Showing posts with label MJ Logue. Show all posts
Showing posts with label MJ Logue. Show all posts

Sunday, March 17, 2019

Editors Weekly Round-up, March 17, 2019

by the EHFA Editors

Enjoy this week's articles from English Historical Fiction Authors.


by Erica Lainé


by Judith Arnopp


by Judith Thomson




Click on the post and leave a comment stating your preference for e-book or paperback. Giveaway closes at midnight Sunday 17 March Pacific Daylight Time (8am Monday 18 March GMT).

Sunday, March 10, 2019

Editors Weekly Round-up, March 10, 2019

by the EHFA Editors

Every week our contributing authors tell of saints or sinners, politics or war. Read about kings and queens, the common people, and legends from ancient to post-WWII. Never miss a post on English Historical Fiction Authors. Enjoy this re-cap of posts for the week ending March 9.

Friday, March 8, 2019

Slipcoat Cheese

by M. J. Logue

Public Domain via Wikimedia Commons
The time has come, the Ironside said, to talk of many things: of Banbury cheese, and slipcote cheese, and sometimes headless kings.

Banbury cheese must wait another day, for my accomplish't delight on this occasion is slipcoat cheese.

You may have heard of slipcoat - or spell it slipcote – cheese in historical fiction, but it's shamefully unlikely that you'll have ever tasted it: modern slipcoat is only commercially available from one dairy, High Weald Dairy in Suffolk, and that's a sheep's cheese. One theory of its name is that it’s allowed to ripen until the cloth it drains on peels away easily from the curds: the other, favoured by the dairy, that slip is dialect for little, and cote refers to a cottage, as in cottage cheese.

Kenelm Digby writing in the 1660s offers several recipes for it. “The Closet Of Sir Kenelm Digby Knight, Opened 'in 1669 gives us:

"Take three quarts of the last of the stroakings of as many Cows as you have; keep it covered, that it may continue warm; put to it a skimming dishful of Spring-water; then put in two spoonfuls of Runnet, so let it stand until it be hard come: when it is hard come, set your fat on the bottome of a hair-sieve, take it up by degrees, but break it not; when you have laid it all in the fat, take a fine cloth, and lay it over the Cheese, and work it in about the sides, with the back of a Knife; then lay a board on it, for half an hour: after half an hour, set on the board an half pound stone, so let it stand two hours; then turn it on that board, and let the cloth be both under and over it, then pour it into the fat again; Then lay a pound and half weight on it; Two hours after turn it again on a dry cloth, and salt it, then set on it two pound weight, and let it stand until the next morning. Then turn it out of the Cheese-fat, on a dry board, and so keep it with turning on dry boards three days. In case it run abroad, you must set it up with wedges; when it begins to stiffen, lay green grass or rushes upon it: when it is stiff enough, let rushes be laid both under and over it. If this Cheese be rightly made, and the weather good to dry it, it will be ready in eight days: but in case it doth not dry well, you must lay it on linnen-cloth, and woollen upon it, to hasten the ripening of it."

We’re not really familiar with the concept of “new” cheese as such, cheese that’s not intended to be stored for any length of time but eaten soft, straightaway. Slipcoat is a simple cheese, the salted curds are pressed under a light weight and then it’s aged until the cloth peels away from the cheese easily. The 1653 cookbook 'A True Gentlewomans Delight' very wisely suggests that, "if you find any mouse turd wipe it off, the Cheese will come to his eating in eight or nine dayes." It’s very much the kind of cheese a farmer’s wife would have made in the spring and early summer when her cows were giving a high yield, for the family’s immediate consumption – what was left over after the more heavily-salted and pressed cheeses to be stored for the lean months. 

Most “new” cheeses were cooking, rather than eating, cheeses – the way we use ricotta today. It’s not a soft texture like Brie or Camembert – despite the name it’s not a spoonable, almost runny, cheese – and nor is it crumbly, like a Cheshire. It’s closer to a sort of feta, but not, as you’ll note from the recipe, salted: moist, friable, and not portable at all. Cheese was, obviously, a way of storing up the surplus of dairy produce for the time when it wasn’t in such abundance, but most was intended for personal consumption: only the surplus was sold on to a wider market, and so there are quantities of recipes in period cookery books for what we’d now consider “fresh” cheeses.

