Showing posts with label Erasmus. Show all posts
Showing posts with label Erasmus. Show all posts

Monday, December 21, 2015

The Two Wives of Sir Thomas More

by Susan Abernethy
Here lies Joanna, dear little wife of Thomas More, who intends this tomb for Alice and me. The first united to me in my youthful days, gave me a boy and three girls to call me father. The second, a rare distinction in a stepmother, was as affectionate as if the children were her own. It is hard to say if the first lived with me more beloved than the second does now. Oh how blessed if fate and religion had permitted all three of us to live together. I pray the tomb and heaven may unite us, thus death could give what life could not give.
Epitaph written by Sir Thomas More for his wives seen to this day in Chelsea Old Church
Aside from many other good qualities, Sir Thomas More, who served as Chancellor of England under King Henry VIII, was known as a dedicated family man. The illustrious Tudor court painter Hans Holbein the Younger painted a famous portrait of the More family. Sadly the original painting is lost but Holbein gave the original, preparatory sketch to Sir Thomas as a gift and it still exists. Thomas had two wives during his married life. Let’s take a look at these two remarkable women.

After attending school at Oxford and legal training, Thomas was living with the Carthusian monks just outside London when he decided to marry and pursue a career as a Member of Parliament. In November of 1504, Thomas was betrothed to Joanna, the eldest daughter of John Colt. John Colt’s father Thomas Colt had married a rich heiress allowing him to obtain Netherhall and all of its estates and to rebuild the manor house. Joanna’s mother’s name was either Jane, Joan or Elizabeth Eldrington. The child may have been named Jane after her mother but family documents show her as Joanna which could have been shortened to Joan. She is most commonly known as Jane so that is what we will call her.

An uncle later attested at a lawsuit hearing that Jane was seventeen at the time of her marriage. She would have received the standard education for a young woman of her class, including domestic management, deportment and religious instruction. The biography of Thomas, written by his son-in-law William Roper says Thomas was attracted to the Colt daughters due to their honest conversation and virtuous education. The connection to the Colt’s was made through Thomas’ father who knew John Colt. Jane never visited London before she was married and the couple probably only met each other no more than a half a dozen times before they were married.

There were economic advantages for the marriage for both parties. Thomas had an up and coming career and Jane’s father settled a dowry on her. The actual amount is unknown but compared to similar dowries of the time, it most likely amounted to £150-200. The best guess for their wedding date is mid-January, 1505. Thomas drew on Jane’s dowry to take out the lease on the Barge at Bucklersbury, furnish the house and landscape the gardens. The house was on the east end of Cheapside, about five hundred yards from the Thames.

Thomas’ humanist friend Erasmus, who spent time with the More’s at the Barge says Thomas arranged to have Jane educated and taught her how to play music. Jane would give birth to four children. Her first child was Thomas’ beloved daughter Margaret who was born in the fall of 1505. Jane’s labor was long and painful. Shortly after the birth, she made a special thank-offering to God at the Church of St. Stephen’s Walbrook where she attended regularly. Margaret may have been named for St. Margaret, the patron saint of childbirth.

A daughter named Elizabeth was born c. 1506 and another daughter, Cecily was born in 1508. Jane’s final child was a son John who was born in 1509. There was an adopted daughter in the household, an orphan of a neighbor named Margaret Griggs. She was brought up and educated with the More children.

During the Christmas season of 1510, Thomas was fulfilling his duties as “Lord of Misrule” at Lincoln’s Inn and couldn’t be with the family. Jane had welcomed Erasmus to the household for the holiday celebrations and he was allowed to invite his own guests. Erasmus asked an Italian friend and scholar Andrea Ammonio to join him. Six months later Ammonio was still at the Barge and wrote to Erasmus that Lady More was well and never mentioned Erasmus without blessing his name.

By September 1511, Jane had been struck by some fatal illness and was dead. Probable causes of death were influenza, typhus or dysentery. Her funeral was held at St. Stephen’s and she was interred beneath the flagstones of the chancel.

