Showing posts with label Georgian period. Show all posts
Showing posts with label Georgian period. Show all posts

Wednesday, July 8, 2020

How grand was the aristocratic Georgian London house?

by Elizabeth Bailey

Unlike the grand country house, where successive owners could build extra wings whenever they felt like it, space was at a premium in London just as it is today. Georgians built up rather than wide. Although there were mansions of considerable size, these were exceptions. Not every landed family could have one or build one. There simply was not enough room to accommodate them all.


A double-fronted very large house, such as that occupied by the Polbrook family, had in general four huge rooms to each floor. On the floors above, an extra smaller room could be made of the space above the downstairs hall. Likewise, on the second or third floor, depending how many floors you had, you could make another small room in the space above the stairwell.

There would be two staircases, a narrow one for the servants, either at the back of the house, or tucked away in a recess somewhere. This gave access to all floors, including the attics where the servants slept. Internal walls here would create enough rooms to service the entire domestic staff, with the exception of the butler, who traditionally slept in a room near the pantry.

Down the servants’ stair to the basement, you would find the domestic offices, often a rabbit warren of small rooms and corridors. The housekeeper’s room will be here, as well as the butler’s pantry, the large kitchen, store-rooms and, down a further stair, the wine cellar, the coal cellar and very likely a junk room too. At the front of the house a main door led to a narrow area and steps up to the street.

If you had four or more floors, you might give over the whole of the first floor to a grand saloon for parties and a ballroom. However, a house without this facility could open out two rooms for the purpose of holding a dance. In the Polbrook house, they would use the Blue Salon and the Dining Room. This would give you an extended room about 23 feet long and a good 18 feet wide at the front, a little less at the back to accommodate the staircase.

Choosing this design for the Polbrooks makes it possible to create two good-sized parlours in the front at ground floor level, the posh Blue Salon for visitors and a cosier parlour in daily use by the family. The two rooms behind become the dining-room and the library, the latter accessed by a small vestibule which also houses the servants’ narrow staircase. The central hall runs from front to back, where we find the grand staircase winding around and up.


On the first floor, the principal bedchambers at the front are occupied by the master and mistress of the house, and the little room over the hall becomes my lady’s dressing room. One back bedroom is occupied by the second son of the house, Lord Francis Fanshawe, and the other is reserved for guests. The heir and the daughter of the house have rooms on the second floor, with two more bedrooms available at need.

All the main rooms have fireplaces, which create a stack of flues and chimneys either side of the house because fireplaces cannot share the same flue. In the Blue Salon, as was customary, the furniture is ranged around the walls, but the family parlour has a more cosy arrangement, with only one sofa against the wall and chairs set so as to enjoy better warmth from the fire.

In the domestic quarters, things are somewhat less than comfortable. The back door leads to a yard below the main garden behind the house, with the coal hole, sheds and other facilities, where dirty water might be disposed of and carpets beaten, for example. From the cellar below there is a further outside area, which is decidedly unsavoury with the servants’ privy, receptacles for the disposal of all the contents of the chamber pots, and a lane where the “night soil men” come through to take it all away in a cart. The stench is one of the major disadvantages of working below stairs.

As may be imagined, to keep these great houses operational you needed many servants, even in the London house. Under the butler, you have the indoor menservants such as footmen and boot boy. Under the housekeeper come the female staff: the housemaid, the chambermaid and the kitchen maid; and nominally, the cook, who reigned supreme in the kitchen. Then there are the ladies maids and the valets.

At need, extra help is hired in, like the laundry woman who collects the linen and takes it away to be washed elsewhere. Caterers may be brought in for balls, bringing waiters with them. Horses and carriages are kept in stables in a nearby mews, with grooms and stable boys living above them. In addition, there are a couple of gardeners and perhaps a skivvy or two.

In all, this aristocratic Georgian family required a dozen or so servants to service a household of three to five individuals, with perhaps an occasional relative or guest. This gives your sorely beset author of the upstairs downstairs murder mystery a cast of thousands, as they say, to manipulate, quite aside from the various characters to be found outside the home. It was rather a relief when research produced this relatively modest house instead of the grand mansions we tend to associate with the lords and ladies of an earlier era.

