The Duchess and the Necromancers

By Nancy Bilyeau

On Monday, November 19th, 1441, the people of London lined the streets to observe an act of public penance. That morning a woman, perhaps forty years of age, bare-headed, plainly dressed, was rowed in a barge to Temple Stairs off the Thames. She stepped off the barge and proceeded to walk all the way to St. Paul's Cathedral, carrying before her a wax taper of two pounds. Once she made it to St. Paul's, she offered the taper to the High Altar.

The woman was Eleanor Cobham, mistress-turned-wife to Humphrey, Duke of Gloucester, only surviving uncle to the childless Henry VI and thus the heir to the throne. The duchess had been tried and condemned for heresy and witchcraft. This was the first of three days of ordered pilgrimages to churches, showing a "meke and a demure countenance." Afterward, she would be forced to separate from her husband and live in genteel prison for the rest of her life.

The Penance of Eleanor, painted in 1900

The downfall of Eleanor Cobham was a shocking event in the 15th century, and it's disturbing today. Certain elements of her life echo Katherine Swynford's, the longtime mistress of John of Gaunt who eventually became his third wife. A bold beauty marries a royal--it's a maneuver seen again, and much more famously, in the following century with Elizabeth Woodville and Anne Boleyn. But while rumors of witchcraft swirled around both of those queens, they are, historians now agree, not based in reality. While Eleanor Cobham most probably did traffic in what were called the black arts. And the most serious of such crimes was to seek to know--or perhaps even alter--the future, through the practice of necromancy.

Ever since the age of Homer, necromancers have flitted in the darkest shadows of society. They were believed to possess the secrets to unlocking the power of the underworld to divine the future. (See my earlier blog post, From Homer to The Hobbit: The History of the Necromancer.) No matter the results—or lack thereof—necromancers did a brisk business in the Greek and Roman world. It was only by following their secret and ornate rituals, they said, could the boundaries be dissolved between the living and the dead.

Page from the Munich Manual

After Rome fell, the early Christian popes struggled to extinguish the pagan practices of not only necromancy but witchcraft, astrology and alchemy. But these practices survived through the Middle Ages, in one form or another, and in the Renaissance, as scholars pored through ancient texts, experienced something of a rebirth. Some popes employed their own astrologers. The Munich Manual of Demonic Magic, a textbook in Latin, was compiled in the 15th century. Necromancy became, if anything, more far-reaching. After drawing a series of magic circles, saying conjurings, and making sacrifices, necromancers claim a demon would appear to assist: see the future, drive a man to love or hatred, discern where secret things were hidden, such as treasure.

During the 15th century, England was an orthodox kingdom of devout Catholics--and yet superstition ran amok. In 1456, 12 men petitioned Henry VI for permission to practice alchemy, among them two of the king's own physicians. Some courtiers owned astrological books. What was heresy and what was knowledge linked to the fashionable pursuit of ancient texts? It was not always possible to know what was forbidden--until you made a mistake.

The stage was set for Eleanor Cobham and her ambitious play for love, power and glory.

The daughter of Sir Reginald Cobham, Eleanor in her early twenties entered the service of the highborn and illustrious Jacqueline, Countess of Hanault. Jacqueline repudiated her husband, John of Brabant, and fled to England in search of champions, marrying the youngest brother of Henry V: Humphrey, duke of Gloucester.

At some point over the next five years, Eleanor herself became the mistress of the duke. After a failed war in Hainault, Humphrey abandoned his wife; the pope annulled the marriage because of legalities to do with her first husband. Later, when John of Brabant died, Humphrey could have remarried Jacqueline. But instead he married her lady in waiting, Eleanor.

His nickname of "Good Duke Humphrey" notwithstanding, Gloucester was a complex figure. Well educated, he supported learning more than most aristocrats and was a devoted patron of the arts. An enthusiastic soldier, devoted to his oldest brother, Henry V, he was a champion of the people. But Humphrey was also impulsive, vengeful, and unable to sustain a political policy. There is little doubt he was, in addition, a womanizer. After the death of his brother the king, he claimed the right to be regent for his infant nephew. His claims were supported in the dead king's will. But Cardinal Henry Beaufort and the rest of the Beauforts opposed Gloucester. The two branches of the Lancaster family fought for power for the rest of Humphrey's life.

