Showing posts with label Princes in the Tower. Show all posts
Showing posts with label Princes in the Tower. Show all posts

Monday, January 15, 2018

Lambert Simnel and the Blind Poet

by Matt Lewis

One of the most intriguing and confusing stories I read about the possible survival of the Princes in the Tower comes from Bernard Andre, the blind French friar-poet who would act as tutor to Prince Arthur Tudor and possibly to Henry VIII too. It epitomises the lack of conviction that runs through almost all of the contemporary and near-contemporary sources about the precise fate of the sons of Edward IV.

When writing about the Lambert Simnel Affair of 1487, two years into Henry VII’s reign, André provides an account that is quite shocking, yet which just might make sense of the whole muddled business. Andre begins his explanation of the events by describing how ‘the cruel murder of King Edward the Fourth’s sons was yet vexing the people’. On the surface, this is an explicit assertion that both of the boys were dead and is presumably meant to be understood to implicate Richard III. He had earlier written of Richard that ‘After the tyrant, safe in his London stronghold, slew the lords he knew were faithful to his brother, he ordered that his unprotected nephews secretly be dispatched with the sword.’ Referring to news that a coronation of this supposed King Edward of the House of York had taken place in Dublin, André does not refer to the boy as Edward, Earl of Warwick, as the official Tudor version of events has it. The poet specifically states that ‘word came back that the second son of Edward had been crowned king in Ireland’. This second son would have been Richard, Duke of York, yet everywhere else it is made clear that the boy was named Edward. If he was a son of Edward IV named Edward, then he can only have been claiming to be Edward V.

The story doesn’t end there. André continues to describe the questioning of numerous messengers sent to Ireland to discover the boy's identity. Eventually, one person was sent to conclusively answer the question of who this boy really was. André has frustratingly left a blank space where the name should be, but it is possible it was Roger Machado, a herald trusted by both Edward IV and Henry VII. Whoever he was, André tells us that he ‘claimed that he would easily recognise him if he were who he claimed to be’. On this man’s return, André laments that ‘the boy had already been tutored with evil cunning by persons who were familiar with the days of Edward, and he readily answered all the herald’s questions’. So, we are told, a herald who knew Edward IV’s sons was sent to identify the boy in Dublin and returned unable to say he wasn’t Edward IV’s son. He didn’t say that the lad looked nothing like either of the princes. All he could say was that all of his questions were answered satisfactorily, a shocking development that André put down to quick and clever trickery.

In summing up, André confirms that ‘To make a long story short, through the deceptive tutelage of his advisors, he was finally accepted as Edward’s son by many prudent men, and so strong was this belief that many did not even hesitate to die for him’. André does not describe this boy as claiming to be Edward, Earl of Warwick, son of George, Duke of Clarence, but as claiming to be a son of Edward IV named Edward. It’s a brief passage, but it rings so many alarm bells. What if the whole story of an Oxford boy named Lambert Simnel impersonating Edward, Earl of Warwick was a smokescreen? Henry had an Edward, an heir of the House of York, in his custody, so putting out that the boy in Ireland was claiming to be someone imprisoned in the Tower would undermine his attempts to unseat Henry. Warwick was produced at St Paul’s for questioning by former members of the Yorkist court to prove that he really was a prisoner. What if that story was a pretence to whip support from beneath the boy in Ireland by painting his claims as a demonstrable lie, a joke even?

If we allow for a moment that the boy in Dublin might have been claiming to be Edward V, it makes sense of many other snippets of detail. Polydore Vergil, writing twenty years later, described the boy in Ireland as seeking to restore or re-establish himself, using the Latin verb ‘restituere’ to define his efforts. It would be an odd word to apply to Warwick, who had never held the throne in order to be able to restore himself to it. Given Edward V’s lack of a coronation, the desire to crown him in Dublin might also be significant. There is open confusion about the age of the boy later captured at the Battle of Stoke Field, and one account contained within The Heralds’ Memoir refers to the capture of the boy by Robert Bellingham and gives his name as John. Adrien de But even claimed that the boy escaped the field and was taken to Calais by Edmund de la Pole, then Earl of Suffolk, though de But does identify the boy as the ‘young Duke of Clarence’, referring to Warwick’s father’s title.