[This is an Editor's Choice archive post, originally published on EHFA 19th June 2018]

~~~~~~~~~~

Elizabeth Bailey feels lucky to have found several paths that have given her immense satisfaction – acting, directing, teaching and, by no means least, writing. Through the years, each path has crossed the other, honing and deepening her abilities in each sphere.

She has been privileged to work with some wonderful artistic people, and been fortunate enough to find publishers who believed in her and set her on the road.

To invent a world and persuade others to believe in it, live in it for a while, is the sole aim of the novelist. Elizabeth’s own love of reading has never abated, and if she can give a tithe of the pleasure to others as she has received herself, it’s worth all the effort.

You can check out Elizabeth’s website here http://www.elizabethbailey.co.uk/


Friday, March 20, 2015

By Any Other Name: Historic Roses

by Margaret Porter

Gallica roses, J.S. Holtzbecher
Google Art Project
The rose is one of the oldest plants in cultivation. It appears on frescoes found in Crete. On cuneiform tablets from Mesopotamia. For many thousands of years it has been grown in China. It turns up in Greek mythology--Aphrodite anointed herself with rose oil. Herodotus mentioned a 60-petalled rose, and Epicurus had a rose garden. In Roman times, roses were omnipresent, requiring large-scale cultivation to supply demand. They were most famously used at the festival marking the ascent of 14-year old Emperor Heliogabalus (AD 204-224), who repeatedly showered his guests with roses.

In Christianity the rose became emblematic of the Virgin Mary and is found in many Madonna paintings. In Medieval times roses were grown in monastic gardens. They feature in courtly poetry--Roman de la Rose in French and Geoffrey Chaucer's Middle English translation of it. Medicinal gardens contained roses. They were used for hedging and enclosures. And they show up in English heraldry, stained glass, statuary, and coinage.

The following categories would certainly be familiar to characters in our historical novels:

Species roses. England's native roses are rosa canina (the dog rose), which has a distinctive apple scent, eglantine (often mentioned by Shakespeare), and various Scotch or burnet roses. These are still found growing in hedgerows. Over time they moved into the garden to be cultivated and were used medicinally. They tend to be extremely thorny!

Rosa canina, dog rose

Double Blush Burnet, Scotch rose

Rosa gallica, Provins Rose. An ancient type from the Middle East and Europe, grown and described by Pliny the Elder. Officianalis came to be known in England as the Apothecary Rose, and is mentioned in Culpeper's Herbal. It was used in conserves, perfume, and medicines. The Red Rose of Provins was chosen to be the Rose of Lancaster. Its striped sport, Rosa mundi, supposedly bears the name of King Henry II's mistress Rosamund. Another popular form is the Velvet Rose, also mentioned by Gerard, dating from before 1596.

Rosa gallica officianalis, Apothecary Rose

Rosa gallica violacea, Old Velvet Rose, La Belle Sultane

Rosa gallica versicolor, Rosa mundi


Rosa alba. This rose grew in Greek & Roman gardens, and like other types eventually arrived in Britain. King Edward IV designated Alba semi-plena as the White Rose of York. A notable pink version is Great Maiden's Blush, dating from before the Renaissance, both fragrant and beautiful, and possibly the same rose Botticelli presents in The Birth of Venus and other paintings. Alba maxima gained fame as the Jacobite rose, connected by legend with Bonnie Prince Charlie and Flora MacDonald.

Rosa alba semi-plena, White Rose of York

Rosa alba incarnata, Maiden's Blush

Rosa damascena. Its most ancient form is Semperflorens, mentioned by Virgil and grown in Pompeii--for centuries this was the only known re-blooming rose in Europe. It was variously referred to as Autumn Damask, Four Seasons Rose, or Quatre Saisons. Long before the Crusades, when they found their way to England, damask roses grew in Persia and the Mediterranean. This type is still used for making attar of roses and other perfumes in the Middle East and Bulgaria. In the 18th century, Celsiana was a popular damask variety.

Quatre Saisons, the Autumn Damak

Celsiana, damask rose



Still Life by Maria von Oosterwijck, 1689
Wikimedia Commons

Rosa centifolia. Other names are Cabbage Rose, Rose de Peintres, or names incorporating 'Dutch' or 'Belgic'. It is distinguished by its abundance of petals, fine pink colour, and high fragrance. Its popularity increased as a result of its prevalence in 17th century Dutch and Flemish still life paintings as well as 18th century French art by Fragonard, Boucher, and others. The miniature form, Rose de Meux, was very popular in the 18th century.


Portland rose (also known as Damask Perpetual) prior to 1775. Reportedly 'discovered' in Pasetum, Naples. Associated, perhaps erroneously, with Margaret Cavendish Bentinck (1715-1785), Duchess of Portland, who studied natural history and botany and was a plant collector. At some point she supposedly received from Italy the Scarlet Four Seasons rose, eventually known as the Portland Rose or Duchess of Portland. Over time it gave rise to an entire class of repeating damask roses.