Slipcoat is interesting in that it’s weighted by degrees, just like a hard cheese, but using much lighter weights, which results in a much more open texture. Modern “fresh” cheese recommends 10 lbs of pressure for 20 minutes, followed by 25 lbs for 2-5 hours – but then it isn’t ripened, which slipcoat is, so its taste is much more complex than you’d expect from such a simple recipe.

With the onset of the Industrial Revolution – and the increasing need of the armed forces for mass-produced rations suitable for long storage – home dairying started to become less common as the age of the small self-sufficient farm passed, and so many of the unripened new cheese recipes passed from history as not commercially viable. It’s only really now that raw milk is becoming available again, and there’s an increased interest in home cheese-making, that we’re looking again at the recipes of the past for inspiration.
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M. J. Logue is a writer, mad cake lady, re-enactor, and historian. Being slightly potty about the clankier side of Ironside for around 20 years, she lists amongst her heroes in this unworthy world Sir Thomas Fairfax, Elizabeth Cromwell and John Webster (for his sense of humour). When not purveying historically-accurate cake to various re-enactment groups across the country, M.J. Logue can usually be discovered practising in her garden with a cavalry backsword.

She can be found on Twitter @Hollie_Babbitt, lurking on the web at asweetdisorder.com, and posting photos of cake, cats and extreme embroidery on Instagram as asweetdisorder

M.J. Logue's latest novel, An Abiding Fire, is available for purchase from Amazon




Monday, November 14, 2016

Extreme Embroidery, 17th Century Style

by M.J. Logue

History isn't just about dates and battles; it's about people, and I don't think people have ever changed. We all want, basically, the same things, to a greater or lesser degree. We want to be warm and dry at night, we want something to eat and something to drink. According to Maslow's Hierarchy of Needs, once you have realised one level of need, you can move onto the next. This is called actualisation:

1. Biological and Physiological needs - air, food, drink, shelter, warmth, sex, sleep.
2. Safety needs - protection from elements, security, order, law, stability, freedom from fear.
3. Love and belongingness needs - friendship, intimacy, affection and love, - from work group, family, friends, romantic relationships.
4. Esteem needs - achievement, mastery, independence, status, dominance, prestige, self-respect, respect from others.
5. Self-Actualization needs - realizing personal potential, self-fulfillment, seeking personal growth and peak experiences.

The level one and two needs, well, they are simple needs, aren't they? The sort of things no one should be without in a civilised world. (She says, channelling her inner Leveller.)

Level three, we're starting to get complicated. And you’re probably thinking, what’s this to do with history?

Embroidery. As George Wingfield Digby says in his 1963 book "Elizabethan Embroidery", it is "....the integrated expression of a society still creative and joyful about the things it could make and use."

Embroidered linen jackets were fashionable, in the 1620s, for undress wear for the lady about town. Some were professionally embroidered, some were bought in pieces with patterns ready drawn on them, and some were drawn up at home from books like Shorleyker’s Scholehouse For The Needle. A woman sat there in 1620-ish, and she made a jacket for the joy of it. Women drew on silly bugs and beasties with a fine-nibbed pen and embroidered them in not-always-realistic colours for the pleasure of owning a pretty thing and for the joy of wearing something that had given her pleasure to create.

The jacket I’m thinking of, Margaret Layton’s jacket, is a distinct level 5 - a lady realising her personal potential, self-fulfillment, personal growth and peak experiences. It's impossible to tell if it was made by a professional embroiderer or a competent, accomplished amateur. A lady four hundred years ago, loving being herself, loving the skill of her fingers, probably loving the way it sparkled and shimmered and the way her Francis might look at her at dinner when she was wearing it. A real person, who had a best jacket that she put on for dressy occasions. Who maybe had little sticky-fingered nieces and nephews admiring her birds and bugs. I imagine her jacket probably smelt of rose-water, or lavender water, and maybe a little bit sweaty under the arms, maybe a little bit of the ghosts of half a hundred suppers. But a woman you could probably sit down and talk to comfortably enough, a woman with whom you might have things in common - who might talk knowledgeably about gardens, and orderly households, and the cost of a loaf of bread.

