Showing posts with label E.M. Powell. Show all posts
Showing posts with label E.M. Powell. Show all posts

Monday, July 13, 2020

The Triads of Ireland: Medieval Irish Wisdom.

By E.M. Powell

Anyone who loves history will tell you that one of the most enjoyable things to do is to visit actual historical sites. An added bonus of writing historical fiction is that one can do quite a lot of this in the name of research. One of my more recent trips was to the wonderful Dunmore Cave in Co. Kilkenny in Ireland.

Dunmore Cave, Co. Kilkenny
© E.M. Powell

Dunmore Cave has been used for refuge and storage for hundreds of years. A Viking massacre here is recorded in the Annals of the Four Masters, a 17th century compilation of earlier Irish chronicles. In 928 Godfrey and the Vikings of Dublin reputedly slaughtered more than 1,000 people here. Archaeological investigations have found the remains of hundreds of people, with many being those of women and children.  10th century coins, beads, and pins have also been found.

I was particularly pleased to see an information board announcing it as ‘One of the Three Darkest Places in Ireland’. No, this wasn’t just a cheap marketing ploy by the Irish Office of Public Works. It's a reference to the mention of Dunmore Cave in the Irish Triads. Triads, the arrangement of ideas or sayings in groups of three, are common in ancient Irish and Welsh writing. They are a type of wisdom literature, serving to instruct, enlighten and at times entertain the reader/listener with truths about life.

St. Luke- 9th C Irish MS
Public Domain

Trecheng Breth Féne or The Triads of Ireland is a collection composed about the ninth century AD by an anonymous author who was most likely a cleric. One might think that the Irish Triad wisdom of over 1,100 years ago would be remote and/or inaccessible. It’s quite the opposite. So much of what this unknown writer has left us could have the ink still wet on the paper. I thought I’d share my personal favourites.

Some of the triads are simply a geographical reference, such as to Dunmore Cave above. We have ‘The three mountain-passes of Ireland: Baltinglass, the Pass of Limerick, the Pass of Dublin’ and ‘The three uneven places of Ireland: Breffny, the Burren, Beare.’ Anyone who has visited the Burren and had a walking boot wedged in a limestone crack would never disagree with this assessment.

Early Medieval Grave Slab, Durrow, Co. Offaly
© E.M. Powell

Moving on from geography, the writer relates some moral musings:
‘Three rejoicings followed by sorrow: a wooer's, a thief's, a tale-bearer's.’
‘Three things which justice demands: judgment, measure, conscience.’
‘Three things which judgment demands: wisdom, penetration, knowledge.’
Wise indeed, yet quite theoretical. Happily, he gets more specific:
‘Three laughing-stocks of the world: an angry man, a jealous man, a niggard.’ 
Yes, indeed, but closely followed by:
‘Three ruins of a tribe: a lying chief, a false judge, a lustful priest.’ 
‘Three ranks that ruin tribes in their falsehood: the falsehood of a king, of a historian, of a judge.’

Early Medieval Grave Slab, Durrow, Co. Offaly
© E.M. Powell

One has to wonder at this point if the scribe has somehow found a wormhole where he is viewing the 21st century. Leaving his very pertinent observations on human nature, we come to the cleric’s Triads that relate to the natural world. These for me have great lyrical beauty.
‘Three slender things that best support the world: the slender stream of milk from the cow's dug into the pail, the slender blade of green corn upon the ground, the slender thread over the hand of a skilled woman.’
‘Three live ones that put away dead things: a deer shedding its horn, a wood shedding its leaves, cattle shedding their coat.’
‘Three cold things that seethe: a well, the sea, new ale.’
‘Three sounds of increase: the lowing of a cow in milk, the din of a smithy, the swish of a plough.’
‘Three dead things that give evidence on live things: a pair of scales, a bushel, a measuring-rod.’
‘Three renovators of the world: the womb of woman, a cow's udder, a smith's moulding-block.’
Beautiful, of course, but this unknown writer didn’t simply excel at pastoral imagery. He also has a number of observations of human nature that are on the nail and often hilarious.
‘Three rude ones of the world: a youngster mocking an old man, a healthy person mocking an invalid, a wise man mocking a fool.’
‘Three ungentlemanly things: interrupting stories, a mischievous game, jesting so as to raise a blush.’
‘Three ungentlemanly boasts: I am on your track, I have trampled on you, I have wet you with my dress.’ (Note: on this one, I have no idea. I included it because I love it.)
‘Three deaths that are better than life: the death of a salmon, the death of a fat pig, the death of a robber.’
‘Three silences that are better than speech: silence during instruction, silence during music, silence during preaching.’
‘Three speeches that are better than silence: inciting a king to battle, spreading knowledge, praise after reward.’
‘Three things that constitute a buffoon: blowing out his cheek, blowing out his satchel, blowing out his belly.’
‘Three wealths in barren places: a well in a mountain, fire out of a stone, wealth in the possession of a hard man.’
‘Three oaths that do not require fulfilment: the oath of a woman in birth-pangs, the oath of a dead man, the oath of a landless man.’
‘Three worst smiles: the smile of a wave, the smile of a lewd woman, the grin of a dog ready to leap.’

