Showing posts with label Elizabeth Chadwick. Show all posts
Showing posts with label Elizabeth Chadwick. Show all posts

Sunday, August 14, 2016

Editors' Weekly Round-up August 14th

by the EHFA Editors

Enjoy this week's wrap up of posts on the blog:

by Lindsay Downs



by Mike Rendell



by Linda Root


by Maria Grace

by Elizabeth Chadwick



This week we are also offering a giveaway - Jeanna Ellsworth is offering two e-book copies of her novel Hope for Fitzwilliam. This giveaway closes midnight Sunday Pacific Daylight Time:


Hope For Fitzwilliam (Hope Series Trilogy Book 2) by [Ellsworth, Jeanna]

The EHFA Editorial Team are: Cryssa Bazos, Anna Belfrage, Debra Brown, Charlene Newcomb,  Annie Whitehead.

Friday, August 12, 2016

Adeliza of Louvain, Lady of the English: A Forgotten Queen.

by Elizabeth Chadwick

My novel Lady of the English tells the story of Empress Matilda daughter of King Henry I and her fight for the English throne. It is also the story of her young stepmother, Adeliza of Louvain, a personality much less well documented by history and seldom in the public eye.

So who was this second queen to Henry I? What was she like and what is her story?

Adeliza was the daughter of Godrey of Louvain, duke of Lower Lotharingia - an area that is part of Belgium today. She was born around 1103, and married Henry I in January 1121 when she was about 18 years old.

Henry I's first wife, Matilda of Scotland, had died in 1118. Henry's reputation for begetting children was fearsome and he had more than a score of bastards to his name, but only two legitimate children of his first queen. William Adelin, his son, was heir to the throne, and there was Matilda, his firstborn, who had gone in marriage to Germany as an eight year old child. William Adelin drowned in November 1120 when the White ship sank while leaving Barfleur harbour on a return journey from Normandy to England and Henry found himself without an heir other than Matilda, far away in Germany and now an Empress. Past historians have believed that Henry immediately set about finding a new queen on which to beget more heirs, but it has been proven that even before his son's death, he was in negotiations with Godfrey of Louvain for his daughter's hand.

The chroniclers say that Adeliza was beautiful. She was known as 'The Fair Maid of Brabant' She was descended from Charlemagne, and an alliance with her father's house also helped to strengthen Henry I's ties and policies with Germany. By early January 1121, Adeliza was on her way to England and a new life as its queen.

As Adeliza settled into life with Henry, he took her everywhere with him, probably in the hope that she would become pregnant. Henry had used his first queen to act as regent when he was absent from England, but Adeliza never took up any kind of political role. This is logical and understandable since by the time Henry married her, he had a very effective administrative system in operation and a strong justiciar in the form of Roger, Bishop of Salisbury. Also, since Adeliza was only 18, unaccustomed to England and Normandy, and inexperienced, there was no point in putting her to rule. Her duty was to Henry and to future heirs.

In the event, Adeliza did not become pregnant during the almost 15 years of their marriage. It appears to have been a source of great distress to her. She wrote to Hildebert of Lavardin, Archbishop of Tours for advice on this. We do not know what she said to him, but we do have his reply to her, where he says: 'If it has not been granted to you from Heaven that you should bear a child to the King of the English, in these (the poor) you will bring forth for the King of the Angels, with no damage to your modesty. Perhaps the lord has closed up your womb, so that you might adopt immortal offspring...it is more blessed to be fertile in the spirit than the flesh.'

Although Adeliza took no major part in governing the country, she was, nevertheless present at several councils and played a symbolic role in the royal administration. Shortly before her marriage to King Henry, she was elected 'Lady of the English'. She also appeared with Henry at crown wearing ceremonies, including one on the day after her wedding and another the following Pentecost. She was the first queen entitled to a payment of 'Queen's Gold.' This was to become an important part of the income of queens. It was a tax of an extra ten per cent on any fine to the crown over the value of ten marks. It was also owed on tax paid by the Jews.

The fine was standardised when Eleanor of Aquitaine became queen, but Adeliza is 'the first example of a queen receiving a proportion of a licence fine.'

Adeliza also had lands and revenues of her dowry and position as queen of England. She had revenues from Waltham and Queenhithe (from which she donated 100 shillings to be given each year to Reading Abbey on the anniversary of Henry's death). She had estates in Essex, Hertfordshire, Bedfordshire, Middlesex, Gloucestershire and Devon. She had part of the royal estate at Berkeley and Henry gave her the entire county of Shropshire. She also held the rape of Arundel, including the castle. This and various other lands had not been held as dower by other queens, nor did they revert to the crown on her death, but were hereditary. She appears to have taken an active interest in the management of her lands, issuing orders for example, to the monks of Reading not to alienate any of her gifts to them.

