for Elizabeth of Valois, this as an attempt to heal the rift between France and Spain. At the Treaty of Cateau-Cambresis, Philip went one step further and offered to marry Elizabeth himself, despite an age difference of almost twenty years.

By all accounts, this was a very happy marriage. Philip was a devoted husband, entranced by his pretty and vivacious wife. She stood by his side during that most difficult time in his life, when his son went from bad to worse until at last Philip had no option but to incarcerate Don Carlos, by now mad as a hatter. Philip’s little wife might have been young, but she was wise, and in her company he found comfort and hope – plus she gave him children. Daughters, to be sure, but healthy living children. A son would surely follow. Unfortunately, that did not happen. Elizabeth died in childbirth – yet another girl, stillborn, and Philip was devastated.

By now we’re in 1568, and while relationships with France remained coolly cordial, Philip now had another mess on his hands: the Low Countries had risen in insurrection, protesting the heavy yoke of Spanish taxes and demanding the right to embrace the Protestant faith. England, of course, hastened to the aid of their religious brethren. Philip was pissed off, putting it mildly. Here he’d been advocating a lenient approach towards the upstart English and their Protestant queen, urging the Pope to cool down, not do anything hasty, and this is how the English dogs repaid him?

On top of the utter political mess in the Spanish Netherlands, plus the rather urgent matter of halting Ottoman expansion into Europe, Philip had the pressing matter of begetting an heir, which was why he married his niece, Anna of Austria, in 1570.

Little Diego
Anna was yet another young bride, more than twenty years his junior, but just like Elizabeth she was affectionate and kind, and Philip was as happy with her as he’d been with his French princess. Anna gave Philip sons – beautiful boys, and Philip had his heir, the Infante Fernando, who died at age six in dysentery. A grief-struck father consoled himself with the fact that there was the Infante Diego to take the dead son’s place. Except that four years later he also died, this time of small-pox. Fortunately, there was one son left, little Philip. Not that Philip was the son his father would have hoped for, being small and sickly, but at least he was alive.

Anna of Austria
Anna died in 1580, leaving Philip a widower for the fourth time. He was never to re-marry. Instead, he invested his efforts in his children and his empire, a lot of his energy directed at pacifying the Dutch now that the Ottomans had been adequately crushed at Lepanto in 1571.

In England, Elizabeth encouraged support to the Dutch, quietly applauded English pirates when they attacked the treasure-laden Spanish galleons, and in general caused Philip much irritation. But so far, Elizabeth had no children, and the obvious heir to the English crown was therefore Mary, Queen of Scots, at present Elizabeth’s prisoner. A light in the tunnel for Catholics everywhere, was Mary – a light brutally extinguished when Elizabeth was prevailed upon to sign the execution order for her cousin in 1587.

The situation in the Spanish Netherlands went from bad to worse, and with Mary dead, there was no hope the English would come to their senses all by themselves and turn from their heretic faith. No, it fell upon Philip to take responsibility for their souls – and, while he was at it, effectively squash all support for the Dutch reformers – which was why he decided to send the Armada, an effort to invade England and once and for all reinstall the Catholic faith. We all know how that ended, don’t we?

Philip in his younger years
Today, we tend to measure Philip by his few failures rather than his numerous successes. Partly because he was who he was, partly because of his turn-coat secretary Antonio Pérez, generations of Europeans have been fed an image of Philip as a cold-hearted fanatic who delighted in seeing heretics twist in torment. Philip has become a victim to the Black Legend, whereby Spain – and Philip – are depicted as infested by evil. Philip has been accused of killing his own son, of strangling prisoners with his own hands. He had been defamed and ridiculed – even in his own lifetime – and rarely has anyone risen to defend him, least of all Philip himself, who chose to never respond to the more ludicrous of Pérez’ accusations.

I would argue Philip was much more than this: in his private letters, we see a man who concerned himself greatly with the well-being of those he loved. In how he managed his empire, we see a man who eschewed absolute power, attempting instead to ensure there were future controls in place. Genuinely devout, he quelled some of the more fanatic aspects of the Counter-Reformation, he encouraged learning and education and brought Spain firmly out of the Middle Ages. Yes, he was the enemy of Protestants' champions such as William the Silent. But he was equally the hero of his Catholic subjects, the determined defender of Europe against the Ottomans, and a man who always tried to do his duty. Always.

Philip's favourite daughter, Catalina
In 1598, an old and weakened Philip fell ill. By now, he was a lonely old man – of his eleven children only three remained alive, and his favourite daughter had recently died, the single occasion in which Philip gave in to open despair, cursing fate for taking his loved ones from him. For 55 days, the king lay dying, covered in pustules and weeping sores. Incapable of rising from his bed, he lay in his stinking waste, any attempt at keeping him clean futile. A humiliating death for a man who abhorred being dirty. He died clutching the same crucifix his father had held when he died. At the moment of his death he was lucid, and it is said he saw Death coming and smiled in welcome, free at last from this life of duty and sorrows – so many sorrows.