The Portland Rose

 Frustratingly, some roses defy categorisation. A favourite of mine, Shailer's Provence, aka 'Gracilis,' dating from 1796, is variously defined as: a centifolia, an early Boursault rose, a variant of chinensis, or possibly descended from rosa indica. It doesn't matter to me, I love it for its beauty and because I obtained the original cutting from my mother.

Shailer's Provence

When did roses bloom in England in past times? Gardening and horticultural books reveal exactly when certain specimens flowered.

May: cinnamon rose, monthly rose, damask rose, burnet-leaved rose, Scotch rose
June: damask rose, white rose, red rose
July: musk rose, monthly rose, American rose (perhaps the Virginia or Pennsylvania rose)
September and October:  musk rose, monthly rose

Where could one obtain roses? If you were extremely patient, you could grow roses from seed. Normally cuttings were taken and rooted in soil. Or one could dig up and transplant a specimen. Or you could buy young or established plants from a nursery garden, which might be as large as 50 to 100 acres. With the rise of nurserymen in the 18th and 19th centuries, catalogues of their entire stock were printed, and in them we find many plants familiar to us today. Here are some prices for types of roses mentioned in this article:


William & John Perfect, Yorkshire, 1777
 
Blush Belgic 1s
Damask 4d.
               Dutch hundred leav'd 1s.          
  Maiden's Blush 1s.
  Rosa mundi 4d.
Semi-double Velvet 1s.
Single Yellow 6d.

What might the purchaser do with the roses? Plant them, obviously, but in what manner? During the 17th and 18th centuries the rose was merely one of numerous garden specimens, typically planted in combination with other flowering shrubs and evergreens. In 1791 Richard Twiss designed a rectangular bed edged with box. Within this enclosure was a ring of low-growing roses--moss rose, musk rose, white Provence rose, Austrian copper, de Meux, centifolia varieties. These surrounded evergreens and other flowering shrubs (lauristinas, hibiscus, kalmia, azealea, tulip tree, and cherries).

Rose beds as a separate garden feature didn't arise until the importation of the recurrent Rosa chinensis from China, and the various hybrids produced from it. Extended flowering meant that the rose could take centre stage and it swiftly achieved prominence over all other flowers.

Celsiana by P.J. Redouté,
Wikimedia Commons
Empress Josephine's gardens at Malmaison in France are regarded as the world's first modern-stye rose gardens. Her innovative style, referred to as jardin a l'Anglaise, not only consisted of beds filled with shrub roses or standards (tree roses). Long-caned varieties clambered over pergolas, pillars, obelisks, and trellies. Her passion for roses inspired many a hybridiser, as well as the famous rose painter Pierre-Josepsh Redouté of the Netherlands, who immortalised the Malmaison collection in his monumental three-volume work Les Roses.

New discoveries, such as re-blooming Bourbon roses, brought about the great rose revolution in Victorian England and 19th century France, when hybrids were created by the hundreds. Tea roses, floribundas, and other later varieties all descend from the very earliest roses grown by our ancestors.


Rose Photographs: My own gardens

Sources:

Twelve Months of Flowers, Robert Furber, 1730
The Gardeners Kalendar, Directing the necessary works to be done every month in the Kitchen, Fruit, and Pleasure-Gardens, as also in the Conservatory and Nursery, Philip Miller, F.R.S., 1775
Every Man His own Gardener, Thomas Mawe 1784
The Roses: The Complete Plates, Pierre-Joseph Redouté, 2007
The Flowering of the Landscape Garden: English Pleasure Grounds, 1720-1800, Mark Laird
The Love of Roses: from Myth to Modern Culture, Graham Rose and Peter King, 1992

March 2015
Margaret (Evans) Porter is the award-winning and bestselling author of several historical fiction genres, and is also published in nonfiction and poetry. A lady landscape designer and rosarian is featured as the heroine of her novel The Proposal. Margaret studied British history in the UK and the US. As historian, her areas of speciality are social, theatrical, and garden history of the 17th and 18th centuries, royal courts, and portraiture. A former actress, she gave up the stage and screen to devote herself to fiction writing, travel, and her rose gardens.

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Sunday, June 29, 2014

Queen Adelaide, the Last Georgian Queen


By Lauren Gilbert

http://upload.wikimedia.org/wikipedia/commons/thumb/2/2e/Samuel_Raven_-_The_Duchess_of_Clarence%2C_later_Queen_Adelaide_-_Google_Art_Project.jpg/500px-Samuel_Raven_-_The_Duchess_of_Clarence%2C_later_Queen_Adelaide_-_Google_Art_Project.jpg

Miniature of the Duchess of Clarence,

later Queen Adelaide, 1818, by Samuel Raven