Humphrey, youngest son of Henry IV

Eleanor did not make Humphrey more popular. She was criticized for her immoral history with Gloucester and for her ostentation. Historian Ralph Griffiths says, "One chronicler noted how she flaunted her pride and her position by riding through the streets of London, glitteringly dressed and suitably escorted by men of noble birth." She is thought to have shared her husband's sophisticated tastes in literature.

The unmarried Henry VI, passive and easily led, was fond of his aunt and uncle. He gave Eleanor beautiful presents. Historians believe a decision was made in the Beaufort camp to permanently weaken the duke of Gloucester, and the key to this was his wife.

A young Henry VI

In late June 1441, word spread through London that two men had been arrested for conspiring against the king--divining the king's future through the use of necromancy and concluding that he would soon suffer a serious illness. The accused were two clerks, Roger Bolingbroke, an Oxford priest, and Thomas Southwell, a canon. (Those who practiced necromancy were often low-level clericals, because they possessed the knowledge of Latin necessary to read forbidden books and learn the rites.) The men were sent to the Tower of London and possibly tortured. Bolingbroke told his interrogators that he had been prompted to look into the future of the king by the duchess of Gloucester.

Eleanor did not behave like someone innocent of all crime. She fled to Westminster, seeking sanctuary. Later, when she was set to appear before an ecclesiastical court, she tried to escape onto the Thames river, but was caught. The investigation went deeper. A witch was produced, Marjorie Jourdemayne, who said she procured love potions for the duchess to make Gloucester marry her. In her trial, Eleanor denied seeking to know the future of the king through necromancy, but she "did acknowledge recourse to the Black Art." It is believed she turned to the necromancers and witch to try to bear a child. Eventually, Eleanor abjured her heresies.

Eleanor's co-conspirators were condemned and executed--Margaret Jourdemayne was burned at Smithfield. One of the clerks was hanged, drawn, and quartered. Eleanor spent the rest of her life confined in various castles: Kenilworth, the Isle of Man, and in 1449, Beaumaris Castle, where she died in 1452. Her husband Humphrey, who, to the puzzlement of many, had done little publicly to free her—he "said little"—died five years before Eleanor. His wife's disgrace had finished him as an important man of the kingdom.

Did Eleanor turn to the dark arts to try to bring about the death of Henry VI so that her husband could become king and she become queen? Most historians doubt she went that far; more likely, she dabbled in the same forbidden practices that other court ladies did. But in the tense and treacherous political climate of the Lancastrian court, where rivalries were soon to explode into the War of the Roses, a mistake in judgment could cost one everything. As was learned by Eleanor Cobham.

This article is part of my series of necromancy. To read more, see From Homer to the Hobbit: The History of the Necromancer, Conversations with Angels: The Strange Life of Edward Kelley, and Henry VII and the Curse of Prophesy.

This is an Editor's Choice and was originally published January 29, 2013. 

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Nancy Bilyeau is a historical novelist and magazine editor based in New York. She wrote the Joanna Stafford trilogy, a trio of thrillers set in Henry VIII’s England, for Simon & Schuster. Her fourth novel is The Blue, an 18th century thriller revolving around the art & porcelain world. Her latest novel is Dreamland, set in Coney Island of 1911, is published by Endeavour Quill. A former staff editor at Rolling Stone, Entertainment Weekly, and InStyle, Nancy is currently the deputy editor at the Center on Media, Crime and Justice at John Jay College and contributes to Town & Country, CrimeReads, and Mystery Scene magazine.

For more information, visit www.nancybilyeau.com.

Conversations with Angels: The Strange Life of Edward Kelley

By Nancy Bilyeau

The castle of Hrad Krivoklat, built forty kilometers west of Prague in the 12th century, possessed a Gothic chapel known for its statues of the twelve apostles, gazing at worshippers from high above. Also of note was a statue of Jesus at the altar, flanked by angels with golden wings.

Hrad Krivoklat: 

In 1591, a lone Englishman of middle age and cropped ears, Edward Kelley, was confined in this castle, which began functioning as a prison in the 16th century. Kelley, held in a cell at the command of Holy Roman Emperor Rudolf II, had decisions to make. He was no doubt forbidden to avail himself of the castle chapel while making his decisions. But if he had, those winged angels might have carried special significance to him. Perhaps they would have comforted him.

Or perhaps not.

Edward Kelly, from a 19th c drawing

After months of imprisonment, Kelly was due to be released  but for a single purpose. The emperor expected much of the man who came to Prague with the renowned John Dee in 1586. Rudolf had favored him, enriched him, spoiled him. The English commoner even held an imperial title: He was Sir Edward Kelley of Imamyi, "Baron of Bohemia," and he lived in high style in Prague.