'Aelidis dei gratia regina Edwardo abbati et toto conventui de Radingia, salutem. Audivi a quibusdam quod vultis ecclesiam de Stantona extra dominium vestrum et manum ponere. Quare mando vobis quod nolo ut illam vel aliquod de elemosina mea extra manum vestram ponatis. Teste Reinaldo de Windresores Apud Arondell.

Adeliza was also a concerned sponsor and benefactor of friends and relations. Her brother Joscelin was her constable at Arundel and she gave him the barony of Petworth which was within the honour of Arundel and helped arange him a lucrative marriage. (You will find poor Joscelin erroneously listed as the brother of Eleanor of Aquitaine in Alison Weir's biography of Eleanor, but it's not the case. Joscelin was most firmly Adeliza's brother).

Adeliza also helped out her cousin Melisende with a marriage portion of land in Stanton Harcourt. We know that her domestic household seems to have been stable and long serving. Her chaplain was called Herman, her clerk Serlo, and her constable Godeschal.

Adeliza was concerned with religious foundations and seems to have been devout. She founded a leper hospital at Wilton, and in her second marriage, there were also leper houses established at Arundel and Castle Rising. As well as corresponding with Hildebert of Lavardin, she was a close friend of Alexander, bishop of Lincoln, addressing him as 'amico Karissimo' in a charter. She gave donations to Waverley Abbey, Tintern, St. Mary's of Oseney, St. Mary of Eynsham, Waltham Abbey, the Templars, and Affligem Abbey in Brabant, where she was eventually to retire.

Adeliza appears to have been well educated and to have enjoyed literature and patronage of the written word. She comissioned an account of Henry's reign from a Scottish poet called David, to be set to music. Sadly this work no longer exists, which is a pity. If it was anything like William Marshal's Histoire, it would have been a fantastic insight into the period. Philippe de Thaon's Bestiary is dedicated to Adeliza.

In her widowhood, she patronised the poet Serlo of Wilton.

When Henry died in 1135, Adeliza entered the nunnery at Wilton and dwelt there for a couple of years, more or less retiring from the world. She was still a young woman though, and when William D'Albini, lord of Buckenham in Norfolk came courting, she agreed to marry him. The D'Albini's were royal stewards and held a solid, important place at court, although they were not of the top rank. William D'Albini had supported Stephen for the throne when Henry died, rather than Henry's daughter Matilda. All the barons had sworn for Matilda during Henry's lifetime, but most were not disposed to welcome her as queen when it came to crunch time. Where Adeliza's sympathies lay is not stated, but she had spent a lot of time in Empress Matilda's company between 1125 and 1135, and had known her before that while Matilda was Empress of Germany. However, Adeliza's new husband was staunchly for Stephen.

In September 1139, about a year after Adeliza had married William D'Albini, the Empress prepared to come to England to further her claim to the throne. Stephen ordered a watch put on all the ports, but Matilda made instead for Arundel. Although not a port, it had a river connection with the sea and was close to the coast. Several chroniclers seem to think that Adeliza actually invited Matilda to come there. I agree with them, I think she used the traditional and sacred bond of kinship tie both as a pretext and a genuine reason. Adeliza was of a similar age to Matilda, but she was also her stepmother, and that gave her certain duties and obligations. One of the roles of a queen was that of peace-maker, so perhaps Adeliza thought she could lay the ground for some kind of peace deal between Stephen and Matilda. What her husband thought of all this is not reported, but he certainly went along with it, which suggests, given his otherwise loyalty to Stephen, that he was prepared to indulge his wife and that his wife was a quietly clever diplomat.

Stephen came to Arundel and the Empress was escorted from the castle to Bristol, and from there the war began in earnest, so as a cordial visit from kin and as a diplomatic exercise, Adeliza's ploy was something of a disaster, although it paved the way for the future rule of Henry II.

Adeliza had been barren in her 15 year marriage to Henry I, but her union with William D'Albini proved the opposite and Adeliza proved to be very fecund indeed. Between 1139 and 1148, she bore either six or seven children. Why she was so fertile with her second husband and not her first is a mystery and open to conjecture. Henry I was certainly not incapable even in his later years, and would have been keen to beget an heir if possible.

Adeliza and William's descendants include Anne Boleyn and Catherine Howard. The line still exists, although through various side-moves on the family tree. The descendants of Adeliza of Louvain and William D'Albini still own Castle Rising and Arundel Castle today.