Initial- 9th C Irish MS
Public Domain

The last of the Triads I have included have a particular appeal. They reflect the contemporary world that the writer lived in, such as this one about Irish appearance.
‘Three lawful handbreadths: a handbreadth between shoes and hose, a handbreadth between ear and hair, a handbreadth between the fringe of the tunic and the knee.’
The world of work is here, too.
‘Three things that constitute a comb-maker: racing a hound in contending for a bone; straightening a ram's horn by his breath, without fire; chanting upon a dunghill so that all antlers and bones and horns that are below come to the top.’
‘Three things that constitute a carpenter: joining together without calculating, without warping; agility with the compass; a well-measured stroke.’
‘Three things that constitute a physician: a complete cure, leaving no blemish behind, a painless examination.’
‘Three things that constitute a harper: a tune to make you cry, a tune to make you laugh, a tune to put you to sleep.’ 

Durrow High Cross, Co. Offaly c850 A.D.
© E.M. Powell

And as it’s Ireland, we have views on hospitality. First, things the writer isn’t happy with:
‘Three unfortunate things for a man: a scant drink of water, thirst in an ale-house, a narrow seat upon a field.’
‘The three worst welcomes: a handicraft in the same house with the inmates, scalding water upon the feet, salt food without a drink.’
‘Three preparations of a bad man's house: strife before you, complaining to you, his hound taking hold of you.’
‘Three sorrowful ones of an alehouse: the man who gives the feast, the man to whom it is given, the man who drinks without being satiated.’
Counterbalanced with what he approves of:
‘Three preparations of a good man's house: ale, a bath, a large fire.’
‘Three entertainers of a gathering: a jester, a juggler, a lap-dog.’
‘Three accomplishments of Ireland: a witty stave, a tune on the harp, shaving a face.’
‘Three fewnesses that are better than plenty: a fewness of fine words, a fewness of cows in grass, a fewness of friends around good ale.’

John- 9th C Irish MS
Public Domain

But I think he must be back at that wormhole, looking over my shoulder. For, lastly, we have:
‘Three glories of speech: steadiness, wisdom, brevity.’
I’ll accept that 1,100 year old advice: brevity it is. Slán!

~~~~~~~~~~~
References:
Images are either © E.M. Powell or are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts. 

Kelly, Prof. Fergus, SIR JOHN RHYS MEMORIAL LECTURE: Thinking in threes: the triad in early Irish literature: (2003) http://www.britac.ac.uk/events/2003/autumn/031009.cfm
Lindahl, C., McNamara, J & Lindow, J. (eds.): Medieval Folklore, Oxford University Press (2002)
Meyer, Kuno, The Triads of Ireland, Royal Irish Academy, Dublin, Hodges Figgis & Co. Ltd.: (1906.) http://www.gutenberg.org/files/31672/31672-h/31672-h.htm
Yocum, Christopher: Wisdom Literature in Early Ireland. STUDIA CELTICA, XLVI (2012), 39–58 https://www.academia.edu/419294/Wisdom_Literature_in_Early_Ireland

This is an Editor's Choice from the archives, originally published March 29, 2016.

~~~~~~~~~~~

E.M. Powell's historical thriller and medieval mystery FIFTH KNIGHT and STANDON & BARLING novels have been #1 Amazon and Bild bestsellers. The third Stanton & Barling mystery, THE CANTERBURY MURDERS, will be released in October 2020. Born and raised in the Republic of Ireland into the family of Michael Collins (the legendary revolutionary and founder of the Irish Free State), she lives in northwest England with her husband, daughter and a Facebook-friendly dog. Find out more by visiting her website www.empowell.com or follow her on Twitter @empowellauthor.

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Sunday, October 7, 2018

Editors Weekly Round-up, October 7, 2018

by the EHFA Editors

Enjoy this week's articles from English Historical Fiction Authors, and don't forget to comment on the Giveaway post!

by Samantha Wilcoxson


by E.M. Powell


by Ruadh Butler



A paperback copy of Delirium by Emma Rose Millar is being offered (UK readers only) - Comment on the original post by 11:59pm (PST) Sunday, Sept. 7,  for a chance to win. 

