Showing posts with label customs. Show all posts
Showing posts with label customs. Show all posts

Monday, May 1, 2017

MayDay, MayDay, Mayday!

by Mike Rendell

And no, the internationally recognized distress signal has nothing whatsoever to do with  the first day of May: it is a deliberate corruption of the French expression venez m’aider, (‘come and help me’) having been chosen in 1923 by a senior radio officer by the name of Frederick Stanley Moxford. He wanted a word that would indicate distress and would easily be understood by all pilots and ground staff in an emergency at his local airport (Croydon). It was soon picked up and is now the accepted distress call for planes and ships alike. A less well-known call sign is ‘Pan-pan’ (from the French panne – meaning a breakdown) which is used in less serious incidents such as mechanical problems which are not life-threatening. As with ‘Mayday’ it is repeated three times to ensure clarity and to prevent confusion.

But I digress: what of May Day, the first day of May and the first day of summer? Traditionally this was always celebrated in Northern Europe as a chance to say farewell to winter, and an opportunity to have a celebratory bonfire (in some parts of Ireland it is still known as Bonfire Night, whereas the English save that expression for 5th November, being Guy Fawkes Night).

 
It is also the subject of some lovely customs, many of which lasted longer where the Celtic traditions remained strong, rather than elsewhere. Take the charming custom of washing your face with May dew. The 1652 book by a Dr Gerard Boate entitled ‘Irelands Naturall History' says this of the custom:
“ The English women, and gentlewomen of Ireland… did use in the beginning of summer to gather good store of dew, to keep it by them al the year after for several good uses both of physick and otherwise, wherein by experience they have learnt it to be very available.”

The collecting of dew would take weeks of preparation. In April, May and into June the girls would get up before the dawn, go to the green fields (wheat was best) and harvest the dew – either with their bare hands, or more especially by spreading a sheet out over the moist grass, and then wringing it out and collecting it in a glass jar. This would be topped up every day, and for the whole year would sit in the sunlight by a suitable window. Every few days the concoction would be purified by carefully straining off the water so as to leave behind any sediment, dirt, or other impurities. And so, after nearly a year in which the freshest of fresh waters was imbued with sunbeams, it could be splashed on the face! Dr Boate’s book opined “The dew, thus thoroughly purified, looketh whitish, and keepeth good for a year or two after.”

The distillation was at its most powerful if applied before sunrise on 1st May, and in an age when we consider it beneficial to rub avocado extract into our hair, or spread unmentionable products over our skin to prevent wrinkles, who is to say that a spot of early morning dew water is not just as magical in its properties?

The practice gave rise to the riddle:
   I washed my face in water
   That had neither rained nor run,
   And I dried it on a towel
   That was neither woven nor spun.

The answer lay in the fact that having washed your face in dew you always allowed it to dry in the fresh air – you would hardly go to all that trouble and then wipe it off afterwards!
This custom was by no means limited to the uneducated country poor – it was also favoured by ladies of fashion and has in some cases been transported, and lives on in at least one household in the United States. The blog at http://artbydot.com/?cat=4 recalls the fact that in one particular family the girls always set their alarms for six in the morning  on May 1st so that they can run outside and rub their faces in the morning dew on the lawn!
Among the anticipated benefits of applying dew to the face (or even better, naked dew rolling!) was that it would prevent freckles, sunburn and wrinkles. It could prevent headaches, and even walking barefoot through the dew would ease bunions and callouses as well as preventing corns! For some reason it also enabled the person concerned to have greater dexterity in untangling nets, ropes, or freeing knots from string and thread. (Memo to self: get up early 1st May and roll around in the buff on the neighbour’s  lawn – I don’t have one, so his will have to do!)

Ireland in particular had many other May Day traditions, including cutting down a thorn- bush and putting it up outside your house and decorating it with ribbons. Another custom was to keep the brightly coloured egg-shells left over from Easter, and then string them together as a loop to hang around the tree. But tree-rustling was such a problem that a law was passed in the reign of George III (1775) stating that “every person who shall put up any Maybush opposite or near to his or her house or suffer any Maybush to be so put up or to remain for the space of three hours opposite or near to his or her own house…not being a person lawfully possessed of trees or woods or not having lawfully obtained the same … shall forfeit and pay such sum not exceeding forty shillings.” (Two pounds – the equivalent today of perhaps $220).