There are other interesting connections too. The sudden fall from grace of Elizabeth Woodville and the arrest of Thomas Grey, for example. The official Tudor version of the dowager queen’s removal from public life and her loss of her property was Henry’s outrage that she had endangered her daughters, including his wife, by releasing them to Richard III in 1484. Odd to become so suddenly scandalised three years after the fact and over a year into his own reign. Thomas Grey was supposedly told that if he really were loyal to Henry, then he wouldn’t mind a spell in the Tower to prove it. The timing of both events is highly suggestive that it was related to the emergence of the threat in Ireland. Elizabeth Woodville and Thomas Grey would have absolutely nothing to gain by supporting Edward, Earl of Warwick. Elizabeth was implicated in Warwick’s father’s fall and execution. If anything, placing him on the throne would make the Woodville position weaker. The only thing that can have been preferable to her daughter on the throne beside Henry VII for Elizabeth Woodville would have been one of her sons on it.

John de la Pole’s involvement is equally hard to fathom if the Lambert Simnel Affair had been a plot to place Warwick on the throne. Contrary to what has become popular opinion, Richard III never appointed an heir after the death of his only legitimate son in 1484. Some have claimed Warwick was designated heir, whilst other identify John, Earl of Lincoln as receiving that honour. Some even believe Warwick was initially appointed only to be replaced by Lincoln. None of these is true. Richard III left no instruction regarding who should succeed him, not least because he was planning to remarry and would have hoped for another son and heir. Lincoln would, by most measures, have been Richard III’s heir presumptive until a son arrived to replace him. Warwick was a male line descendant of the House of York, but his father’s attainder legally barred him from the succession. Undoing that impediment would create the sticky and awkward question of his senior claim that Richard himself possessed.

Lincoln therefore held his own claim, senior to that of Warwick, which he appears to have ignored. With Henry VII’s removal of Titulus Regius from the statute books, the illegitimacy of Edward IV’s children was reversed. If one or both were still alive, his sons would now possess the most convincing legitimate claim to the throne for the House of York. Warwick had no affinity of his own, having been orphaned at a young age and kept away from any kind of power as a child. Lincoln didn’t really have a swell of support, but he had a legitimate claim unhampered by attainder. The only Yorkist claim better than Lincoln’s was that of the sons of Edward IV. If Lincoln overlooked his own suit in 1487, it only makes sense that he did so for one of the Princes in the Tower.

The fate of the Princes in the Tower ultimately remains a mystery. However, it is a mystery clouded by later Tudor writers and by the unquestioning acceptance of what they wrote. Returning to the source material is critical to stripping away these layers of myth and misdirection, and in this case, it throws up some interesting questions. If you think about it with an open mind and push aside your preconceptions, the Lambert Simnel Affair makes an awful lot more sense as an uprising in favour of Edward V than it does as an attempt to place an imposter Earl of Warwick on the throne. Of course, Henry VII had a vested interest in denying the continued existence of two boys with a better and more popular claim to his crown than he had. Maybe that’s why he ordered that all of the records of the Irish Parliament held in 1487 should be burned. Maybe they referred to something he could never afford to have see the light of day. Maybe they referred to an attempt to return King Edward V to the throne of England. Maybe Henry VII has succeeded in pulling the wool over the eyes of history.

Pictures Copyright Matt Lewis

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Matthew Lewis is the author of The Survival of the Princes in the Tower published by The History Press and available from Amazon and other outlets.


Monday, December 7, 2015

A Not-So-Cool-Yule at Sheen Palace 1497

 Judith Arnopp

Imagine, if you can, this scene. It is almost Christmas, everything is prepared. The presents are wrapped, the tree is hung, your mother-in-law has arrived and settled herself in your favourite chair for the duration of the holiday. The children are racing around the house, over-excited, squeezing presents and dipping their fingers into the trifle. You get them to bed early, put your feet up with a large glass of red, and have just begun to relax when disaster strikes. The boiler bursts in the loft, or the roof blows off in a gale, or horror of all horrors – a house fire breaks out.




 God forbid this should happen to anyone but sometimes disaster strikes when we least expect it and to the most exulted among us. 

