Showing posts with label ango saxon dane. Show all posts
Showing posts with label ango saxon dane. Show all posts

Friday, November 27, 2015

Mrs Gaskell's Tower Part I - Historical Trails & Serendipity

By Annie Whitehead

I'm fortunate to live in a part of the world which gives me easy access to many areas of outstanding natural beauty. And I tend to veer away from the obvious spots in the English Lake District to see what else is on my doorstep.

On the northern edge of Morecambe Bay lies a little place called Silverdale, and it was here, at Lindeth Tower, that Elizabeth Gaskell, novelist and biographer of Charlotte Bronte, used to come for her holidays.



As an historian and an author, I love to go wandering along a trail, be it metaphorical or geographical. Mrs Gaskell's Tower had given me a starting point, but she is a literary, rather than historical figure. Little did I know that what started as a 'Victorian' day, would become a day when I got tantalisingly close to the Anglo-Saxons ... 

A pleasant walk down a lane strewn with autumn colours took me down to Jenny Brown's point, where a chimney stands as a reminder of this area's industrial past:



Walking back from the point, I found an old lime kiln which has been reconstructed, fenced off, and given a little placard explaining the history and uses of lime-burning. I also discovered that there was a shipwreck in the area in 1894, when a pleasure yacht, The Matchless, foundered off Jenny Brown's point with the loss of 25 souls.

The English poet Gordon Bottomley (1874-1948) lived in the village and was visited often by his friend, the artist Paul Nash.
Silverdale is noted for its wells, which used to serve the village, and Woodwell is situated, as one might guess, in an area of peaceful woodland.
photo by Zephyrine Barbarachild

It was a wonderful walk, despite the typical northern weather that day, but I left feeling that I hadn't uncovered everything that Silverdale knew ...

And then I remembered that a while ago I'd read in the local paper about the Silverdale Hoard. Now, I'm an Anglo-Saxon-ist, rather than a Viking-ist, so the Silverdale Hoard didn't initially get my pulse racing in the way that the Staffordshire Hoard is apt to do. And yet, and yet ... something drew me to investigate.

2oo pieces of Viking silver were found by a detectorist in 2011 and have been dated to around the year 900. Of the 27 coins, some are coins of Alfred the Great and some of the Danish king of Northumbria. As with the Staffordshire Hoard, it is assumed that whoever buried this stash was unable, due to the turbulent nature of the times and probably due to loss of limb, or life, or both, to come back and retrieve their retirement fund.



It's no thing of beauty compared with the ornate goldwork of the other afore-mentioned hoard, but this cache contained a silver bracelet with an unusual combination of Irish, Anglo-Saxon and Carolingian style decoration. Other pieces of jewellery were found as fragments, having been cut up to be used as 'hacksilver', an alternative form of coinage.

One coin in particular was considered note-worthy, inscribed as it was with the name AIRDECONUT, which has been translated as Harthacnut. Since the coin also bears the inscriptions DNS and REX, it has been suggested that this might identify a hitherto unnamed Danish king of Northumbria. The historian in me was interested.

Another coin, a silver penny, was inscribed  ALVVADVS, translated as Aethelwold. The author in me was excited ...

Aethelwold was the son of Alfred the Great's elder brother, King Aethelred. When Alfred died in 899 Aethelwold made a bid for the throne, taking a nun hostage (why? Don't ask me) and holing up in Wimborne, Dorset, where his father was buried, as if to establish that he, and not Alfred's son Edward, had the stronger link to the West-Saxon line of kings. From Wimborne he went to ally himself with the Northumbrian Danes, who acknowledged his claim to the kingship of Wessex. Confident of eventual victory, he must have proceeded to order coins minted in his name. He eventually met his cousin Edward in a remote part of of East-Anglia in 902, at the Battle of the Holme. The rarity of the coin bearing Aethelwold's name perhaps tells you what you need to know about the outcome.

So, from a tower favoured by a Victorian writer, via industry and shipwreck, and an interesting but not initially fascinating buried treasure, I had come, unplanned and unconsciously, to a person whom I feel I 'know' rather well. For you see, a year before this hoard was discovered, I had written a story. It's called To Be a Queen, and it features Alfred the Great, his daughter, her brother, Edward, and their cousin, one Aethelwold, or as I call him, Thelwold.

Those among you who write, and have a penchant for digging, either literally or figuratively, will understand how satisfying it was for me to find out about that tiny little silver penny.



And as for Mrs Gaskell? Well, she got me thinking, too, and Part II of my Silverdale 'wanderings' will be live on this blog on December 27th.