Another tradition was putting up a Maypole at a crossroads. The tallest was reputedly at the Strand in London, near the present St Mary-le-Strand Church. It was erected shortly after the Restoration of the Monarchy in 1660 (all such practices having been banned under Cromwell’s Protectorate) and was over 130 feet tall. It stood there until a storm blew it down twelve years later. The tradition of putting up maypoles caused our legislators to impose controls (presumably because of the risk of serious injury to road users from collapsing poles): an Act of Parliament dated 1792  was passed to ‘Improve and keep in repair the Post roads of the Kingdom’. Amongst other things it stated that “If any person… shall erect any sign-post or maypole or maybush on any part of the said roads…every person so offending shall forfeit the sum of twenty shillings.”

The Irish had a similar tradition of putting up maypoles at cross-roads, but whereas the English seemed content to tie ribbons round the poles and dance around them, the Irish came up with some splendid alternatives. There were two famous crosses in Dublin at Harolds Cross and Finglas, and they would be smothered in soap until slippery. A succession of prizes having first been tied to the pole, the young men would then be challenged to climb the slippery pole and claim the prize – a hat, a pair of breeches or an old watch. It was also often an occasion for dancing and carousing, as well as traditional activities such as sack races, gurning (making contorted facial expressions through horse collars), wrestling, chase-the-pig and so on. In Tralee in 1785 an eccentric landowner called Miss Cameron introduced the custom of men racing each other with sacks of coal or flour draped around their necks – a spectacle giving rise to much rejoicing and revelry.

Some of the traditions date from the fact that May Day in Ireland was the traditional day for hiring agricultural labourers. It was also the day when rent was due. In some places such as Limerick it was customary for the farm workers to parade through the main streets of the town, complete with  ploughs, scythes and other agricultural implements.

In England many of the celebrations are limited to a specific town or village. Padstow in Cornwall has its hobby horse (or rather, ‘obby-oss’), while many places reckon that May Day is the start of the Morris Dancing season (cue much waving of hankies and banging together of stout poles). Across the country there may be people rushing into the North Sea, or attending festivals, or jumping off bridges! And that is quite apart from those who regard the day as International Workers Day …

An Editor's Choice, originally published May 1, 2012.

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Mike Rendell is the author of The Journal of a Georgian Gentleman based upon the diaries, written notes and accounts kept by his 4x Great Grandfather. He also writes a regular blog on aspects of life in the Eighteenth Century (it can be found here). In 2017, he published In Bed with the Georgians: Sex, Scandal and Satire in the 18th Centuryavailable on Amazon UK.



Thursday, March 16, 2017

The Rose - Emblem of England

By Deborah Swift
The rose is a symbolic figure so rich in meaning that by now it hardly has any meaning left: Dante's mystic rose, and 'go lovely rose', the Wars of the Roses, rose thou art sick, too many rings around Rosie, a rose by any other name, a rose is a rose is a rose...'
Umberto Eco : Reflections on The Name of the Rose.1983 


The Symbolism of the Rose


For centuries, flowers appeared in Western Art primarily for their symbolism. In the case of roses, these usually revolved around ideas of heavenly and earthly love. Early roses had only five petals, and legend says the original colour was always white. The ancient Greeks believed that roses only turned red after Venus chased after her lover, Adonis, and pricked her finger on a thorny rose bush in her lust to catch him.

Another Christian legend is, that the blood of the crucified Christ spilled down onto a white rose bush which grew at the foot of the cross, and since then, the roses there grew red instead of white. Red and white roses were also symbols of the Virgin Mary, representing sacrifice and purity, and rosary beads (a rosary is a rose garden) are still associated with Mary. Rosary beads refer back to the 11th century, when, the story goes, Godgifu ( Lady Godiva) gave a set of beads as an offering to the Virgin Mary at St Mary’s Abbey, Coventry (later Coventry cathedral). 