In 1497, a few days before Christmas, fire raged through Sheen Palace
Henry, Margaret and Mary, at about the time of the fire.
where King Henry VII, Elizabeth of York, Margaret Beaufort and the young prince Henry, princesses Margaret and Mary were in residence. The cooks were busy in the kitchen, the jesters and mummers practicing for the big day when …
“About nine of the clock quite suddenly … within the king’s lodging and so continued till midnight. By violence whereof …(a) great part of the old building was burnt and much more harm done upon costrings (curtains) and hanging beds of cloth of gold and silk and much other rich apparel with plate and manifold jewels  belonging to such a noble court.
How well loving therefore be to God (that) no living creature was there perished…” (Robert Hutchinson, Young Henry, P.44)

Henry VII
The royal household were hurried outside to safety. You can imagine the scene; the confused and crying children, hastily wrapped in blankets, clasped in their nurses’ arms. Men rushing hither and thither to fight the blaze, women weeping, screaming perhaps as the windows exploded and the ceilings collapsed in a great ball of flame. Henry and Elizabeth, and the king’s mother looked on in cold shock as their sumptuous palace was consumed in flames. 

The king, for all his power, was helpless in the face of fate and, after the costly matter of his recent war with Scotland, and his pursuit of the pretender Perkin Warbeck, was horribly aware of the financial implication of the disaster. The material losses were great. The Milanese Ambassador Raimondo Soncino estimated them at 60,000 ducats which is about £7.3 million in today’s money, amounting to one tenth of Henry’s annual income.
Elizabeth of York
He reported a “Great substance of richesse” destroyed, including tapestries, wall hangings, bed, clothes, plate and furniture. And that was not all, precious royal trinkets were also lost. In the following days the king paid servants £20 a day to sift through the ruin looking for jewels.
(Wroe, Perkin: p.393).

This was not the first time Sheen Palace had suffered destruction. It was once the favourite home of Richard II and Anne of Bohemia and when she died of the plague in 1394, the king, in his grief, ordered the palace to be completely demolished.

Henry V began construction of a palace on the site but this was hampered by his death in 1422 and work did not resume until the infant king, Henry VI, was eight years old. As the wars of the roses wagged on the palace was given into the possession of Elizabeth Woodville on her marriage to Edward IV, and passed to Henry VII after Bosworth.

It is not believed that the fire in 1497 destroyed the whole building but the privvy lodgings were lost and lavishly refurbished afterwards. Once the work was finished and the royal family ready to move back in Henry renamed Sheen as ‘Richmond Palace.’

In the years that followed the palace witnessed some of the greatest events in Tudor history. In Henry VII’s reign alone it saw the wedding of Prince Arthur to Catherine of Aragon in 1501; the official betrothal of Princess Margaret to King James of Scotland in 1503. And in 1509, in his favourite palace, the palace he had built and named in his family’s honour, Henry VII, the first Tudor king, breathed his last.

My novel A Song of Sixpence tells the tale of Elizabeth of York and her marriage to Henry VII. It considers the implications of the loss of her brothers in the Tower, her subsequent marriage to her former enemy. Often portrayed as meek or simply uninteresting, Elizabeth emerges as a brave and resilient woman in a time of suspicion and unrest.
A Song of Sixpence is available in paperback and also on Kindle.






Judith Arnopp is the author of historical novels set in the Tudor and Anglo-Saxon periods. Her work is available from Amazon and includes:











































You can find out more about Judith's work on her website: www.juditharnopp.com or find her on facebook.

Friday, February 20, 2015

Sing a Song of Sixpence - A Nursery Rhyme, a King and Queen, and a novel.

Judith Arnopp



Sing a song of sixpence a pocket full of rye,
Four and twenty blackbirds baked in a pie.
When the pie was opened the birds began to sing,
Oh wasn't that a dainty dish to set before the king?
The king was in his counting house counting out his money,
The queen was in the parlour eating bread and honey
The maid was in the garden hanging out the clothes,
When down came a blackbird and pecked off her nose.

There are many theories as to the origins of the nursery rhyme Sing a Song of Sixpence. Some see it as an early lampoon about the extravagances of royalty, some as a representation of Henry VIII, Katherine of Aragon with Anne Boleyn playing the part of the maid. The blackbirds baked in the pie being the disaffected monks after the dissolution of the monasteries.