Annie Whitehead is an historian and author of To Be a Queen, which tells the story of Aethelflaed, Lady of the Mercians, daughter of Alfred the Great. She writes regularly for magazines and will be releasing her second novel, also set in 'Dark Ages' Mercia, in the New Year.

Find her book at AMAZON and BOOK DEPOSITORY
and find Annie on her BLOG and FACEBOOK PAGE

Wednesday, July 18, 2012

Welsh Idylls with Judith Arnopp Part One: St Gwenog's Church


Llanwenog Church, Ceredigion
Just a stone’s throw from my home in the parish of Llanwenog is St Gwenog’s church. I have only recently found the time to go and have a close look and thought I would share my visit with you.
The Church of St Gwenog is delightful and anyone in love with ancient churches and planning a trip to the area should put it on their list of places to visit. It is only a small building and does not take long to explore but entering the church is like stepping into another world.
A memorable battle was fought in Llanwenog in 981, between the Dane, Godfrid, and the native Welsh chieftan, Eineon ab Owain; a battle in which the Danes were totally defeated.  Nearby there is a field on a farm named Ty Cam where the engagement is believed to have occurred.  The field is called Cae'r Vaes, or roughly translated, ‘the battle field,’ although whether the story has its root in fact or legend is open to debate.
In ancient, pagan times the word ‘Llan’ was used to denote an enclosure or sacred place. Early Christians built their churches in such places in an attempt to displace older religions.  By utilising ancient religious sites, Christian priests thought to encourage pagan worshippers to abandon the old gods and adopt the new teachings.
There are many such sites in Wales and Llanwenog is possibly one of the oldest for, although most of the extant building dates back to the 13th century, the foundation of the earliest church dates to the 6th.  As I circumnavigate the graveyard it is still just possible to detect that the original enclosure or ‘Llan’ was circular, or oval, in shape although it has now been extended and squared off at one end.
St Gwenog
We know almost nothing about St Gwenog.  She is mentioned in the Laws of Howell Dda copied in the 15th century and in the 18th century an annual local fair, held in January, was known as Ffair Gwenog’s.  Links have also been made with St Gwennlian who was active locally but it is a link that is difficult to establish. Even St Gwenog’s Well, once famous for its healing properties, has long since disappeared.  Its existence points to the reason for the site being allocated as a ‘Llan’ in pagan times as water was the earliest form of worship followed by that of the sun until Christianity incorporated elements of those older religions into its own.
Inside the church I see thick whitewashed walls and, at the altar, an early stone carving of Mary and St John at the foot of the cross. It is very badly weathered having originally been built into the exterior end of the side chapel. Now it is safe and sound in the new altar, the figures barely discernible.  I turn away and spy an early wall painting of the Apostles and the Ten Commandments, the faces peer out at me through the fog of time while, above me, the beautiful ceiling rafters smile down.  Richly carved pews escort me to the door and I climb a few worn stone steps while the tiny stone heads of the saints watch me as I pass.
Outside the battlemented tower draws my eye from the older, softer parts of the church. It is an imposing feature, providing protection for the village in times of strife.  It was a later edition to the building, built in the 15th century by Sir Rhys ap Thomas whose heraldric shield is displayed above one of the windows. The building was to commemorate Henry VII’s victory over Richard III at Bosworth in 1485.  Many men from Llanwenog parish fought and died for Henry in his quest for the throne but, once established, the Tudor dynasty did little to enhance the fortunes of their Welsh countrymen. 
I sit for a while among the markers of the dead and think about what I have seen.  I am touched by the peace and the great age of the place and love every inch of it.  But for me, the best thing about the visit is the font.  I slip back inside for another look. 
Llanwenog Church interior
It used to sit near the western doorway but has been moved to the south side of the lady chapel.  Today it is filled with a tacky flower arrangement totally out of keeping with the awesome antiquity of the piece. I take away the flowers and with the tip of one finger trace the marks where the cover once sat.  It dates from the Norman period and is showing its age.  The stone is carved with the heads of the twelve apostles, worn from centuries of visitors drawn to touch the primitive features as I am doing now. I have seen these carved faces described variously as ‘crude’, ‘grotesque’ and ‘rough’ but to me, they are beautiful. The tracks of the ancient chisel giving voice to the long dead craftsman.  I wish I could spend longer here. I run my fingers over the surface and feel as if I am clasping the gnarled hand of the mason that worked it.
font, featuring the twelve apostles, circa 11th century

Information about Judith Arnopp and her books can be found on her webpage: http://www.juditharnopp.com