The jacket was originally owned and worn by Margaret Layton (1579–1641), wife of Francis Layton (1577–1661) who was one of the Yeomen of the Jewel House during the reigns of James I, Charles I and, briefly, Charles II. We know this, because there's a portrait by Marcus Gheerearts the Younger of her wearing it: if you go to the V&A, you can see them side by side. She’s - she was - a real person. That little tiny child-sized jacket belonged to her. I imagine she barely reached to my shoulder.
It’s interesting to compare the obviously amateur homemade version of the very similar embroidery design on the loose at-home jacket from between 1590 and 1630. Although exquisitely worked, this jacket is crudely cut from a single layer of linen, indicating the work of a seamstress or embroiderer, someone without a tailor's training. It has no cuffs, collar or lining, and the sleeves are cut in one piece. The jacket was later altered to fit a thinner person. The sleeves were taken off, the armholes re-shaped, the sides cut down, and the sleeves set in again.

I think they’re beautiful - I love the shape of them, the feminine, but severe style. They’re very simple, there's very little shaping to them and so they lend themselves beautifully to expanses of embroidery, and the kind of tiny, intricate designs by which a clever embroidress could demonstrate her skill, and her wit, to an admiring domestic audience.


I love the personalities of the women that show through the embroidery - the choice of motifs or materials, the levels of ambition versus level of skill.

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M.J. Logue is a writer, mad cake lady, re-enactor, and 17th century historian.

She's been slightly potty about the clankier side of Ironside for around 20 years, and lists amongst her heroes in this unworthy world Sir Thomas Fairfax, Elizabeth Cromwell and John Webster (for his sense of humour.)

When not purveying historically-accurate cake to various re-enactment groups across the country, M.J. Logue can usually be discovered practising in her garden with a cavalry backsword.

Free this week on Amazon: Entertaining Angels


Sunday, March 29, 2015

Here's Rosemary, That's for Remembrance....

by MJ Logue

The funeral of Colonel Thomas Rainsborough, in November 1648, was the occasion for a large Leveller-led political demonstration in London, with thousands of mourners wearing the Levellers' ribbons of sea-green and bunches of rosemary for remembrance in their hats.

Colonel Rainsborough was the most senior member of the New Model Army to speak for the Levellers, a political movement of the English Civil Wars emphasizing popular sovereignty, extended suffrage, equality before the law, and religious tolerance - the historian Blair Worden suggests that the earliest use of the name Leveller was in a letter of November 1647 where "...they have given themselves a new name, viz. Levellers, for they intend to sett all things straight, and rayse a parity and community in the kingdom".

Rainsborough himself is possibly best remembered for his speech at the Putney Debates,
" ...I think that the poorest he that is in England hath a life to live, as the greatest he; and therefore truly, Sir, I think it's clear, that every man that is to live under a government ought first by his own consent to put himself under that government; and I do think that the poorest man in England is not bound in a strict sense to that government that he hath not had a voice to put himself under."

But - the Levellers were not a political party in the modern sense of the word; they did not all conform to a specific manifesto. They were organised at a national level, with offices in a number of London inns and taverns such as The Rosemary Branch in Islington, which got its name from the sprigs of rosemary that Levellers wore in their hats as a sign of identification.

The entire political history of the New Model Army is beyond the scope of one brief blog post. (I've written three novels to date with a Leveller hero, and I'm only just about scratching the surface!) So, instead - here's rosemary, as Hamlet's best girl says, in one of her more rational moments. I pray you, love, remember...