When Queen Victoria took the throne of England in 1837, it was considered the beginning of a new era, a new beginning, moving away from the wild, wastrel ways of her immediate predecessors, especially the debauched King George IV.  However, the queen consort Adelaide was not to be lumped in with them.  

Adelaide of Saxe-Meiningen, wife of William III, was willing to accept William’s proposal in the royal marriage frenzy following the death of Princess Charlotte in 1817.    (William was promised debt relief and an increased income if he married.)  She did her best to curb William’s eccentricities, and ultimately became a beloved figure in her own right.  But who was she?

Adelaide was the elder daughter of George I, the reigning Duke of Saxe-Meiningen, and his wife Princess Louise Eleonore of Hohenloh-Langenburg, born after 10 years of childlessness on August 13, 1792 in Meiningen.  She was given the very grand name of Adelaide Louisa Theresa Caroline Amelia (originally Adelheid Luise Therese Caroline Amalie in her native German).  

A Protestant, she was christened on August 19 in the castle chapel with an imposing list of godparents that included the reigning Prince of Hohenlohe-Langenburg and the Crown Princess of Saxony.  Another daughter named Ida was born 2 years later and, after a still birth, a son, Crown Prince Bernhard was born in 1800.  

Duke George was very interested in his children’s education (Adelaide and Ida began their lessons before the birth of the prince), and drew up a program of education himself, with an emphasis on religion and morals.  Their lessons included French and Italian.  By all accounts, Adelaide was intelligent and well educated.
Meiningen was a small state with a paternalistic government.  Education was highly thought of, and there was great pride in the founding of a girls’ school in 1797 where the girls were taught by men and studied Latin and other subjects.  There were also industrial schools where orphans and poor children were taught trades.  

The Duke supervised the government and the people’s needs closely.  By all accounts, Adelaide was raised in a progressive but controlled, structured environment.  Her father died in December of 1803, and her mother ruled as regent for the young prince, continuing the firm leadership of the late Duke. 

The tranquillity of this small state was destroyed by the activities of Napoleon, crossing back and forth with his armies, quartering his soldiers on the local inhabitants, banning English goods, and causing great damage and suffering when Napoleon was not satisfied.  Meiningen joined the Confederation of the Rhine, and sent 300 men to join the Allied Army.  

There was great suffering and privation during these years, and it appears that Adelaide spent much of this period assisting her mother with her duties in trying to maintain the people’s morale and welfare.
Taxation was very high in post-war Meiningen, and Adelaide was much occupied with trying to relieve the conditions of the poor in the state, and formed an organization of women to work with the Poor-Law Commission to assist with providing food and work to those found deserving.    She was a significant support to her mother as well.  

Adelaide’s sister Ida was betrothed in 1816, and married the Duke of Weimar June 2 of 1816.  This was the first time she and her sister were separated. Then, in 1818, Adelaide was caught up in the search for a suitable bride for William, the English Duke of Clarence, son of George III.
William had considered marriage before, notably after quarrelling with his long-time mistress, Mrs. Jordan (with whom he had 10 children).  In 1811, he proposed to an heiress, Lady Catherine Long, who apparently lost no time in accepting someone else.  Subsequently, he proposed to another young woman of rank, Miss Elphinstone, who turned him down immediately.  

William then apparently lost interest in the marriage project until 1817, when the death of Princess Charlotte (the heiress to the throne behind her father George, Prince of Wales and later George IV) made it essential for the unmarried sons of George III to do their duty.  (Mrs. Jordan’s death in 1816 made it somewhat easier for William.)  

In 1818, it appeared that William was unlikely to ever marry but, to everyone’s astonishment, he proposed to an heiress named Miss Wykeham, who possessed an income of 16,000 a year and a passion for hard riding.  (She was supposed to have worn spurs).  To the dismay of his family and the government, William’s proposal was accepted. It took two Council meetings and the combined efforts of the Regent, Castlereagh, the Duke of York and Lord Liverpool to talk him out this unsuitable alliance.  

At this point, Queen Charlotte apparently took a hand in the search for a suitable bride for William.  (Apparently by now, no one trusted him to do it himself.) Once Adelaide was identified as an acceptable candidate, the financial negotiations began.  William drove a hard bargain, but finally accepted what the government offered and proposed to Adelaide, with their engagement being announced in Meiningen April 19, 1818.  