Why did this bounty rain down on Kelly? Because Rudolf, an emotionally erratic Hapsburg obsessed with art, philosophy and magic, was convinced that Kelley possessed a secret of alchemy. There had been tantalizing glimpses of his power. However, Kelly had not come through as yet with what the emperor sought. He'd been arrested for dueling. But it was believed the true reason for his imprisonment was to force him to produce what Prague wanted to see.

While deciding what to do, Kelley reflected. This is only speculation--but might not these be the turning points that flitted through his mind:

March 1582: John Dee, scholar, astrologer, mathematician, physician, and philosopher, was in residence at his house, Mortlake, when a knock at the door produced a young man who called himself Edward Talbot, in the company of a Dee friend, Mr. Clerkson. Talbot was a name used by Edward Kelley.

John Dee

They had arrived at a prestigious address. Dee had a unique relationship with Queen Elizabeth. He was her personal astrologer--Dee selected her date of coronation--and adviser, but their meetings were discreet and their communications guarded. Courtiers at the pinnacle of her court--Robert Dudley and Christopher Hatton--also believed in Dee. But endorsement could not be open because Dee's methods skirted heresy. During the reign of Elizabeth's half-sister, Mary I, he was arrested under suspicion of casting the horoscopes of Queen Mary and Princess Elizabeth with an eye to predicting the succession. This was treason. He managed to exonerate himself, and found favor with Elizabeth but she did not financially reward him to the extent that he wished. Money worries dogged Dee for his entire life.

As for "Talbot," he was born in St. Swithin's, Worcester on August 1, 1555, according to a discovered astrological chart. Kelley may or may not have attended Oxford. He always wore his hair long or donned a monk's cowl or cap with hanging flaps to conceal the fact that his ears were missing. It was said he had been pilloried for "coining" (forging or adulterating coins) and lost his ears as punishment.

Mr. Clerkson brought Kelley to Dee because he had heard that the Queen's conjurer was in need of a new "skryer," or crystal gazer.  Such men were not uncommon. "Almost every parish, and apparently several aristocratic households, boasted a 'cunning man,' who for the price of a beer or a bed would summon spirits or tell fortunes," says The Queen's Conjurer: the Science and Magic of Dr. John Dee, Adviser to Elizabeth I.

Elizabeth I, Dee's patron

Dee had lofty motives for wanting to communicate with spirits of the other world: to elevate and unite mankind in an era of religious wars, hunger and disease. He sought to understand the universe. On his next visit to Mortlake, Kelley gave him what sounds like a winning audition. After looking into one of Dee's crystals for a quarter of an hour, Kelley said he'd made contact with an angel named Uriel, "the angel of light." Uriel had a number of messages for Dee.

Kelley was hired.

1583: A boat sailed from England, carrying Dee, Kelley and their respective families. Destination: Poland. Dee had a much younger wife named Jane and small children; Kelley had recently married a widow with children.  The trip was paid for by Albert Laski, a Polish count who came to England as an envoy to Elizabeth and was introduced to Dee and Kelley by Robert Dudley, earl of Leicester. Laski was a known dabbler in the occult, and soon spent much of his time at Mortlake.

Dee and Kelley had been focusing a tremendous amount of time on their "conferences" with angels. Kelley acted as medium, and Dee pondered the communications, which had to be decoded. The language that the various angels--Uriel was joined by Michael as well as other celestials--used was "Enochian." These were the pure words God spoke to Adam, before the Fall.  Dee sought to decode the entire language and capture the wisdom of the angels in a book.

In recent weeks, the angels, through Kelley as medium, had begun to urge Dee to leave England, at the same time that Laski was making his offer. Dee was also worried that Elizabeth's support of his work was wavering. Rumors abounded that Dee and Kelley were practicing necromancy,  which was communication with the dead. Dee did not want to clarify to anyone that it was actually angels they spoke to. Not yet. So it was time to leave England.

Dee & Kelley, raising the dead?

March 1587: Dee and Kelley, full of dread, were summoned to appear before the papal nuncio Germanico Malaspina, bishop of San Severo, in Prague, the cosmopolitan city of Bohemia.

The last four years had been difficult ones. Laski ran out of money almost the instant they arrived in Poland, and the two men and their families wandered through Central Europe, conducting their "actions" with the angels as they sought aristocratic sponsors.

