Jane Austen is revered for the characters she created, for her wit, and for how she fuses an acerbic, unblinking view of human nature with deep stores of empathy. I believe that, among her arsenal of gifts, also lies a talent for writing "place." Austen mixed descriptions of her most iconic creations—Pemberley, Mansfield Park, Kellynch Hall—with those of "real" places she visited and knew well, from London's West End to Lyme Regis to Bath.
When it comes to Northanger Abbey, that talent is on full display. As in Persuasion, Austen brings Bath vividly to life. She also creates an imposing country house in Northanger Abbey, the manor house of the Tilney family located in Gloucestershire.
When reading the novel closely — and writing my sequel, The Heiress of Northanger Abbey — I admired the evocative, if not precise, description of Northanger Abbey, a product of Austen's imagination. The novel tells us it was once an abbey for nuns. Based on the usual trajectory, we can assume that, after Henry VIII's Dissolution of the Monasteries, the abbey was closed to religious life. Maybe the nuns received adequate pensions, or perhaps they starved. But as for the building itself, it's logical to think it was sold to a courtier friendly to King Henry or Thomas Cromwell.
In Austen's novel, the Tilney family did not enter into it until much later, perhaps two centuries later. In the early18th century, a Tilney purchased the manor house and modernized it: Northanger Abbey was a massive quadrangle that retains its Gothic arches and heavy stone walls. But in the story, General Tilney, the family patriarch, is proud of the "modern" kitchen he installed. The house also features smooth parquet floors, modern sash windows, elegant carpets, and "Rumford" fireplaces, invented in the 1790s. The house has a modern "bell system," General Tilney's pride and joy.
So we know that Northanger Abbey has been made comfortable and stylish in line with Regency ideals.
What a disappointment for Catherine Morland, the novel's heroine! She was thrilled to receive an invitation to Northanger Abbey, not only because it's the home of Henry Tilney, whom she is falling in love with, but because abbeys are supposed to be spooky ruins, filled with dark, dusty corridors, secret passageways, and cobwebs. This belief supposedly stems from Catherine's passion for Gothic literature.
I'd like to pause here and say that Catherine Morland is not the only one who lets her Gothic imagination run away with her. Here are four different book covers of Northanger Abbey, two of which seem to be fairly accurate renditions of the house in the novel; one is more like Dracula's castle, hanging off a cliff; and one is such a fragile ruin that nobody could spend the night there, much less live there!
But to the point of this column, I was curious about why Catherine is so convinced that Northanger Abbey will be a shabby ruin and a place filled with frightening and dangerous possibilities. The other characters attribute it to her fixation on Gothic novels. When Jane Austen wrote this novel, Sir Horace Walpole's The Castle of Otranto and Ann Radcliffe's The Mysteries of Udolpho were popular, along with many imitators. But in those books, the castles are in Europe, and the stories are from the past. Catherine is seventeen and naive, but would she really expect Northanger Abbey to resemble an Italian castle from centuries ago, as described in a clearly fictional tale?
I wondered whether this belief was more common in the 1790s, when Northanger Abbey was written, than we might assume. Did people in the Regency have ideas similar to Catherine Morland's about English castle ruins and former abbeys as repositories of fear and violence, independent of fashionable Gothic fiction?
I believe the answer is yes, and one such place that may have inspired the darker possibilities of an old castle or abbey is Farleigh Hungerford Castle.
"A Place of Solemn and Romantic Solitude"
Farleigh Hungerford Castle is today a ruin on a hillside, overlooking the rolling Somerset countryside. Owned by English Heritage, it is a much-visited site. Parts of the complex remain roofed and structurally intact, though no one has lived there for centuries, apart from the Priest’s House in the Outer Court, which was repurposed into a tenant farmhouse and was continuously occupied by farm managers into the mid-20th century.![]() |
| Eastern gatehouse of Farleigh Hungerford Castle. Source: Wikipedia. |
The original property was a manor house built before the Norman Conquest, as William the Conqueror gave it to a Norman "companion," Roger de Courcelles, in the 11th century. It passed between various owners until the Hungerford family took over in the 14th century and built a massive quadrangle castle on the site.
"Here I have been for three or four years past, without comfort of any creature, and under custody of my lord's chaplain, which hath once or twice poisoned me, as he will not deny under examination. He hath promised my lord that he 'would soon rid him of me,' and I am sure he intendeth to keep his promise."(In case you're wondering, Elizabeth Hungerford survived her husband and remarried.)
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| A watercolor sketch of the castle from the early 18th century |
The once-proud medieval stronghold was sold for salvage in 1705. Over the following decades, the castle was systematically plundered for its materials and fittings.
"The remains of this castle stand in one of the most rural and picturesque spots within a wide radius of Bath... [The site] displays a scene of fallen grandeur, where overgrown towers and ivy-bound walls awaken the mingled sentiments of pleasure and melancholy."