William D'Albini was a great builder and once his funds and standing increased following his marriage to Adeliza, he embarked on a programme of construction and improvement. His most famous monument is that of Castle Rising in Norfolk where he built an entire castle and graced it with a magnificent entrance hall, rich external decoration based on Norwich Castle, and mod cons in the private chamber. Castle Rising is thought to be the first in the country with separate Ladies and Gents toilets!

Adeliza had always been devout, and when her child-bearing years were over, she retired, with her husband's consent, to the Benedictine convent at Afflighem and died there in 1151. Her body was borne to Reading Abbey, where she was buried as a queen beside Henry I. Her husband survived her by another twenty five years and did not remarry.

Adeliza of Louvain: An overlooked Queen and 'Lady of the English.'

'O queen of the English, Adela, the very muse who prepares to call to mind your graces is frozen in wonder.' Henry of Huntingdon: The History of the English People.


Castle Rising Castle, built by William D'Albini to honour his wife Adeliza.
This Editor's Choice post was originally published on Sunday, February 19, 2012.

~~~~~~~~~~~~
Born in Bury, Lancashire, award winning writer Elizabeth Chadwick is one of the UK’s best selling historical novelists. She has written 23 novels including The Greatest Knight which was a New York Times best seller, and The Scarlet Lion which was named one of his top ten novels of the decade by Historical Novel Society founder Richard Lee. Elizabeth is renowned for the depth of her historical research and when she isn’t writing her novels can be found with her nose in one of the thousands of books from her reference library. She is particularly known for her research into the life and times of the great medieval knight, courtier and magnate, William Marshal on whom she lectures, and she is also a member of the Royal Historical Society. Having recently completed an acclaimed trilogy about the life of Eleanor of Aquitaine, she is now working on Templar Silks, a novel about William Marshal’s experiences in the Holy Land.

Saturday, August 3, 2013

The ABCs of Historical Fiction

by Mary Tod


In 2012, I conducted a reader survey that reached more than 800 people from around the world. Participants explained why they read historical fiction, what time periods and geographies they prefer, their reading habits, favorite authors and favorite sources of recommendations.

In The Historical Novel, Jerome de Groot suggests that those who write historical fiction “put the flesh back on the skeleton that is history”. Readers, it seems, love the ‘flesh’ that de Groot refers to and relish the learning that goes along with their enjoyment.

What seems obvious and was reinforced by the survey is the following ‘equation’:
Authors + Books => Conversations.


A: Let’s talk about authors first.


In the 2012 survey, favorite authors abound with over 400 different names mentioned. Of the Top 40, readers chose 29 female authors and 11 male authors, likely a reflection of the high percentage of female participation. Several Top 40 authors, like Plaidy, Seton and Austen are deceased. Even though each geographic region reads its own authors to some extent, people from those regions still nominated the same ‘global’ authors in high proportions. Except Colleen McCullough (Australia) and Geraldine Brooks (Australia and US), all Top 40 authors live in either UK or US.

For the most part, these authors base their stories in long ago periods, writing about well-known historical figures either in a central or significant role. Many have written series or have concentrated on a particular time period so readers know what to expect and are familiar with their main characters.

I’ve interviewed a number of the top 40. All are serious researchers who work hard to select compelling bits of history and to ensure historical accuracy. All are dedicated storytellers who are passionate about their characters. Many invest considerable time interacting with readers. Most talk about luck and perseverance, about trusting their instincts and the long struggle to achieve recognition.

B: And then there are the books these authors create.

Based on further analysis and my own reading, I believe that the following ingredients make these favorite authors stand out.

Superb writing. This ingredient covers prose, pacing, emotional resonance, plot twists and entertainment value. Table stakes for high quality fiction of any genre.

Dramatic arc of historical events. In essence, successful authors are masters at finding and selecting what Hilary Mantel calls ‘the dramatic shape in real events’.

Characters both heroic and human. Readers want to experience famous figures as believable characters complete with doubts and flaws. Readers also seek stories showing every day people accomplishing heroic tasks in times very different from today.

Immersed in time and place. Activating all senses, authors like Sharon Kay Penman, Bernard Cornwell, Margaret George and others transport readers to another era from the very first paragraphs of their novels.