Alice More
Within a month, Thomas had convinced a wealthy widow of a family friend to marry him. Her name was Alice Middleton. Her husband John Middleton was a wool exporter, silk merchant and mercer who had been born in Beverly in Yorkshire. He was a Citizen of London, member of the Mercers’ Company and a Merchant of the Staple of Calais and he lived and worked in Fenchurch Street. Thomas was made a member of the Mercers’ Company so he could represent some of their members in negotiations. Whether he met Middleton or Alice here is speculation but the Middleton and More families certainly knew each other.

Middleton had become ill in October of 1509 and died a few weeks later. He made Alice a co-executor of his will and she inherited all of his goods in London and Calais, and his lands and rents in Hertfordshire and London. Alice was pregnant at the time of his death but unfortunately miscarried the child. At the time, she had a nine year old daughter named Alice and a younger daughter named Helen. The will included dowries for the two girls. Helen died shortly after her father.

Alice came from a notable and well-off lawyer family. She was born Alice Harpur c. 1474 probably at Epping, Essex. She was the daughter of Elizabeth née Ardern and Elizabeth’s second husband Sir Richard Harpur. Elizabeth was known for her sharp tongue and snappy wits. When Alice was ten, her father bought the manor of Latton as his main home. Alice loved this home and the countryside very much and was loathe to leave. Her father arranged her marriage to her cousin John Middleton when she was sixteen and she moved to London.

After her father died, the family home came to be sold and Alice made it her mission in life to recover Latton. She spent the next twenty years following the fortunes of the estate. She may have considered by marrying Thomas, she would have a stellar lawyer on her side in any future litigation.

Thomas may have known Alice was experienced in raising children and managing a household as well as managing the wealth and assets she had inherited. He also probably knew she was a godly woman. Thomas talked Alice into marrying him as soon as possible. He acquired a special license that allowed him to avoid the announcement of the wedding banns in church for three consecutive Sundays.

John Bouge was the acting rector of St. Stephen’s and he wrote a description of the events leading up to the marriage. He says that within a month after burying Jane, Thomas came to him with the special license late on a Sunday night. The marriage was performed on Monday. Alice lost no time in taking over management of the household at the Barge. She moved the household ledgers and the iron chest containing the ready cash to her bedroom. Ammonio was asked to leave.

Erasmus says Thomas loved Alice dearly. He treated her with kindness and good humor persuading her to do his will with his wit. He called her “a stout master woman”. He taught her to play the virginals, recorder and lute. Alice’s wealth came in very handy and allowed Thomas to renew his lease on the house at the Barge. Both Alice and Thomas shared a love of animals and there were many pets, including a monkey, weasels and dogs among others. They enjoyed exchanging jokes between themselves and teased each other mercilessly. Thomas worried about enjoying himself too much. He kept his private and his public life separate, rarely sharing aspects of his work with this family.

Alice was wise, the epitome of common sense, forthright in her speech and exercised practical efficiency. She demonstrated courage, sensibility and frugalness. She could also be generous and warm-hearted. She was just what Thomas needed at the time. She encouraged him to further his career. She took loving care of his four children plus Margaret Griggs and her own daughter Alice. She carefully supervised the children’s education, assigning lessons and making sure they were completed. She is remembered as being fun loving by her grandchildren.

Within a year or two of Jane’s death, Thomas made plans to build a tomb to honor Jane with an inscription written by himself. He then changed the plan to include himself and Alice in the tomb. He asked Alice if she preferred to be buried with him or John Middleton, whose tomb included a space for her. She chose to be buried with Thomas and he was exceedingly pleased with her choice. As Thomas’ career advanced, he was away from home more often and Alice was left in charge.

In 1524, Thomas acquired assorted parcels of land in Chelsea and began construction of a new house. The family moved into a smaller house nearby until it was finished. The new home had ample space, gardens and an orchard. Just after moving in, Thomas had Jane’s remains exhumed and buried in the vault in Chelsea Old Church. There is only one surviving letter between Thomas and Alice and it concerns the matter of their barn burning down in Chelsea in 1529. In 1530, Alice and Thomas joined the Fraternity of Christ Church, Canterbury, professing their devotion to St. Thomas Becket and the cathedral.