There are indications that she was not happy about the engagement, but marriage to a royal duke with the potential of being queen and the possible mother to an heir to the throne of England was too much to dismiss lightly.  Adelaide was 25 (almost 26) and William was almost 53 years old.
Adelaide started on her journey to England on June 20, 1818 accompanied by the Duchess of Meiningen and her ladies and gentlemen.  Although Queen Charlotte had written to Adelaide, William did not deem it appropriate for him to escort his bride.  They arrived in London 14 days later.  She does not appear to have created much interest at the time of her entry.

Adelaide married William on July 11, 1818, at Kew Palace with Queen Charlotte present.  Although William had parted from Mrs. Jordan, leaving her to die in penury, he had remained a devoted father to his children and expected Adelaide to welcome them as well.  There is a great deal of speculation on how she felt about this, but all accounts indicate she treated his children with great kindness and affection.
A few weeks after their wedding, the Duke and Duchess of Clarence settled in Hanover.  Although Adelaide was not considered a beauty (allegedly plain, thin and having some kind of skin problem), apparently she and William settled down contentedly to a quiet life in Hanover.   

Adelaide quickly became pregnant but unfortunately delivered her child prematurely in March of 1819.  The baby girl, who was baptized Charlotte Augusta Louisa, lived only a few hours. Adelaide was quite ill after the birth, and both she and William were devastated by the baby’s death. 

After she recovered, they left Hanover and travelled through Europe.  They visited her mother in Meiningen, and continued on to meet the royal yacht at Dunkirk.  Their sailing was, unfortunately, delayed by a miscarriage.   They finally reached Clarence House in November of 1819.  This is the beginning of Adelaide’s life in England.
A few months of marriage to Adelaide had apparently done much to calm William’s excitability and improve his manners, and they were apparently happy living a quiet life, dividing their time between Clarence House in London and Bushy Park.  

The Duke of Kent and his wife had produced a daughter, Victoria, of whom William and Adelaide were very fond. When the Duke of Kent died on January 23, 1820, Adelaide paid multiple visits to his widow.  Much is written about her good relationships with her husband’s family and her efforts to keep the peace.  

King George III also died on January 29, 1820 making the Prince Regent King George IV.  His already debauched court was further scandalized when George IV’s wife Caroline decided to return to England for the coronation.  With her reputation for morality and kindness, Adelaide may not have felt comfortable (or even particularly welcome) at George IV’s court.  

At any rate, she was pregnant and living an extremely quiet life at this time, although she was present at the marriage of William’s daughter Elizabeth at St. George’s Hanover Square in December 4th, 1820.
On December 10, 1820, Adelaide gave birth to another premature daughter.  She was named Elizabeth Georgina Adelaide.  Again, Adelaide was quite ill and took several weeks to recover.  

At the beginning of March of 1821 the weather turned extremely cold.  Little Princess Elizabeth became very ill and died March 4, 1821 at only 4 months old.  The baby’s funeral was March 10th.  This was a tragedy from which Adelaide never fully recovered.  

Although she did become pregnant again, her pregnancies ended in miscarriages, including one, supposedly, of twin boys.  William was very sympathetic and was also upset over the loss of his children with Adelaide.  

An affectionate note written by Adelaide a short time after her baby’s death to the two-year-old Princess Victoria illustrated the kindness and warm-heartedness of Adelaide.
In June of 1822, the Duke and Duchess travelled to Europe.  Their travels included a visit to Meiningen, where they were greeted by Adelaide’s younger brother, the duke.  She was also able to spend time with her mother.  Later they also visited the Duke and Duchess of Weimar (her sister Ida and her husband) and saw the battlefield of Waterloo.  

Adelaide and William left for England in September of 1822.  They returned to continue their quiet life at Clarence House and Bushy Park, with occasional visits to see George IV at the Royal Pavilion in Brighton. Apparently, she was able to spend time with her family in Europe at periodic intervals during this period.    

Adelaide and William, by all accounts, became extremely fond of each other and had a congenial marriage.  Their last visit to Europe lasted over six months, during which time Adelaide was able to participate in her brother’s wedding festivities among other family visits from which they returned to England in early summer 1826. 
Frederick, Duke of York and heir to George IV, became ill in December of 1826 and died in January of 1827, leaving William heir to the throne.  This was completely unexpected, and thrust the Duke and Duchess of Clarence from their quiet life into political and social prominence.    