Corridors of power. Whether Ancient Rome, Tudor England or the American Civil War, best selling novels expose the structure, corruption and machinations of monarchy, military, religion, law, nobility, and upper-class society.

Authentic and educational. Readers love to learn. The hallmark of a top historical fiction author is meticulous research followed by carefully chosen information to create a seamless blend of history and story.

Ageless themes. Favorite historical fiction dramatizes thought-provoking themes that are as important today as they were long ago.

High stakes. Life, kingdoms, epic battles, fortunes, marriage, family. In historical fiction, characters risk on a grand scale.

Sex and love. Men and women from long ago rarely chose their partners. Love was often thwarted. Women were pawns. Favorite authors incorporate this type of conflict into their stories. In addition, sex is frequently depicted as a turning point in the lives of heroes and heroines.

Dysfunctional families. Kings beheading their queens, brothers killing brothers, daughters betrothed at the age of six, incest, rivalry between father and son, wives banished or locked away – merely a few examples of dysfunctional family life that are the subjects of successful historical fiction.

C: Authors create books; books create conversations.


Readers have always talked about the books they enjoy whether one on one with friends, in book clubs, or in gatherings and conferences dedicated to books. The online sphere has enhanced such conversations such that we can talk to almost anyone, anywhere, anytime about books, authors and the reading experience.

One survey insight that surprised me is the extent to which people are engaging in conversations about the books they read using purpose-built venues like Goodreads, Shelfari, and Library Thing, online retailers like Amazon and Barnes & Noble, the online versions of more traditional publications like The London Review of Books or USA Today, and an endless (and growing) number of book review blogs and book forums.

In the 2012 survey, 562 participants listed their favourite reading oriented websites, blogs and social media sites. The winners in connecting readers with other readers through book reviews and related topics share three attributes: thoughtful, trustworthy information about books, opportunities for an exchange of ideas, and a community of like-minded readers.

People love to talk about books.

They engage in lively debates about titles both popular and obscure. They choose to hang out with like-minded folks based on genre, author, time period or geography. They write reviews that are as good as (if not as lengthy as) many well-known reviewers. They catalogue their titles and share them on Facebook, Twitter and other places. They participate in monthly book read-a-longs and yearly challenges. They dedicate time and thoughtful effort to the craft of reading with an ever-widening circle of connections in the online world.

Beyond readers in conversation with other readers, authors are finding new ways to converse with their audience both during the writing process and afterwards. Take Elizabeth Chadwick as an example. Almost every day, Elizabeth posts the opening and closing lines from that day’s work on Facebook. It’s an intriguing way to stay connected while in the midst of the lengthy story-writing process. Let’s hear from some other top 40 authors on how they connect with readers.

“I maintain an active social media presence … as well as an e-mail address where any reader can write to me. I answer all my e-mail personally, even though the volume can be overwhelming at times.” C.W. Gortner

“I confess I was hesitant about venturing onto Facebook at first, but I soon became addicted. In addition to my personal Facebook page, my readers have set up three Facebook fan clubs, and I try to stop by as often as I can.” Sharon Kay Penman

Beyond blogging and Facebook, Susan Higginbotham runs a reader-oriented bulletin board, Historical Fiction Online. “… I’ve made some wonderful friends through these sites and have had some great discussions about books and history.”

“I try to make myself as accessible as possible, particularly [to] those with questions about the history behind the books.”
Michelle Moran

“I talk to readers at Facebook, Twitter, Goodreads and on blogs, and I just treat them as I would like to be trated myself when talking to someone about a subject I’m interested in. I chat. I sometimes have a giggle … I’m just me.”
Elizabeth Chadwick

“I blog, I am on Facebook and Twitter, and I do phone-in chats for reading groups. I also answer all of my personal email myself … if someone takes the time to write an email or letter, they will get one back.” Deanna Raybourn

“I love chatting and ‘meeting’ new people online.”
Helen Hollick

Authors are connecting much more directly with readers. Information about upcoming books is more accessible than in the past. Book related conversations, along with those who curate them, are gaining more and more influence.


Authors. Books. Conversations. It’s a changing world.