They only lived in Chelsea for seven years before their situation began to deteriorate. After Thomas’ resigned as Lord Chancellor in 1532, he called a family meeting to say they could no longer afford to live as they were accustomed. They were unable to support their children. He and Alice would have to live frugally and economically. Thomas and Alice lived with Margaret and William Roper in genteel poverty. Thomas was forced to sell his silver plate, and they lived on a £100 pension that Henry VIII had given him for life when he joined the King’s Council.

The Act of Succession was passed in 1534 and Thomas refused to swear the oath of succession recognizing Anne Boleyn’s children as Henry’s heirs. The king's council had Thomas imprisoned in the Tower in April. Anticipating he would be arrested, Thomas set up a trust giving property to his daughter-in-law Anne Cresacre, the Ropers and Alice. Only the property of the Ropers was actually transferred to them.

Alice never did understand the reasons for Thomas’ downfall. She only visited him once in the Tower during his fifteen month stay, probably at the behest of Thomas Cromwell in a desperate last ditch effort to get Thomas to change his mind. Alice was completely flummoxed on how her husband came to be locked up in the Tower. She didn’t think moral principles paid the bills. She strongly rebuked her husband during the visit. Thomas was unfazed.

After Alice’s visit to the Tower, she was left at the house in Chelsea with her furniture but the loss of her husband’s pension was a serious financial blow. She had £30 of rents from her own estates and she let out two farms but she was forced to rely on charity from a family friend. Thomas had spent all the cash she had inherited from her first marriage. She petitioned King Henry to pardon and release Thomas into her custody. The petition was ignored. She was forced to sell some of her clothes to pay off Thomas’ debts and the bills for board and lodging in the Tower. She petitioned Cromwell for help to no avail.

In late 1534, the Act of Supremacy passed in Parliament and Thomas was asked to swear an oath recognizing King Henry as Supreme Head of the Church in England. He did not swear. It was treason to deny the king’s new title and Thomas was tried, convicted and executed on July 6, 1535.

King Henry passed a special Act of Parliament dissolving the family trust Thomas had set up for Alice. The two small farms escaped the Act leaving Alice £20 per year. William Roper tried to evict Alice to take the rents. There was a lawsuit that lasted for five years but Alice won and Roper was forced to pay her compensation. She also finally won a backdated pension from King Henry and was now more solvent than she had been since Thomas’ downfall. She moved into a smaller property along the river and established her independence. She lived there the rest of her days. She died on or before 1551 and is most likely buried in Chelsea.

Jane was self-effacing, obedient and quiet, taking care of the household and giving Thomas four children. Alice and Thomas had a comfortable relationship that they both enjoyed. She had a deep affection for Thomas. She managed his household and brought up his children, teaching his daughters the requisite modest and appropriate behavior for a gentlewoman and the domestic skills need to run their own households. She was dutiful, pious and kind, endeavoring to save her husband’s life. They enjoyed a good life until his troubles began. It seems Sir Thomas was lucky with his two wives.


Sources

A Daughter’s Love: Thomas More and His Dearest Meg by John Guy, Wicked Women of Tudor England: Queens, Aristocrats, Commoners by Retha Warnicke, entry on Alice More in the Oxford Dictionary of National Biography written by Retha Warnicke. I would also like to thank my friend Meg McGath for her help in writing this article.

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Susan has had a lifelong interest in history since watching “The Six Wives of Henry VIII” on TV as a teenager and earned a degree history. She has been blogging about her favorite topic for several years now with a specialty in Tudor, women’s, medieval, English, French, Scottish and Anglo-Saxon history. You can read her blog at The Freelance History Writer.