This portrait shows the 26-year-old Elizabeth I dressed in coronation robes upon which the rose emblem is fiercely evident. This particular image was used as the basis for coins and seals, hence the reason she is shown full face. The portrait is based on a now lost original which dated from 1559. Elizabeth's long flowing hair was traditional for a coronation. and her elaborate gown is made from woven gold and silk thread and was also used by Mary I, five years earlier. The decoration of Tudor roses and fleurs-de-lis refers obliquely to the English sovereignty and the English claim on French land.

What is the Tudor Rose?
The Tudor rose, one of the most distinctive and unmistakable flowers in England, has been in use as the country’s emblem since the Tudor Era. It is a representation of the merging of two warring houses, and the end of years of conflict.

This illustration in the painting at the top of this post is by Albert Payne from 1910, and depicts The Plucking of the Red and White Roses in the Old Temple Gardens - an event that supposedly happened in the mid-fifteenth century but was probably a fiction - invented by Tudor propagandists and popularised by Shakespeare. Do Read the scene here - it's wonderful and very dramatic! The scene in the painting represents both the dynastic struggle for the throne, and the bringing about of unity with the rise of the Tudors.

The years of armed conflict, sometimes known as the Cousins’ War (both Richard, Duke of York, and Henry Tudor were directly descended from Edward III and therefore cousins), are most commonly known as the Wars of the Roses which came to an end with the Battle of Bosworth in 1485. King Richard III was defeated by the Lancastrian claimant, Henry Tudor, who ascended the throne as Henry VII.

Their marriage united the two warring houses, and so Henry VII introduced the Tudor Rose, which combined the red rose of Lancaster with the white rose of York. The Tudor Rose was adopted as the national emblem of England, and became a symbol of peace and unity in the period after the long civil war.

The Tudor Rose is a common sight in England even today. It can be seen as a symbol on a number of old buildings, most notably Hampton Court Palace, which was built during the reign of Henry VIII. The badge is found on the uniforms of the Yeoman of the Guard at the Tower of London, on the Royal Coat of Arms of the United Kingdom, and also on the back of our 20p coins. It is a common emblem in stained glass in public houses and palaces all over England.


The Popularity of Roses in Tudor Gardens
Because of this, cultivated roses in the Tudor garden were very popular. Roses were used in cookery, for making rosehip wine and also for perfumes, cut flower arrangements and pot pourri mixtures to keep rooms smelling sweet. In a London where people lived very closely together without any proper sanitation or drainage, the smell in summer could be unbearable, and roses, with their strong scent, were used to allay the stench. Levinus Lemnius, a Dutchman visiting England in 1560, was impressed by the English use of herbs in the home; 
their Chambers and parlours strawed over with sweet herbes, refreshed mee, their nosegayes finely entermingled with sondry sortes of fragrant floures in their bed chambers and privie roomes, with comfortable smell cheered me up, and entirelye delighted all my sences.
Because of the new interest in rose varieties, in gardens as a status symbol, and added to this the fact that new roses were also arriving from abroad, a great deal of 'rose lore' was published in the Tudor era. Some of this lore was useful; some of it deluded by our standards today. 

Harking back to the York/Lancaster division, Thomas Hill's book ‘The Gardener’s Labyrinth’ of 1577 suggests that you can turn white roses red by placing the white flowers in the mouth of a pot filled with the best redde wine, close to, but not actually touching the wine. Then, by keeping the pot tightly-stoppered all day the roses will have become red by the evening!

He also suggests you can turn red flowers white by holding them over
‘the smoke of brimstone beaten into a fine powder and burnt on a new tile stone'
Another of his ideas, of how to have fresh roses at all times of the year was equally suspect, involving gathering half-open rosebuds at sunset, 
'touche them not with a hande in gathering, with a sharpe knife properly gather them'
 After that you had to put them in a jar stoppered with horse dung, and bury the pot underground.




A bestseller in the field or herbal advice was Hugh Platt's The Jewell House of Art and Nature which contains a whole section devoted to the art of distillation of flowers. He advises his ladies to collect rose petals, spread them out on on clean linen to dry them, or to put half-opened roses in shallow boxes of washed and dried sand, to sprinkle them with another fine layer of sand and to build up four or five layers of drying roses and leave them in the sun.  
'and so you may have rose leaves and other flowers to lay about your basons, windowes and court cupboards, all the winter long.'