One account I stumbled across equated it with the pirate Blackbeard as ‘a coded message that evolved over several years and was used by confederates of the notorious pirate Blackbeard to recruit crew members for his prize-hunting expeditions.’
There is much more about Blackbeard here: http://www.snopes.com/lost/sixpence.asp

I tend to prefer the Tudor links to the rhyme for although Sing a Song of Sixpence was first published in the 18th century it certainly has origins in the 16th. Perhaps sixpence was the going rate for a good song during this time. There are references to singing for sixpence in Shakespeare’s Twelfth Night during a drunken conversation between Sir Toby Belch and Sir Andrew.

 “SIR ANDREW: Excellent! Why, this is the best fooling, when all is done. Now, a song.
SIR TOBY BELCH: Come on; there is sixpence for you: let's have a song.” (Twelfth Night, Act II Sc. III)


Elizabeth of York
Of course, no Tudor banquet was complete without minstrels to play the favourite songs. One can easily imagine the king and queen seated with their court at groaning tables, dining on exotic dainties to the strains of fabulous music.

In the Tudor period (and certainly before that) extravagant dishes were created to amaze and enthrall the king. Swans and peacocks were roasted and the feathers then replaced to make it appear the birds were still living. Dishes such as dolphin and porpoise were not unheard of and, with recipes like these, one can imagine the chef’s unenviable task of thinking up new and innovative ideas to tease the royal palate. Song birds were regularly eaten, it is only one step further to serve the dish a little al dente. Why not a pie full of live birds?

It wouldn’t have been so unusual. An Italian cookbook from 1549 contains a recipe ‘to make pies so that birds may be alive in them and flie out when it is cut’. (See note 1)

A description of the wedding of Henry IV of France and Marie de Medici says, ‘The first surprise, though, came shortly before the starter – when the guests sat down, unfolded their napkins and saw songbirds fly out.’ (See note 2)

One version of the rhyme was published in Tom Thumb’s Pretty Song Book in around 1744. Instead of four and twenty black birds it has four and twenty ‘naughty boys’ beneath the crust.    

  Sing a Song of Sixpence,
  A bag full of Rye,
  Four and twenty Naughty Boys,
  Baked in a Pye.

 What else, one wonders, would you do with twenty four disobedient children?

Eating bread and honey
Personally, I was taught as a child that the king and queen concerned were Henry VII and Elizabeth of York. (Incidentally, Elizabeth also graces the playing card and the likeness to her contemporary portraits are quite clear.) Henry Tudor is often depicted as being ‘careful’ with money and so fits quite well within his 'counting house.’ Whether this idea of kingly miserliness originates with the poem or vice versa it is not possible to say. His taxes were unpopular enough for the Cornish to rise in arms against him. (Mind you, that is not at all unusual, people never like to pay tax.) But, miserly or not, his careful control of his finances meant that at his death the royal coffers were full; he would likely have turned in his grave if he’d known how quickly and thoroughly his son, Henry VIII, was to empty them, squandering his father’s riches on war and theatrical gestures.

Elizabeth of York took no part in governing the country; her role was purely a domestic one, concerned with the children and charitable works; so again, the positioning of her in the rhyme eating bread and honey in the parlour is in keeping. 

 In my forthcoming novel A Song of Sixpence Elizabeth is not depicted scoffing bread and honey in the parlour; instead she is battling to come to terms with the loss of the primary male members of her family and preserving her surviving kin from a similar fate. Her marriage to the former enemy Henry VII is difficult and not helped by the appearance of a man claiming to be her brother, Richard of York, thought to have perished in the Tower in 1483. A man that Henry dubs Perkin Warbeck.

In literature Elizabeth is most often  presented as a daughter, wife or mother,. She has become as two dimensional

as the image on the playing card. But she was a real woman, with real emotions, who lived in very turbulent times. I wanted to put some flesh on her bones, some thoughts in her head and give her some of the credit she is due.