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Anna Belfrage is the successful author of eight published books, all of them part of The Graham Saga. Set in 17th century Scotland, Virginia and Maryland, this is the story of Matthew Graham and his wife, Alex Lind - two people who should never have met, not when she was born three centuries after him.

Anna's books have won several awards - recently, one of her books won the HNS Indie Book of the Year Award -  and are available on Amazon, or wherever else good books are sold.

Presently, Anna is working on a new series set in 14th century England - the first installment will be published in November 2015. Plus, after the above, she's thinking Philip II has potential as a character...

For more information about Anna and her books, please visit her website. If not on her website, Anna can mostly be found on her blog.

Saturday, May 5, 2012

What's the French Word For Ulcer, Guerrilla?

Birthed in blood and hounded by war from its very beginning, the French Republic died its first death in 1804 with the ascension of Le Petit Corporal, Napoleon Bonaparte, to the throne as the leader of the First French Empire. As his rise to emperor was strongly related to his military expertise, it’s no surprise that war would continue for France. Bolstered both by his military genius and, often, the incompetence of many (though certainly not all) of his foe nations, Napoleon’s army would steadily advance across Europe.

By 1807, the French Empire controlled the large swaths of Europe both directly or indirectly after victory in the War of the Fourth Coalition against a large number of allied nations. Unfortunately for the would-be ruler of Europe, he lost any effective control of the seas after a large-scale defeat at the hands of English Admiral Horatio Nelson’s fleet at the Battle of Trafalgar in 1805. In addition to halting any attempt at direct French invasion of England, British naval dominance doomed the Continental System, a French attempt to cut off the United Kingdom and their European allies from trade to failure.

Portuguese resistance to the Continental System provided an excuse for the French, with the planned aid of their then Spanish allies (many of the ships lost during the Battle of Trafalgar were Spanish), to take control of Portugal. The French, however, already distrustful of the Spanish government and with their own plans to control Spain more directly, marched troops into the country. Though these troops were sent to allegedly  aid in dealing with the Portuguese, the French soon started taking control of Spanish cities. The divided and dispirited government was further paralyzed by French-backed coups and other attempts to undermine the Spanish government. On May 5, 1808, Napoleon was in a position to directly install his brother, Joseph, as King of Spain.

A few days earlier, on May 2nd, Spanish citizens in Madrid rebelled against the occupying French. The brutal French response, both in Madrid, and in other cities, combined with discontent over the installation of King Joseph, ended any chance the French had of gaining smooth control of Spain. Resistance spread throughout Spain. By August, the British, inspired in particular by Spanish resistance, sent military aid to Spain and Portugal. This Peninsular War (named after the Iberian Peninsula containing Spain and Portugal) would rage until 1814.

Conventional warfare was a large component of the Peninsular War, but perhaps most striking in the context of the greater series of Napoleonic Wars, was it being marked by what is popular to now define as asymmetric warfare, or what is more commonly known as guerrilla warfare (note the word itself means “little war”). Although the guerrilla actions of the Peninsular War are certainly not the first example of guerrilla warfare in history, the sheer scale of the activity and its success against the preeminent conventional nation-state military power of the day provided an example for others in following centuries, and, of course, the Spanish word came into English to describe the style of warfare.

These guerrillas eschewed field battles. Instead they concentrated on hit-and-run and surprise attacks. They could kill the enemy or raid for supplies then fall back into mountainous terrain where the French regulars would not only have difficulty following but also difficulty fighting them with conventional tactics.

Although the French committed more than a few atrocities during their time in Portugal and Spain, it should be noted that the Spanish guerrillas didn’t confine their efforts to military targets. People deemed too pro-French would often pay with their lives. As one might expect, the guerrilla forces were not particularly organized and did not always operate under tight central authority or control. In addition, as is also common throughout the history of warfare, many men of ill repute viewed guerrilla warfare as an opportunity to satisfy their criminal or violent urges under the false flag of patriotism. If a group of guerrillas came to a village and “liberated” excess supplies or hurt someone, it wasn’t as if innocent civilians could just file a grievance with the government. With the French taking their own brutal invaders’ liberties with the countryside and also often doubling-down on their efforts due to irregular activity, it was not a pleasant time to be a civilian.