Echoes of the past
There is something quintessentially English about roses. Partly it is because of our gardens, lavishly furnished with traditional rose-beds, partly it is because of fairy tales we remember like Snow White and Rose Red and The Sleeping Beauty. Much of it is also because of the way our royal family has adopted the Tudor Rose to convey the absence of division, something as a nation we should all aspire to. In the early part of  the 20th century, and still surviving in rural England to this day, (picture above from the Edwardian era) the ceremony of the 'Rose Queen' was very popular. In early summer, processions were led by a young woman, who had been crowned the "Rose Queen" for the year. In some communities, the Rose Queen and May Queen have become indistinguishable, but in some villages they are still distinctly different ideas. The Rose Queen may be particular to a church, but can also represent the whole village or community. Her duties are often as an ambassador at local fetes or charities, where her presence acts as a kind of blessing. The rose and royalty, and the link to sovereignty and the land are still strong in our customs and folklore.

Pictures from wikipedia, unless linked.
Bibliography
The Rose - Jennifer Potter
Culpeper's Herbal
Elizabethan England - Dodd
The Tudors - Terry Breverton
Deborah Swift  worked as a set and costume designer for film and TV before publishing her first novel. She also developed a degree course in Theatre Arts at the Arden School of Theatre, where she taught scenography and the history of design. In 2007 she took an MA in Creative Writing at Lancaster University, and since then has juggled writing with teaching. Her first novel, The Lady's Slipper, about the wild flower of that name, is available for free download here.

Tuesday, September 29, 2015

Crazy Customs from the Past Blog Hop and Book Release

by Debra Brown

To our way of thinking, people of the past have had some crazy customs. Packing a picnic lunch to attend and cheer on a hanging comes to mind. Or is it that different than a jumbo popcorn in the center seats to see the gore in full color and best of all, larger than life?

We are used to doing things our way, as people were Then. It comes with practice. I was always confounded by the fact that ladies once wore dresses that dragged in the mud. Surely society would have understood if just a tad of ankle showed to keep the spendy fabrics from becoming filthy and ragged? Or not? It was unfathomable to me until I attended a Renaissance Faire in full dress (to the top of my foot, thank you) and watched more realistic women dragging their acres of fabric in the dust. As my contract required me to hang out for the duration, I adjusted to the sight and with practice learned to accept it as if it were fully normal. I may adjust my social standing for the next event and drag some velvet in my train.

Time traveling is fun. One of the fabulous EHFA writers mentioned the convenience of relieving oneself when attending a Regency banquet--since there were no rooms set aside for the purpose as we have today, a duke or duchess might (would, actually) simply step behind a partition and make use of a chamber pot. How handy is that?

For those of you who enjoy stepping into the past from the safety of your modern day reading room just down the hall from your flushing toilet, we proudly present the beautiful Volume Two of Castles, Customs, and Kings: True Tales by English Historical Fiction Authors, edited by myself and Sue Millard and published by Madison Street Publishing. As an extra treat, several of our contributors and friends have shed light on various customs, from "Hunting the Wren in Wales and Ireland" to the "17th Century Marriage Day". See below for links to their blogs. We hope you enjoy this blog hop in celebration of our new release.

An anthology of essays from the second year of the English Historical Fiction Authors blog, this book transports the reader across the centuries from prehistoric to twentieth century Britain. Nearly fifty different authors share the stories, incidents, and insights discovered while doing research for their own historical novels.

From medieval law and literature to Tudor queens and courtiers, from Stuart royals and rebels to Regency soldiers and social calls, experience the panorama of Britain’s yesteryear. Explore the history behind the fiction, and discover the true tales surrounding Britain’s castles, customs, and kings.

Volume I
          Amazon
       
Volume II
          Amazon


The Kindle copy and links from other venues will be available soon.





Monday, August 31, 2015

For Whom the Bell Tolls- Early Tudor Way of Death

by Carol McGrath

Imagine a silent, sombre procession moving slowly through the streets of London from the deceased's home to the local Parish church. The bells toll, and the funeral bier is covered with black cloth. The year is 1512. King Henry has been on the throne for three years. He is young, a golden Renaissance prince, and, as yet, there is no hint of Reformation in England. In fact Henry VIII was conservative. He was Catholic as far as the Church liturgy was concerned all his life. Funerals during his reign remained traditional, no different to those of Medieval times. Even during the Elizabethan era many features of medieval funerals for the wealthy, middling or poor remained the same.