And the same for Henry. In both fiction and non-fiction he is either a cold calculating king or a complete monster. In A Song of Sixpence he is painted many shades of grey (no, it isn’t that sort of book). He is by no means an easy husband for Elizabeth for his years of exile have left him with insecurities and a chip on his shoulder that threatens both his marriage and his throne. His reign suffered more uprisings than any other; he can scarcely have enjoyed a quiet moment, but Elizabeth was raised to be dutiful and ultimately proves a good wife, a good queen, and an exemplary mother.

~~~~~~~~~~~~~

A Song of Sixpence: The story of Elizabeth of York and 'Perkin Warbeck.' 

In the years after Bosworth, a small boy is ripped from his rightful place as future king of England and forced to roam the courts of Europe. His sister Elizabeth, now Queen to the invader Henry Tudor, is torn between family loyalty and duty.

As the final struggle between the houses of York and Lancaster is played out, Elizabeth is torn by conflicting loyalty, terror and unexpected love.

Set at the court of Henry VII A Song of Sixpence offers a unique perspective on the early years of Tudor rule. Elizabeth of York, often viewed as a meek and uninspiring queen, emerges as a resilient woman whose strengths lay in endurance rather than resistance.

A Song of Sixpence is available to pre-order for your UK Kindle NOW; if you are in the USA, click here.

You can read more about Judith and her work on her website:  
And purchase her books, both in paperback and on Kindle here.




Illustrations for Wikimedia commons.
http://upload.wikimedia.org/wikipedia/commons/8/8f/Sing_a_sing_of_sixpence_-_illustration_by_Walter_Crane_-_Project_Gutenberg_eText_18344.jpg
http://upload.wikimedia.org/wikipedia/commons/2/22/Elizabeth_of_York_from_Kings_and_Queens_of_England.jpg
http://upload.wikimedia.org/wikipedia/commons/e/e5/Prinsep%2C_The_Queen_was_in_the_Parlour.jpg
http://upload.wikimedia.org/wikipedia/commons/9/92/Four_and_Twenty_Blackbirds.png
http://upload.wikimedia.org/wikipedia/commons/d/df/Queen_of_Hearts_%28Elizabeth_of_York%29.png

Notes 
1: (Giovanni de Roselli's Epulario, quale tratta del modo de cucinare ogni carne, ucelli, pesci... (1549), of which an English translation, Epulario, or the Italian Banquet, was published in 1598 (Mary Augusta Scott, Elizabethan Translations from the Italian no. 256, p. 333f.)

2: (Blow out! History's 10 greatest banquets - Features, Food & Drink - The Independent)

Tuesday, November 15, 2011

The Tower of London~ Its Prisoners

by Debra Brown

See also The Tower of London, Part One

The Tower of London is the oldest fortified building still in occupation. It was built to protect the Norman William the Conqueror from the angry people he had conquered, starting in 1066. For many centuries there were many people living therein. These included archers, men-at-arms, groomsmen, masons, carpenters, warders, gaolers, the executive and administrative staff, roadmenders, domestic servants, cooks, barmaids, tradesmen, messengers, and prisoners (who at times exceeded a thousand in number).

The First Known Prisoner

The first known prisoner was also a Norman, Rannulf Flambard, chief minister to William II (Rufus). He was a churchman whom Rufus later appointed Bishop of Durham. He was of humble origins, but worked his way up to his positions by flattery and treachery. He was dishonest, unscrupulous and arrogant. Londoners cried out against him for his practice of extortion, an endless succession of taxes and heavy fines. Clergy learned that he was selling church appointments to the highest bidder, and they joined in against him. Rufus was benefiting from the money brought in and did not listen. His successor Henry I, however, wanted to allay the people and charged him with simony. He was imprisoned in the White Tower, and all England rejoiced greatly.

Flambard was allowed great privileges as a prisoner, including chaplains, servants and a plentiful supply of food. Many casks of wine were brought in. Interestingly, he was imprisoned in the Banqueting Hall. One night he invited his guards to dine with him. In one of the casks, rope had been hidden by his friends. He made sure that the warders drank plenty, and as they slept it off, he tied the rope to a pillar by a window. Though he barely could squeeze his great girth through it, he managed. The rope was short and he fell part of the way to the ground, but merely bruised, he succeeded in escaping. Friends took him by boat and then ship to Normandy.

Jewish Prisoners

Because the Church did not allow its followers to loan money on interest, the Jews came to be the country's sole moneylenders. Traders, craftsmen, landowners, noblemen and even the King himself would borrow from them. Often the interest was high, goods and land were given as surety, and the Jews inevitably profited. Resentment began to develop against them. The Jews were regarded as aliens who dressed differently, talked with accents and took no part in Christendom's ceremonies. Soon growing anti-Semitism was fanned over the killing of Jesus, and the Jews were accused of ritually slaughtering Christian children. A massacre of Jewish elders occurred when they brought gifts for the coronation of Richard the Lionhearted. To prevent such incidents, the Jews were made to live in separate walled sections of towns. A part of the city of London is Old Jewry. This picture is looking eastward from Frederick Place into Old Jewry.