Wednesday, October 3, 2018

Crime and Punishment Under Henry II

By E.M. Powell

King Henry II of England is best known in the popular imagination for the murder of Archbishop Thomas Becket, a murder for which the King was blamed. Four knights broke into Canterbury Cathedral on 29 December 1170 and slew Becket in the most brutal manner.

The Murder of Thomas Becket c 1480 Public Domain- British Library

Whatever one’s view of the volatile Henry, there is one achievement from his thirty-five-year reign that stands above all others: his reform of the English legal system, which laid the foundations of the English Common Law. When he came to the throne in 1154 at the age of just twenty-one, his realm was in deep disarray following civil war. He urgently needed to re-establish royal authority and impose order and set about doing so with his customary relentless drive. The judicial system was the subject of much of his attention and he was aided in this by the talented Becket, who was his chancellor at the time.

Henry II enthroned, arguing with Thomas Becket c. 1307 - c. 1327 Public Domain- British Library

Henry addressed reform of both land law and criminal law. With land law, cases relating to an individual being dispossessed or those in which inheritance was in dispute were now settled in a trial by jury. The jury system was far quicker and more efficient than the system it replaced. Given that said system was one of trial by combat, one can see why it was not just the efficiency of the new system that made it so popular.

His reform of criminal law was even more impressive. He issued new legislation at Clarendon in 1166 and Northampton in 1176. It was at Clarendon where the procedures of criminal justice were first established, addressing how serious felonies such as murder, robbery and theft would be dealt with. Juries of presentment were established, consisting of twelve lawful men in each hundred (a subdivision of a county) and four in each vill (village). These juries were not there to decide on guilt or innocence, but to support an accusation of a serious crime.

Anyone who was accused of such crimes would be put in prison to await trial. Those trials could only be heard by the King’s justices, who travelled the country to do so. Henry first introduced his system of itinerant justices at Clarendon but refined the system at Northampton. England was divided into six circuits, with three justices, the justices of the general eyre, allocated to each.  Twelfth century chronicler Roger of Howden lists the eighteen justices itinerant and their circuits for 1176.

Detail of an historiated initial 'I'(udex) of a judge c. 1360- c. 1375 Public Domain - British Library

One of the justices listed was Ranulf de Glanville. De Glanville was one of Henry’s staunchest allies, securing key victories for the King in the rebellion of 1173-74 and rising to the position of Justiciar of England. The ‘Treatise on the Laws and Customs of the Kingdom of England’, produced in the late twelfth century, is the earliest treatise on English law and is commonly referred to as ‘Glanvill’, though it is unlikely that de Glanville was its author.

The justices provided a system of criminal investigation for the whole country. The impact of the arrival of the travelling court should not be underestimated. It could consist of several hundred people, all of whom were tasked with supporting the royal justices in administering the law in the name of the lord King. As well as being administratively impressive, it would have been a spectacle that reinforced Henry’s power over all his subjects. It would also have instilled awe and fear in all those who witnessed it, especially those who were accused of a serious crime.

The accused were brought before the justices. Proof of their guilt or innocence could be established in a number of ways, such as witness testimony, documents or the swearing of oaths. Unlike criminal trials today, the jury acted as witnesses and not an impartial panel. They would give the account of what had happened.

Five judges and three plaintiffs c. 1360- c. 1375 Public Domain - British Library

In cases that were not clear cut or in those of secret homicide where there were no witnesses, the justices used the ordeal. Ordeal could be by cold water or by hot iron. The blessing of the water and the iron served to bring the notion of God’s judgement, judicium Dei, into the proceedings.

There was great ceremony and a long build-up attached to the ordeal, which would have added to the pressure on the accused to confess. The accused would be taken to church four days before the day on which the ordeal was due to take place. They had to wear the clothes of the penitent, fast and hear several masses. If they still did not confess, the ordeal would take place.

Two judges addressing a prisoner held by a court officer c. 1360-c. 1375 Public Domain - British Library

The most innocent of hearts must have quailed. Stripped to only a loin cloth, the accused would be led to the pit, which was twenty feet wide and twelve feet deep and full of water. A priest would then bless the water. God would now be the judge: His blessed water would receive the accused if innocent, reject him if he was guilty. The accused would be bound, thumbs to toes, and lowered in from a platform.

With ordeal by hot iron, the accused had to undergo the same preparation of fasting and penitence. A length of iron would be blessed and heated in a fire until it was red hot. The accused would have to take it in one hand and carry it for three paces. The injured hand would be bandaged and then examined three days after the ordeal. If it had healed, then innocence was proclaimed. If it had not, then the accused was guilty.