Queen Elizabeth I 's funeral cortege

If the deceased was wealthy, this procession would be led by servants bearing banners and coats of arms. There would be attendants clad in black gowns carrying black staves. Black was provided to invited mourners. Generally there were no flowers. Mourners carried herbs. Sprigs of rosemary for remembrance would be worn in the hat, pinned to the sleeves and onlookers might wear mourning rings showing skeletons or crosses.

The bell's tolling would summon attendants to the graveside and bring comfort, not only to the living, but to the dead. People were prompted to prayer by the tolling bells. These helped the soul on its journey. If one was superstitious, one might believe that tolling bells would chase off any evil spirits that could molest the soul. After the Reformation in the mid sixteenth century, bell tolling was limited. The bells would ring 'moderately' at funerals. It was no longer an official belief that they were beneficial to the passage of the dead person's soul.

Bell tolling helped the passage of the soul

Winding and watching were important aspects of a death ritual. They were also a practical necessity. This work involved washing, winding the corpse in a shroud and watching over the candle lit corpse before it was carried in procession to the church for burial. A midwife could be employed for corpse washing duty! A shroud could be linen, but by the mid seventeenth century shrouds were woolen to give a flagging wool trade a boost. Although a box might occasionally be used, unless a person was wealthy he/ she was buried in the shroud. Generally, no more than two to three days would pass between death and burial. Infectious bodies were buried as soon as possible. Equally, the very wealthy might be embalmed to allow time for mourners to gather.

Watching the corpse involved sitting up all night with the dead body. It was a custom that continued after the Reformation. The body might be laid out on a floor covered with a sheet. The corpse was constantly attended and watched, a tradition similar to that of Celtic Wakes. It secured another mark of respect for the deceased's family. It safeguarded the body from tampering. Sometimes the watchers imagined that they saw visions. It could be frightening. Imagine the stories they whispered as they prayed for the safe passage of a soul.

Image result for free pictures of rosemary
Rosemary for Remembrance

Most bodies rested on biers and were not carried in coffins from the time they departed for the Church until they were placed in the grave. A bier was a frame with handles designed to transport and support the corpse. These were often supplied by the Parish, and they would be stored at the back of the Church. The Parish might also loan out a mortuary cloth, a pall, to cover the bier. Guilds supplied such trappings for the burial of guild members. The hearse was originally a frame to hold candles that were placed over the body during the funeral service. Eventually the meaning of hearse changed to include the whole ensemble whether bier or a coffin that transported the body to the grave.

Death was never far away. A Church wall painting

The poor of the Parish expected a funeral dole. In fact, it was the poor who were sometimes employed to accompany or carry the corpse. Funeral processions in Tudor London were often led by members of the poor dressed in mourning livery. Since black was the colour of Tudor mourning, the wealthy who could afford acres of black cloth would provide mourning cloaks for the guests, gowns, hangings, draperies, covers and gifts such as mourning rings or gloves. Thus, a mourner could easily be identified by apparel. Traditionally, the funerals of the well-to-do were accompanied by deeds of charity and acts of largesse.

Tudor Generosity!

Mourners who accompanied the body to the grave might be fortified with ale, wine or spirits. Guests would also be provided with refreshments later. Funeral meals were semi public occasions, and a large company could be expected. Vast amounts of food and drink were consumed after Tudor funerals. For the well to do, new middle class they became an occasion!

The Tudors Artifacts - The Tudors Wiki

To find out more about Tudor and Stuart funerals read Birth, Marriage and Death, Ritual, Religion and the Life Cycle in Tudor and Stuart England by David Cressy, Oxford University Press.

My new novel in progress opens with a London funeral and is set in 1512.

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Carol McGrath

The Handfasted Wife published by Accent Press 2013
The Swan-Daughter published by Accent Press 2014
The Betrothed Sister published by Accent Press 2015

www.carolcmcgrath.co.uk