William was also made Lord High Admiral in April, which appeared to be almost more important to him, as it gave him the opportunity to suggest reforms and improvements for the navy.  (He was also pleased when he was granted additional funds.)
William and Adelaide led much more active social lives, together and separately; they gave a ball at the Admiralty on the anniversary of Waterloo on March 18, 1828 and hosted receptions. Unfortunately, William’s views and renewed excitability (apparently resulting from his unexpected elevation) brought him into conflict with Sir George Cockburn, head of the Board of the Admiralty, and he was ultimately compelled to resign as Lord High Admiral, even though many of his suggestions and ideas had merit.   

Apparently, he was quite unstable for a time in 1828 resulting in the Duke of Cumberland declaring him as mad as their father.  Available information indicates a period of quiet at Bushy Park with Adelaide finally restored his equilibrium.
Adelaide and William remained at Bushy Park for the next year or so.  Adelaide enjoyed long walks, embroidery, and was very happy at Bushy Park.  Several accounts indicate she did not look forward to being queen.  

George IV was also living much retired and became very ill in early 1830.  An early harbinger of change was a visit paid by Lady Jersey to Adelaide. (Adelaide and Lady Jersey were not close, and Adelaide expressed her surprise at Lady Jersey’s new interest in her.)

William was very fond of his brother, the king, and his moods swung from anticipation of what was to come, then to grief for his brother’s condition. As the end approached, he took residence in Windsor on May 25, 1830 and visited his brother daily.  George IV died June 26, 1830.  It must be said that there was little mourning for him.
Adelaide stayed at Bushy Park while William entered into his new life in London with gusto.  She lived quietly, spending time with the Duchess of Kent (mother of Princess Victoria) and in her usual pursuits. She did not attend George IV’s funeral procession, although she did observe the funeral itself from the Queen’s Closet.  

There was concern about William’s state as he was again exhibiting a certain amount of agitation, and the Duke of Cumberland was again making comments about William’s fitness to rule.  The fact that William did get through this period and relations with his brothers were smoothed over (even with the Duke of Cumberland) was attributed to Adelaide’s kindness and her ability to calm William.
Adelaide and William preferred a simpler life, and it showed in their coronation at Westminster Abbey on September 8, 1831.  (William had no taste for pomp and had not wanted a coronation at all.)  It was a pared-down ceremony, and there was no banquet at Westminster Hall. Adelaide paid for her own crown, using some of her own jewels and paying for the setting.   

William’s lack of pretension, warmth and good nature were well received, and Adelaide shared in his initial popularity.  However, his long-winded, loud speech, his excitability and lack of dignity created concerns. He was also interested in issues and politics, which had been neglected by George IV.  He said too much, insulted and offended people, and made himself extremely visible. Ultimately, he became a laughing stock.
In the early 1830’s there was great pressure for reform. When a bill to reform parliament was defeated a month after the coronation, crowds were angry. With her conservative, sheltered background, Adelaide found the prospect of change difficult and opposed reform.  William, on the other hand, was an advocate of reform.   

When the conservative House of Lords rejected another reform bill, William threatened to create enough liberal peers to make sure it passed, and the reform bill passed in May, 1832.  William was pleased, but it made him unpopular in conservative circles.   

Adelaide was also unpopular, accused by the conservatives of wielding her influence to push the King toward this liberal stand and by the liberals of meddling too much with politics through expressing her conservative views which encouraged the conservatives to fight reform.  

William and Adelaide were also disappointed in their efforts to have a closer relationship with their niece (and his heir) Princess Victoria, because of long-running tensions with the Duchess of Kent and the duchess’ restrictions on Victoria’s activities. 
As 1832 progressed, William’s physical and mental health deteriorated under these pressures and he became irritable and forgetful.  Adelaide objected to the politically-motivated removal without warning of her chamberlain Lord Howe and refused to appoint another.  He continued to serve her household in an unofficial capacity, which resulted in rumours of an illicit relationship.
By 1835, William had become stubborn and almost impossible to get along with. He tried to circumvent his ministers at every opportunity (without success), cursing and abusing them. He was frightened for the future of the realm, afraid of foreign invasion (he was especially suspicious of Russia), and of the Duchess of Kent serving as regent for Princess Victoria if he were to die before her majority. He did not trust the government to protect the realm.  