Both forms of ordeal were terrifying and horrific in themselves, and the lengthy preparations would have only added to the pressure to make a confession. Once the accused made a confession, it could not be retracted. In 1215, the Church forbade priests to take part in the ordeal, bringing an end to its use.

A man hanging from gallows c. 1360-c. 1375 Public Domain - British Library

For those found guilty, the King’s punishment awaited. Hanging was reserved for the worst crimes. Thieves and robbers could lose a foot and, from 1176, their right hand. The law also had a final judgement it could impose, even if the accused was acquitted by undergoing the ordeal. If it was judged that the accused had a particularly bad reputation, as sworn to by the jury, then the accused was to leave the King’s lands as an outlaw and had to swear under oath that they would never return.

And lest anyone think that they could take the law into their own hands and administer punishments themselves, the King’s justices had a clear system of heavy fines for those who would dare to do so. Order would prevail. Henry, the consummate administrator, had thought of everything.


References:
All images are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts. 
Bartlett, Robert, Trial by Fire and Water: The Medieval Judicial Ordeal (Oxford, 1986)
Bartlett, Robert, The New Oxford History of England: England under the Norman and Angevin Kings 1075–1225 (Oxford, 2003)
Hudson, John, The Formation of the English Common Law (London, 1996)
Pollock, Frederick, and Maitland, Frederic William, The History of English Law Before the Time of Edward I (Cambridge, 1898)
Warren, W. L., Henry II (Yale, 2000)

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E.M. Powell’s historical thriller Fifth Knight novels have been #1 Amazon and Bild bestsellers. Her new Stanton & Barling medieval murder mystery series starts with THE KING’S JUSTICE, followed by THE MONASTERY MURDERS.

As well as blogging for EHFA, she is a contributing editor to International Thriller Writers The Big Thrill magazine and is the social media manager for the Historical Novel Society.

Born and raised in the Republic of Ireland into the family of Michael Collins (the legendary revolutionary and founder of the Irish Free State), she now lives in northwest England with her husband, daughter and a Facebook-friendly dog. Find out more by visiting www.empowell.com.



Sunday, September 30, 2018

Editors Weekly Round-up, September 30, 2018

by the EHFA Editors

Enjoy this week's articles from English Historical Fiction Authors, and don't forget to comment on the Giveaway post!

by Morag Edwards


by Kim Rendfeld



by Anna Belfrage


comment by 11:59pm Sunday (PST) for a chance to win a signed copy


Monday, September 24, 2018

Giveaway: THE KING'S JUSTICE by E.M. Powell

A paperback copy of THE KING'S JUSTICE, the first in E.M. Powell's bestselling new medieval mystery Stanton & Barling series, is being offered.

A murder that defies logic—and a killer on the loose.

England, 1176. Aelred Barling, esteemed clerk to the justices of King Henry II, is dispatched from the royal court with his young assistant, Hugo Stanton, to investigate a brutal murder in a village outside York.

The case appears straightforward. A suspect is under lock and key in the local prison, and the angry villagers are demanding swift justice. But when more bodies are discovered, certainty turns to doubt—and amid the chaos it becomes clear that nobody is above suspicion.

Facing growing unrest in the village and the fury of the lord of the manor, Stanton and Barling find themselves drawn into a mystery that defies logic, pursuing a killer who evades capture at every turn.

Can they solve the riddle of who is preying upon the villagers? And can they do it without becoming prey themselves?

“Cleverly plotted, the action is fast paced and full of twists and turns, surprises, and suspense.” —Historical Novel Society

For a chance to win a copy, please leave a comment below. Don't forget to leave your contact details.

This giveaway will remain open until 11.59 pm on Sunday September 30 (Pacific Daylight Time)

Good luck!

Sunday, January 1, 2017

Editors' Weekly Round-Up, January 1, 2017

Happy New Year from the editorial team at EHFA!

We rounded out 2016 with several excellent posts:

by Linda Root



by E.M. Powell
(Editor's Choice, from the archives)




Sunday, October 9, 2016

Sunday, July 3, 2016

Editors Weekly Round Up: July 3, 2016

by the EHFA Editors

Enjoy this week's wrap up of posts on the blog:

by Mimi Matthews


by David Ebsworth


by E.M. Powell


by Lauren Gilbert


by Annie Whitehead

by Lesley Hulonce


The English Historical Fiction Authors blog has also been running a Giveaway this week. David Ebsworth is giving away a signed paperback of The Song-Sayer's Lament: A Novel of Sixth-Century Britain. You can find the details in the link below. Entries are open until Midnight (Pacific Time), Sunday July 3 2016.

Giveaway- The Song-Sayer's Lament: A Novel of Sixth-Century Britain