They finally were given permission to present themselves in Prague, where Emperor Rudolf held court. Although Rudolf was intensely interested in magic, his court was dominated by papal and counter-Reformation forces. It was a treacherous climate. Dee had managed to obtain an audience with the reclusive Rudolf but that didn't prevent him from falling under suspicion of necromancy again. It also didn't help that Rudolf's uncle, King Philip II, was planning to declare war on Elizabeth I and all English Protestants were anathema.

Dee acquitted himself well under questioning by Bishop Malaspina, professing himself a pious man who would never cause religious discord in Prague or traffic in the black arts. Then it was Kelley's turn to speak. What he chose to say was astounding:

"It seems to me that, if one looks for counsel or remedy that might bring about a reformation in the whole church, the following will be good and obvious. While there are some shepards and ministers of the Christian flock who, in their faith and in their works, excel all others, there are also those who seem devoid of the true faith and idle in their good works. Their life is so odious to the people and sets so pernicious an example that by their own bad life they cause more destruction in the Church of God than  they could ever repair by their most elaborate, most long and most frequent discourses. And for that reason their words do not carry the necessary conviction and are wanting in profitable authority."

The papal representative remained calm. But he said later, privately, that he had wanted to "throw Kelley from a window"--a common way to resolve conflict in Prague. For a time Kelley and Dee were able to evade arrest or formal censure. But eventually the emperor turned on them. The order came to leave Prague within six days.

Vilem Rozmberk

May 1587: Dee and Kelley found a new sponsor: the wealthy Bohemian noble Vilem Rozmberk. He had a passion for alchemy and had set up several laboratories for experiments--Dee and Kelley now had one of their own. Although Dee was less than enthusiastic, Kelley threw himself into this work. Alchemy was the quest to transform base metals into noble ones--silver and gold--through the  Philosopher's Stone, a legendary elixir.

Kelley had brought with him from England a mysterious red powder he said he'd discovered buried in the ground. As a demonstration before dignitaries visiting the laboratory, Kelley dropped a speck of it into mercury held in a crucible. To all who witnessed it, shimmering gold appeared. Soon the news spread across Prague, Europe and even back to England: Kelley had discovered the Philosopher's Stone and could produce gold.

Now the balance of power between Dee and Kelley shifted. Dee wanted Kelley to communicate with the angels and obtain the wisdom of the universe. But his skryer wanted to focus on the alchemy experiments that were earning him fame. This was the time, when the angels communicated something new and shocking: Dee and Kelley must share wives.

With great reluctance, Dee's young wife slept with Kelley. Nine months later, Theodorus Dee was born. In 1589, the Dees returned to England. Kelley would never see them again.

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Emperor Rudolf II

It was not long after Dee's departure that Kelley reached his height of riches and renown. The Emperor's interest in alchemy went deeper than filling the imperial treasury. Rudolf was as unusual a ruler as Elizabeth I. He never married, recoiled from religious mania, and maintained a cautious stance among war-crazed relatives. "Wise hesitation" is what his supporters called it. His enemies found him inert and unfit to rule a Catholic empire.

One aspect of Rudolf's personality was fear of death. Alchemy's ultimate promise was immortality. He threw money, property and titles at Kelley, but there was a catch. The Englishman must deliver. He must turn base metal into gold. Despite his tantalizing experiments, Kelley could not prove his abilities to the emperor's satisfaction.

And so Kelley was imprisoned in Hrad Krivoklat. After his release, he was again given a chance to perform successful alchemic experiments. He failed. Kelley tried to flee Prague, but was captured and jailed in another imperial castle.

It is said that Edward Kelley died in 1598 after he crawled out of a Bohemian prison window and fell to the ground. Other reports say he survived to see 1600, but maintained a low profile.

He is considered a charlatan today, someone who was able to convince wise and astute people of mystical abilities ... until his tricks ran out.

But that is incorrect. Edward Kelley did perform an act of alchemy. It was on himself.


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This post is part of a continuing blog series on necromancy & prophecy in history:

From Homer to The Hobbit, the History of the Necromancer

The Duchess and the Necromancer

Prophecy: The Curse of the Tudors

U.S.: On sale $2.99 on amazon and Kindle

U.K. publisher: Orion

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Nancy Bilyeau is the author of The Crown and The Chalice, historical thrillers set in 16th century England. The protagonist is Joanna Stafford, a young novice of the Dominican Order. The next book in the trilogy will be The Covenant. To learn more, go to www.nancybilyeau.com