However, his affection for his wife remained constant.  In 1836, he suggest that her name be given to a new colony in south Australia; the city still bears her name.
William was pleased when Victoria’s 18th birthday came on May 24, 1837, taking great satisfaction that the Duchess of Kent would be denied the position of regent.  His physical condition deteriorated, and his primary concern was surviving until the anniversary of the Battle of Waterloo on June 18.  

The few pleasures he had included visits from his children and grandchildren. This must have been an excruciating time for Adelaide, with all the bad feeling, arguing and in-fighting combined with watching the inevitable decline of her husband and the death of her mother in the spring.  

She lived her usual quiet life, giving receptions and drawing rooms.  She also suffered a period of extreme illness, during which she was unable to assist William.  

Once she was sufficiently recovered, she was with him constantly, not leaving to change clothes for the last 10 days or so of his life. William died in Adelaide’s arms June 20, 1837 at Windsor Castle.
William’s funeral was at Windsor on July 10, and Adelaide attended, sitting in the Royal Closet at St. George’s. Letters between Adelaide and the new queen, Victoria, show an affectionate relationship, with Victoria allowing Adelaide to stay in Windsor at her pleasure, allowing her to take what she wished (Adelaide took a cup that William had used and a picture of him with his children); Adelaide in her turn wrote warmly to Victoria, offering her blessings and prayers to the new queen, showing no signs of begrudging her niece anything. Adelaide retired to Marlborough House and her beloved Bushy Park with no sign of regret.
For a while after William’s death, Adelaide received no visitors. She had never fully recovered from her illness at the time of William’s last illness, and the strain of caring for him and his subsequent death resulted in a recurrence of her own illness. Custom prevented her from attending Victoria’s coronation, although she sent a lovely letter of congratulation and best wishes to her niece on that day.  She retained the servants who had worked for her when she was Duchess of Clarence.  
Adelaide became noted for her charitable work and became widely loved. According to one account half of her income was devoted to various charities, including several church funds. 

A year after William’s death, Adelaide cruised the Mediterranean and visited Malta, where she was received enthusiastically. Apparently there was no Anglican church at Malta, and she wrote to the queen and prime minister about the situation. She was ultimately responsible for founding and endowing the Anglican Cathedral of St Paul at Valetta, Malta (she laid the foundation stone in 1839).
Adelaide remained on excellent terms with her niece. After her return, she visited the Queen in her box at the opera, attended her wedding, and was one of the sponsors for the queen’s first child, Princess Victoria Adelaide Mary Louise. (However, Adelaide did annoy Queen Victoria by writing to her, expressing strong Tory leanings.)  

Adelaide also remained on good terms with the dowager Duchess of Kent (Victoria’s mother) and other members of the royal family. Her own family spent much time with her, and she was still very involved with William’s children and grandchildren.   

She continued to have health problems, and she ultimately lost the use of one lung.  She changed residences frequently, apparently trying to find a place where she would improve to no avail. Her last residence was Bentley Priory, in Middlesex, where she died December 2, 1849. Her sister and her nephew were with her, and Queen Victoria and Prince Albert visited her the week before she died. Adelaide was buried with William.    

 Sources include:
Crofton, Ian.  The Kings and Queens of England.  New York: Metro Books, 2011 (by arrangements with Quercus Editions Ltd).
Erickson, Carolly.  HER LITTLE MAJESTY The Life of Queen Victoria.  New York: Simon & Schuster, 1997.
Erickson, Carolly.  ROYAL PANOPLY Brief Lives of the English Monarchs.  New York: History Book Club, 2003.
Williamson, David.  History of the Kings and Queens of England.  National Portrait Gallery, 1998 (Barnes & Noble edition 2003).
Sanders, Mary.  The Life and Times of Queen Adelaide. London: Stanley, Paul & Go, 1915.  On-line at https://archive.org/stream/lifetimesofqueen00sandiala/lifetimesofqueen00sandiala_djvu.txt
Britain Express website.  Dictionary of British History.  “Queen Adelaide 1792-1849.” http://www.britainexpress.com/History/articles.htm?article=11
Oxford Dictionary of National Biography (on-line).  Clerke, E. M. and Purdue, A. W.  Adelaide {Princes of Saxe-Meiningen}(1792-1849), queen of the United Kingdom of Great Britain and Ireland, consort of William IV.  http://www.oxforddnb.com/view/printable/162
The Advertiser (on-line).  McGuire, Michael.  “How Well Do You Really Know Our Queen Adelaide?” May 3, 2013.  http://www.adelaidenow.com.au/news/south-australia/how-well-do-you-really-know-our-queen-adelaide/story-e6frea83-1226634913209