Richard greatly disapproved of the outbreaks, for the Jews brought considerable profit to the Crown in taxes and fines. Henry III allowed them to move into the Tower of London to escape persecution. However, his son had a different viewpoint. Edward I had borrowed heavily from Italian bankers, who later moved into England. The Jews were no longer indispensable. In 1278 Edward arrested them all on the charge that they were clipping precious metals off the coins of the realm. He moved the Mint into the Tower, and he imprisoned six hundred Jews in its rat-infested vaults. After some months, 267 of them were taken out and hanged. In 1290, they were banished from the country and did not return for four centuries.

Welsh and Scottish Kings

Welsh chieftain Llewellyn the Great took two-thirds of Wales back from the Norman Marchers. His son, Griffith, was captured and taken to the tower along with his own son, also named Llewellyn. Though Griffith died in an attempt to escape, his son was allowed to rule the northwest corner of Wales on the condition that he did homage to the English King. Llewellyn, titling himself Prince of Wales, declined to pay homage to Edward and even married Simon de Montfort's daughter. His head was impaled upon a pike above the White Tower. His brother David was also executed and the title Prince of Wales was bestowed upon Edward's eldest son, who was born at Caernarvon. The title, ever since, has been given to the eldest son of the monarch.

In 1295, John Baliol, King of Scotland, allied himself with France and marched his troops across the border into England. Edward retaliated. Baliol's rivals for the throne, the father and son both named Robert Bruce, supported Edward. Edward captured Edinburgh Castle and Baliol surrendered. He and his son went to the Tower along with other Scottish prisoners. His life there was luxurious, paid for by the English King, who now had Baliol's personal estate. At the Pope's intercession, Baliol was pardoned and given a home in England and a pension. A second Scottish leader, William Wallace, crossed the border to fight and was executed at the Tower.

The Princes in the Tower

Edward IV died at the age of forty, and his elder son was proclaimed King Edward V at only twelve. His uncle, Richard of Gloucester, was to be Protector during his minority. Richard, however, ordered the postponement of the coronation. Edward V was moved to the Tower, where he could have a comfortable residence and be 'adequately protected' by guards under Richard's control.

The boy's mother, the Queen, was persuaded to give up her other son, the nine-year-old Duke of York, to be a companion to Edward in the Tower. The Queen had no option, and he went. Richard now moved to have the boys declared bastards. The marriage of Edward IV to Elizabeth Woodville was attacked. Edward had previously been betrothed to Lady Eleanor Butler and so was not free to marry Elizabeth, it was claimed, and the marriage ceremony was performed in an unconsecrated place. The declaration that the children were illegitimate and that Richard was king by right was made by Dr. Ralph Shaw at St. Paul's Cross just outside the cathedral, and Richard rode past on cue. The congregation looked at him, astonished. Two days later, the Duke of Buckingham entered the Guildhall and called on the assembly and Mayor to call on Richard to assume the crown. There was no response except from the Duke's own retainers, who threw up their caps, crying 'King Richard!'. Parliament met the next day, proclaiming the children illegitimate and Richard was enthroned on the third day in Westminster Hall. Many of those who supported him as Protector now turned against him, including the Duke of Buckingham. Spies informed Richard that a rescue of the boys from the Tower was planned, and he lost no time in getting rid of them. A month after the coronation, the Princes were seen for the last time. One, possibly two, of those who played a part in the murder later confessed. Two centuries later, in the reign of Charles II, the skeletons of two boys of their ages were found amid the rubble on the collapse of the staircase leading to St. John's Chapel. Upon examination, Charles determined that these were the boys and had them reburied in Henry VII's chapel in Westminster Abbey, with a Latin inscription that lays blame upon their Uncle Richard III. A further investigation in 1933 corroborates the report of Charles' authorities.

Of course, you know of other famous prisoners in the Tower of London. Some of those will be discussed in my next post.

Resource: The Tower of London by R.J. Minney

Debra Brown is the author of The Companion of Lady Holmeshire, an early Victorian novel inspired by the stories of Jane Austen and Charles Dickens.