Wednesday, November 27, 2013

Hans Holbein: Politics of Art in the Court of Henry VIII

By Nancy Bilyeau

Just two years into the reign of James I, a Dutch painter and poet named Karel van Mander toured Whitehall Palace and came upon something truly memorable: a large wall mural of two generations of Tudors. Dominating the nine foot by twelve foot mural was the long-dead Henry VIII. At his side was his third wife, Jane Seymour; above the couple were his parents, Henry VII and Elizabeth of York.

Whitehall mural, a 17th century painting reproduction

Van Mander was stunned. He wrote that Henry VIII "stood there, majestic in his splendor...so lifelike that the spectator felt abashed, annihilated in his presence."

Lifelike. This was the supreme achievement of the mural's creator, Hans Holbein. then and now. Peter Ackroyd has written, "He illustrates his sitters in the light of some sudden but characteristic emotion, as if he had caught their thought on the wing."

Hans Holbein the Younger

It is in part because of Holbein that we feel we know the Tudor personalities, from Henry VIII and Jane Seymour to Thomas More and Thomas Cromwell to a baby Prince Edward. But do we really know Holbein?

It seems to us now as if Hans Holbein the Younger was always there, the favorite, the prize artist of the king. But in fact his artistic reign was fairly brief. He did not become "court painter" until shortly before painting that famous mural. It had taken years to win the trust of Henry VIII and secure royal commissions. Just three years after the Whitehall mural, he was under a cloud because of his painting of Henry's fourth wife, Anne of Cleves. Three years after that, he was dead.

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Hans Holbein was born in 1497 in Augsburg, now the third largest city in Bavaria, Germany. Then it was a "free Imperial city" within the Holy Roman Empire, faithful to emperor and pope. Hans Holbein the Elder came from a family of talented artists and made sure to teach his son everything he knew. The father painted mostly altarpieces, church windows and other religious works--in the late medieval age, this was where artists found their majority of paying work.

Martin Luther transformed Germany--and then the rest of Christendom--when he challenged papal authority in 1517, nailing his 95 theses to the door of the castle church of Wittenerg. Two years earlier, Hans and his older brother Ambrosius had moved to the thriving Swiss city of Basel to work as journeyman painters. He created portraits and murals and designed woodcuts for printers. But soon enough Hans Holbein was engulfed in Luther's revolution.

Dance of Death, the Abbot

Holbein's cover of the Luther bible

It is in his woodcuts that Hans Holbein the Younger gives some indication of his religious beliefs. He designed the title page of Martin Luther's bible. And he created woodcuts for The Dance of Death, an eerie series of drawings showing a skeleton reaching for people across every level of society: merchant, king, abbess, old woman---and pope. Death came to everyone, high or low, was the message.

But in the first of several ironies, when Holbein came to England, his sponsor was Sir Thomas More, known for his hatred of Luther and determination to destroy the books written by those who wanted to reform the church.

Holbein departed from Basel in 1526, leaving a wife and children behind. Religious commissions had dried up as Lutheranism ignited. No one wanted altarpieces anymore. To earn enough money to live--and to, hopefully, find fame--he'd need to establish himself in a foreign court. He tried France first, but nothing happened. The famous Dutch Renaissance humanist Erasmus, whom Holbein had painted at least twice, gave him a letter of recommendation to be given to Sir Thomas More, a fellow Humanist and one of the most valued councilors of Henry VIII.

Sir Thomas More

Holbein may have lived in More's Chelsea home for a time. What is known for certain is that he painted a famous portrait of Sir Thomas as well as many of his family members. More raved about the artist's abilities in a letter to Erasmus. If he knew about Holbein's belief in religious reform, he'd decided to overlook it.

 In 1529 Sir Thomas More became chancellor of England. It would seem that Holbein couldn't have picked a better patron.

But More was devoted to Catherine of Aragon, the first wife of Henry VIII, and although he tried hard to avoid it, he got caught up in the Great Matter of the king's divorce. More did not have a high opinion of Anne Boleyn, who would eventually become Henry's second queen, and could not swear an oath of supremacy to king over pope. In 1532 he resigned as chancellor, in anguish, claiming illness.