Lauren Gilbert, author of HEYERWOOD A Novel, lives in Florida with her husband.  A second novel is expected out later this year.  For more information, visit her website at www.lauren-gilbert.com      

Wednesday, June 27, 2012

The Scent of Lavender...


By Lauren Gilbert
Lavender from Encyclopedia Britannica 1911 via Wikimedia Commons

  

      I have loved the scent of lavender since I was a teenager in the ‘60’s when Yardley’s English Lavender became a popular fragrance (at least, it was new to me!).  Light, fresh, clean and sweet, lavender has an ageless appeal.  It is almost impossible to pick up a Regency novel without a mention of lavender, whether it is scenting the hero’s immaculate white linen (a suitably masculine blend, of course), or wafting ever so subtly from the heroine’s lace-edged handkerchief. 
     Lavender is an ancient herb, long associated with healing.  Its Latin name Lavandula latifolia, appears to be derived from the Latin verb lavare, meaning “to wash” and the Romans used it to deter flies and sweeten the air, as well as to clean and dress wounds.  The ancient Egyptians used lavender in embalming and in scented unguents.  It was widely used in Tudor England, where  lavender was placed in linens (not only making them smell sweet but discouraging insects!); sewn into little bags, it could be tucked amongst clothing or into one’s bosom.  Queen Elizabeth found lavender tea soothing for migraines and used lavender perfume as well.  In the Georgian era, the perfumers D R Harris made a popular lavender water for gentleman, and Floris used lavender in potpourris and perfumes for ladies (both are still in business today)
     Down through the centuries, lavender has been long considered something of a miracle herb.  In  Nicholas Culpeper’s herbal (1653 edition), he says it cures “all griefs and pains of the head and brain that proceed of a cold cause…” and also recommends its use for dropsy, heart ailments, liver and spleen obstructions, tooth ache, and more.  Even today, herb guides discuss its antiseptic and painkilling attributes.  (Mine says it can be used to sooth insect bites, burns, sore throats and headaches, and is a relaxant when used in the bath, among other medicinal uses!)   I know from personal experience that it works wonderfully to deter moths and other insects from my linen closet and pantry-how many modern insect repellents work well, smell wonderful, and have no poisonous effects?
Among many old recipes including lavender I ran across, two seemed good to include:
The first is not adapted for modern preparation, other than the list of ingredients:
Lavender Wine (1655)
1 bottle of Sack, 3 ounces of sugar, 2 ounces of lavender flowers, and ambergris
Take 2 ounces of dryed lavender flowers and put them into a bottle of Sack, and beat 3 ounces of Sugar candy, or fine Sugar, and grinde some Ambergreese, and put it in the bottle and shake it oft, then run it through a gelly bag, and give it for a great Cordiall after a week’s standing or more.
[Derived from a recipe from The Queen’s Closet Opened, by W.M., Cook to Queen Henrietta Maria.]     

The next recipe contains the old version, and an adapted version, so that one can make it if desired:
Martha Lloyd’s English Lavender Water
To one quart of the best rectified spirits of wine put 3/4 oz. of essence of Lavender and 1/2 a scruple of ambergris; shake it together and it is fit to use in a few days.
Modern Equivalents
From: Herbinfo
To make Lavender water, put 3 handfuls of dried Lavender flowers into a wide necked screw top jar and add 1 cup of white wine vinegar and 1/2 cup Rose water.
Leave the mixture in the dark for 2-3 weeks and shake the bottle frequently.
If flowers are not available, use essential oils. Mix 25 drops of essential oil (traditionally lavender, rose or neroli) with 2 fl oz (50ml) ethyl alcohol (or isopropyl or vodka). Shake them together in a screw-top bottle. Leave the mixture to settle for 2 days then shake again. To store, pour into a dark bottle with a tight fitting lid and leave almost no air space.
[This recipe is from the Jane Austen Centre Bath website, posted by Laura Boyle 1/3/2002, in its entirety.  This is a fascinating website, and well worth a look!]
Bibliography
Bremness, Lesley.  HERBS.  Dorling Kindersley: New York.  1994
Renfrow, Cindy.  A SIP THROUGH TIME A Collection of Old Brewing Recipes.  2008
Bibliomania.com.  Culpeper’s Complete Herbal 1653 edition.  http://www.bibliomania.com/2/1/66/113/frameset.html 

The Georgian Index.  Sellers of Perfumes and Other Toilettries.  http://www.georgianindex.net/London/l_merchants.html
Jane Austen Centre Bath.  Martha Lloyd’s English Lavender Water.  http://www.janeausten.co.uk/english-lavender-water/
 LavenderFarm.com.  The History of Lavender. http://www.lavenderfarm.com/history.htm
Lavenderenchantment.com . The History of Lavender.  http://www.lavenderenchantment.com/History_Lore/history.htm


Lauren Gilbert is the author of HEYERWOOD: A Novel.  She is a member of JASNA, lives in Florida, and is working on her next novel.