Though guerrilla warfare was a major contribution to the eventual victory over the French in the Peninsular War, it was not, in of itself a sufficient factor. Definitive conventional victories were still required. That being said, the guerrillas made life hell for the French regular forces. Reprisal and control attempts only further enflamed the populace. The irregular forces ambushed forces, disrupted supply lines, assassinated officers, seized messengers and otherwise thoroughly undermined the French forces. Beside the direct causalities inflicted, guerrilla activities prevented large chunks of French forces from being employed at full strength in either Spain or Portugal. Instead, many French troops had to be distributed to try and respond to these constant irregular attacks. Thus, the guerrilla efforts acted as an effective force multiplier for the anti-French Allies and also played a key role in delaying the French invasion timetable. Among other things, this also allowed the British time to bring sufficient resources into the war effort.

While Napoleon had made statements that the French would be able to conquer Spain and Portugal with only a minor expenditure in troops and effort, as the Peninsular War dragged out, the French emperor recognized the war instead as his “Spanish ulcer”.

Wednesday, March 7, 2012

Why I write historical fiction - Deborah Swift

A few years ago I would have been surprised to find I had produced a historical novel. So why write one?
Before I came to write The Lady's Slipper, most of my writing was contemporary. I read a lot of contemporary fiction, and was a member of a book group that read mostly literary fiction.So what won me over to writing historicals?

The answer is that it wasn't a case of me deciding on a period and then setting the novel there, it was more that my characters demanded certain conditions to flourish and tell their story. I started with a character who wanted to paint an orchid - I had seen the rare lady's-slipper orchid myself and wanted to write (initially) a poem about it. This desire was subverted into my character's desire to capture it in paint. From then on the character grew and developed. I thought for the flower to have impact I needed a time when ideas about botany and images of flowers were new and fresh. Perhaps a time before mass printing, a time when herbs and flowers were used for healing. This led me to the 17th century when herbalists such as Nicolas Culpeper were just making their mark on history and the science of botany was in its infancy.

The idea of the medicinal use of the lady's-slipper then sparked the character of Margaret the herbalist, whose views on "the web of the world" were a very different religion from the conformist view of the time, and would probably be pigeon-holed as 'pagan' today. I have always been interested in the different ways that faiths have shaped the world and this tied in nicely with the burgeoning Quaker movement, viewed in the 17th century as radical and dangerous. I couldn't resist having a Quaker character, so Richard Wheeler  - the soldier turned quaker - was born. In addition, the Quaker movement started close to my home, and visits to the still surviving 17th century historical sites fascinated me.

My creative writing class were always telling me that conflict drives a novel so I was also keen to exploit enmity between the Quakers and the ruling class, and to create an atmosphere of unease. The English Civil War where the King had been beheaded by his own people supplied the background disturbance I needed.So my first book's period grew from the desire to find a setting for my characters and not the other way round. The setting has a function to allow me to explore certain ideas and let them flourish to the maximum effect.

The book I am just finishing now and which is about to land on my agents and editors desk - tomorrow if I can get it done, is set in a different period, which has difficulties in that it involved a whole new area of research in a whole new country. As with the first two I was looking for a time and place where my characters and ideas would collide in the most satisfying way and that led me to turn of the 17th century in Seville, with its clash of Islamic and Iberian cultures, the threat of the Inquisition, and its reputation for swordsmanship and bravado.So I'm afraid my characters had to be taken away from their usual English comfort, the drizzle and the cold, and into the heat, dust and passion of Spain.

17th century Seville
My second book, The Gilded Lily (out later in the year) is set in England through necessity as it features Ella, one of the characters from The Lady's Slipper. It is a very different book though as it is set in Restoration London, a choice made so that I could exploit the desire for wealth and luxury which is a part of Ella's character. Ella is considered beautiful and her sister Sadie, plain, so I needed an environment where the attitudes to beauty would be able to feature heavily in the plot. How would the two girls fortunes differ because of their difference in appearance? The period of the Restoration is perfect because after the monarchy returned everyone was obsessed with fashion and glamour, and the theatricality and artificiality of this led me to be able to explore the idea of storytelling, how the girls re-invented themselves, and how we all shape our own stories.

In all my books I start with the characters and then find the way to give them maximum rein through the setting. I used to be a scenographer so I draw on my experience of how a theatre setting can interact with the action in my writing. I choose history because I can examine contemporary ideas as if in a mirror. I am sure many other writers do the same, and would be really interested to hear what the process is like for them. I find I enjoy the researching part of writing enormously, and the wonderful excuse it gives me to hang around museums, historic houses, art galleries and libraries. And I have had to catch up quickly with my reading of historicals. I've discovered some fantastic writers in the  genre, who have given me further insights into our rich heritage, and  so I cannot imagine that I will run out of ideas from the wealth of our history, and I guess that will keep me writing historical fiction for a while yet!

You can find out more about my writing on my blog
Thanks for reading!