It's possibly one of the most well-known herbs in the garden, and possibly one of the least used. It roots phenomenally easily from a cutting - break off a sprig, stick it in the soil, and within a month you're pretty much guaranteed a new rosemary plant. The genus name Rosmarinus derives from the Latin words ros and marinus, translating to “dew of the sea", and legend has it that the plant originally had white flowers which were changed to blue ones when the Virgin Mary placed her cloak upon it while resting during her flight to Egypt. Bancke, in his work Herball from 1525, suggests techniques to use rosemary as a remedy for both gout of the legs and to keep the teeth from all evils. He also recommended that smelling rosemary regularly would “keep thee youngly", and Gerard, author of Herball or Historie of Plants(1597), referred to someone named Serapio who suggested that a garland of rosemary worn about the head was a remedy for the “stuffing of the head, that commeth through coldnes of the brain.” He also mentions that rosemary grew so plentifully in France that “the inhabitants burne scarce anie other fuel.”

Rosemary was also believed to offer protection from the plague. In 1603, when bubonic plague killed 38,000 Londoners, the demand was so high that the price increased from one shilling for an armful of branches to six shillings for a handful. To put that price increase in perspective, one price list from 1625 indicated that one could obtain 18 gallons of good ale for only 3 shillings or an entire ‘fat pig’ for 1 shilling. And Parkinson (1567-1650), the King’s Botanist to Charles I, mentions that in countries where rosemary was well-suited and grows to a large size, thin boards of rosemary were used to make lutes and other instruments, carpenters rules, and a myriad of other implements. The French believed that combing their hair once a day with a rosemary wood comb would prevent giddiness. Rosemary wood was so prized that unscrupulous merchants would often use less expensive woods and simply scent them with rosemary oil.

Rosemary has long held a prominent role in the wedding ceremony. Used in weddings to help one remember the wedding vows, the bride and groom might dip rosemary in their wine cups to toast each other. Dried rosemary was laid in the bed linen to ensure faithfulness and a bride who gave her groom a sprig of rosemary to hold on their wedding night would ensure that he remain faithful. In the middle ages the more elegant couples gave rosemary as a wedding favour. Sprigs were often dipped in gold and tied with a beautiful ribbon, this to symbolize that though the couple were starting a new life they would always remember their friends and family. Rosemary was often entwined into a wreath, dipped in scented water and worn by brides at the altar. (Anne of Cleves (1515 – 1557), Henry the Eighth’s fourth wife, wore a rosemary wreath at their wedding) The wreath symbolized fidelity, love, abiding friendship and remembrance of the life the woman had led prior to her marriage. At that time, wealthy bridal couples would also present a gilded branch of rosemary to each wedding guest. From this association, rosemary was also thought to be a love charm. According to English folklore if a girl placed a plate of flour under a rosemary bush on midsummer's eve, her future husband's initials would be written in it. Other's believed that to see your true love in a dream one should put rosemary under your pillow - Sleeping Beauty was said to have been awoken from her sleep by Prince Charming brushing a rosemary sprig over her cheek - and there is a saying: “Where rosemary flourishes the lady rules.” However, folklore warns men that by simply damaging or destroying that same rosemary, he will not find relief from his lady’s rule. Robert Hacket, in a wedding sermon in 1607 said, “Let this Rosemarinus, this flower of men, ensigne of your wisdom, love and loyaltie, be carried not only in your hands, but in your heads and hearts.” The English poet Robert Herrick (1591-1674) wrote of rosemary’s attachment to both beginning and end of adult life with, "Grow for two ends – it matters not at all Be’t for my bridall, or my buriall.”

Medicinally, it was well known to the Tudors as a stimulant to the system. In 'The Garden of Health' (1579) William Langham writes: "Carry the flowers about thee to make thee merry and glad and well beloved of all men...hang the flowers on thy bed and place Rosemary in the bath to make thee lusty, lively, joyful, strong and young. To comfort the heart steep Rosemary flowers in rose water and drink it".

Gerard agrees in his 1636 Herbal: "The flowers of Rosemary, made up into lozenges with sugar and eaten make the heart merry, quicken the spirits and make them more lively" - he also notes that Rosemary water acts as a breath freshener.