Holbein was not damaged by his patron's fall from power because he'd returned to Basel, to his family and his circle of artist friends. But this was no place for an artist. The pendulum had swung so far in Basel that religious reformers were destroying statues and works of art in churches. It is believed that some of Holbein's paintings were burned in the rages of iconoclasm. Holbein decided to go  back to England. Before he left, he painted his wife, looking undeniably sad.

Holbein's wife and two of their children

There was a whole new group running the Tudor court in 1533, and Holbein headed for the top. His new patron? The stylish Anne Boleyn. He designed decorations for her coronation; pieces of jewelry; and several silver cups. It is believed that he painted Queen Anne's portrait, but after her fall, Henry VIII had many images of his second wife destroyed. One that survives is a sketch of Anne signed by Holbein.

The Ambassadors

Perhaps the greatest contribution Anne made to the legacy of Holbein was sponsoring his painting The Ambassadors, considered his master work. The strongest clue that Anne commissioned the work is that on a table between the two Frenchmen is a wooden cylinder used to determine dates. Visible is April 11, the day that the court was officially told that Anne Boleyn would be awarded royal honors.

Holbein's sketch of Anne Boleyn

Anne's execution in May 1536 could have led to Holbein's downfall. Instead, he shifted again, becoming the favored painter of Henry VIII himself and Thomas Cromwell, who many believe concocted the charges against Anne of adultery and incest.

Henry VIII, the year Anne Boleyn was executed

Holbein painted Jane Seymour, Anne Boleyn's prim-looking replacement as queen, and the family mural in Whitehall. He received the all-important commissions to paint the king himself and his heir, Prince Edward. He painted Cromwell. This was when Holbein's status at court became official and he earned an annual salary of thirty pounds.

Jane Seymour died the same year that the mural was painted. Henry VIII was reluctant to marry a foreign princess without having any idea of what she looked like. So Holbein was sent to various courts to paint the candidates: France, Flanders, Germany.

Anne of Cleves

In Cleves, he painted Anne, the older sister of Duke William, and Henry was charmed by her appearance. Yet from almost the moment he set eyes on her when she arrived, days before their wedding, he loathed Anne of Cleves. "I like her not," the king declared.

Did Holbein, the artist celebrated for his lifelike images, over-flatter Anne of Cleves in his painting? Did he feel pressure from Cromwell, who supported the marriage alliance to a German power, to make her look more attractive than she was? Cromwell was arrested and then executed in 1540, and one of the reasons for his shocking fall from power was that Henry felt his minister had bungled his fourth marriage. "I am not well handled," the king said, menacingly.

Thomas Cromwell

Did Holbein handle his part well? Others have said that Anne of Cleves' painting must have been accurate because, unlike Cromwell, Holbein was not punished in the fallout of the Cleves divorce. Which is strictly true. But Hans Holbein did not receive any more high profile royal commissions. He concentrated on private commissions, such as miniatures of various members of the nobility, like Katherine Willoughby, the young wife of the Duke of Suffolk.

In late 1543 at the age of 45, Hans Holbein died, perhaps of the plague, in London. He left a will, written in haste. His debts were settled and some of his monies went to the care of the children in Basel he had left behind. His grave is unmarked.

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Ackroyd, Peter, The Life of Thomas More

Ives, Eric, The Life and Death of Anne Boleyn

Thurley, Simon, Whitehall Palace: An Architectural History of the Royal Apartments, 1240-1690

Weir, Alison, Henry VIII: The King and His Court

Wolf, Norbert, Hans Holbein the Younger, the German Raphael

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Nancy Bilyeau is the author of an award-winning trilogy of historical thrillers set in the time of Henry VIII. The protagonist is a Dominican novice. The first two novels, The Crown and The Chalice, are on sale in North America, the United Kingdom, and Germany, The third book, to be published in March 2015, is called The Tapestry. Hans Holbein is a character in the novel.

U.S. publication

UK publication

To learn more, go to www.nancybilyeau.com