In addition to its medicinal uses, rosemary was prized as a cosmetic. Gervase Markham (1568-1637) English writer and poet, included high praise for rosemary in The English Housewife first published in 1615. He writes; "Rosemary water (the face washed therein both morning and night) causeth a fair and clear contenance." Furthermore; "when one maketh a bath of this decoction, it is called the bath of life , the same drunk comforteth the heart, the brain, and the whole body, and cleanseth away the spots of the face; it maketh a man look young . . ." An earlier herbal published in 1575 suggests something similar, if slightly more alcoholic – boiling the rosemary in white wine and washing the face in it.

Perhaps one of the more outrageous tales of rosemary's magic involves Queen Elizabeth of Hungary (1305-1381). Suffering from severe rheumatism and gout the Queen (aged 72) turned to the healing powers of the rosemary plant. She began using a variant of Rosemary Water, also referred to as Hungary (Budapest) Water, allegedly given to her by a hermit who claimed that "it would preserve her beauty and health until her death." In fact, legend claims, the treatment so enhanced her health, vitality and appearance that she, using her own words, "was not only cured, but recovered my strength, and appeared to all so remarkably beautiful that the King of Poland asked me in marriage." (from a text by John Prevost, published 1656). By the way, the King of Poland was 26 years old at the time. I cannot promise that it works. I can, however, assure you that the original Hungary water was nothing more than rosemary tops distilled in spirits of wine, although it became increasingly exotic as time went on. A little rosemary essential oil dispersed in raw alcohol would serve you as well, I’m sure, were you inclined to have a crack at capturing the hearts of Eastern European royalty....

Interestingly, there are very few recipes from the 17th century that involve using rosemary as a culinary herb. It featured in the Grand Sallet – as indeed it would, being both a digestive and a carminative, as well as an attractive leaf in its own right – and oddly, most of the recipes feature it being used in boiled meats, and not exclusively lamb or mutton: the Good Huswife’s Jewell (1597) gives a recipe for boiled chicken with herbs -
Take your Chickens and scald them, and trusse the wings on, and put their feete vnder the wings of your chickens, and set them on in a litle pot and scumme them faire, when they haue boiled, put in Spinnage or Lettuce a good deale, and Rosemary, sweete Butter, Verjuice, salt, and a litle Sugar, and strained Bread with a litle wine, and cut sippets and serve it out. So may you boile mutton, or Pigions or Conie.

(- that last emphasised by me. We think of rosemary as an accompaniment to sheep-related products. Evidently in the 17th century they thought of it as a much more diverse condiment – it even turns up in sweetmeats!)

Finally, my late mother-in-law told me that it's bad luck to buy a rosemary plant. Steal it, beg it, or be given it, preferably from a bride's bouquet, but never buy it. Plant it by your front door, and it will keep the witches out.

I have possibly the most famous rosemary bush in the West Country (Hollie Babbitt being a Leveller, there's a sprig of rosemary on the cover of all my books) and it's potted right by my front door. It came from a cutting from the Elizabethan manor at Trerice. And the only witches I have in are invited.

There must be something to these old tales after all!

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Mad cake lady, re-enactor, historian, and writer of the Uncivil Wars series featuring Hollie Babbitt, the first Leveller agitant hero in popular fiction, and his rebel rabble of horse-thieves, Anabaptists and bad poets.

M.J.Logue has been slightly potty about the clankier side of Ironside for around 20 years, and lists amongst her heroes in this unworthy world Sir Thomas Fairfax, Elizabeth Cromwell and John Webster (for his sense of humour.)

When not purveying historically-accurate cake to various re-enactment groups across the country, she can usually be discovered practising in her garden with a cavalry backsword.

Often to be found loitering, in an ill-tempered manner, at uncivilwars.blogspot.com - do pop along and pass unhelpful remarks!

The third in the Uncivil Wars series, A Wilderness of Sin, is due out on 3rd May and is available for pre-order at Amazon USAmazon UK, and Amazon CA.  

And there is a novella featuring the lovely Hapless Russell, A Cloak of Zeal, and his early days before joining Babbitt's troop available free until 2nd March. Amazon US, Amazon UK, and Amazon CA