~~~~~~~~~~~~

M.K. Tod writes historical fiction and blogs about all aspects of the genre at A Writer of History. Her debut novel, UNRAVELLED: Two Wars. Two Affairs. One Marriage, will release in paperback and ebook formats in September 2013. To contact Mary, send an email to mktod [at] outlook [dot] com or on Twitter @mktodauthor. She is also on Goodreads and Facebook.

Sunday, February 5, 2012

Giveaway: Books by Elizabeth Chadwick

Elizabeth is giving away two copies of the winner's choice of Lady of the English or To Defy A King. Read about the books HERE, and then you will be prompted to return here to enter by commenting.

Please be sure to leave contact information.

Wednesday, January 18, 2012

Making Connections Past and Present: A personal tour of the Houses of Parliament

by Elizabeth Chadwick


A little while ago, A reader called Mike Pinchen wrote to me to say he'd been enjoying the novels about William Marshal. He also told me that he worked as an usher for Black Rod's department at the House of Lords and that should I ever wish for a bespoke guided tour of the Palace of Westminster, he would be delighted to show me round. How could I refuse? What a wonderful and unique opportunity. I accepted with alacrity and delight. Thank you Mike. What gave the invitation that extra frisson is that 800 years ago, John Marshal - hero of my novel A Place Beyond Courage, was in charge of the King's ushers, and the Marshal always carried a rod of office when on official business. We also know the name of two of the ushers from John Marshal's time - Bonhomme and Ralf. What a connection down the centuries. It gives me a feeling of warmth and pride and security to know that the job still exists. I guess that's what experiencing roots and continuity does for you.I arranged for my agent, Carole Blake, to come along too and we met up with Mike outside the Victoria Tower at the Palace of Westminster one morning towards the end of May. The Palace, incorporating the House of Commons and the House of Lords, is a strong man's stone-throw from Westminster Abbey, built on the command of Edward the Confessor who would have been able to look out from the Anglo Saxon palace to view the building of his Abbey. The Palace did exist in the mid 11th century, although in a very different form to the one standing today. The current magnificent neo Gothic buildings were constructed over a period of 30 years in the mid 19th century after the old palace burned down, taking much of a thousand years of history with it. Areas, however, remain within the newer complex, illuminating the more distant past like lantern light in a long tunnel. 
We weren't allowed to take photographs in many of the areas for obvious reasons, and there was so much to absorb and observe during our tour that I would have to write another novel to report it all! However, to say that we were allowed to take photos in one or two places and that some of the highlights for me - apart from seeing the centre of government, were:
Standing in the House of Commons and seeing how small it actually is. It always seems so much bigger on the television, but it is really quite intimate. The Prime Minister's dispatch box used to contain dispatches from around the Commonwealth, that were read out during sessions, but now, it apparently contains 'a pile of mouldy bibles.' !
 The gap between the speakers when they are standing at the dispatch boxes is just over two sword-lengths - for obvious reasons!
It was wonderful to see Westminster Hall, originally built by William Rufus in the late 11th Century because the existing hall was too small for his needs. The bottom section of the hall is still of that date, but the stunning hammerbeam roof dates to the time of Richard II.
 Mike told us that Charles II had Oliver Cromwell dug up, removed his head, and hung it on a beam (right hand side nearest the camera) until it shrivelled up to the size of a pear. It's not there any more thank goodness! What was on show on Westminster hall though, was the remains of King Henry II's 'high table' which was also used for King Richard's coronation. It is made of purbeck marble rather than a wooden trestle and the area housing its remnants can be seen on the left mid-foreground of the photo. At one time parliament used to meet in this hall. There was also a gallery above for observers. To the right of the picture out of shot and down some stairs is the wonderful, wonderful chapel of St. Mary Undercroft. It's not on the beaten track to tourists and I feel very privileged to have been allowed to see it. The colours are so rich and the carving and detail so ornate that it gave me a sense like no other I have experienced of what the interior of a medieval church would have looked like. See the end of the post for photographs.
Following on from the chapel, we were given a peek into the broom cupboard where suffragette Emily Davidson hid on the eve of the census of 1911, so that she could give her address as the House of Commons. She was to die two years later when she threw herself under the horses as the Derby was being run, in order to highlight the plight of women.
 After this, we were taken to the House of Lords via the Queen's robing room, where she is dressed to prepare for the State opening of Parliament. Apparently this takes place behind a screen. Prince Philip has his own dressing area in the same room but in a different part and enjoys a glass of single malt whiskey at the same time!
The House of Lords is stunning, but unfortunately photography is not permitted. Pugin's work on the throne and surround has to be seen to be believed. Everywhere is rich with gold leaf and thicker gold itself on the hands of the angel at the side of the throne. A gallery runs around the top of the house, and the base of it is covered with a red curtain. This is apparently because when the Lords were in debate and ladies' skirts began to rise in the post Edwardian era, the flash of an ankle from those in the viewing gallery was extremely distracting to chaps trying to be good orators.
Statues of the twelve barons of the most importance concerning the Magna Carta look down on the House of Lords from the gallery. William Marshal stands in a prominent position to the right of the throne if one is looking down the house towards the throne. Roger Bigod is there too, further down on the left from the same viewing point. Also William Earl of Salisbury who features in The Time of Singing and is a strong secondary character in my new work in progress. This was a stunning moment too, and almost a lump to the throat moment to know that these people are still represented in the cornerstone of government. What William thinks of it all, I don't know.
Most touching, and a little sad was the monument to employees of the Palace of Westminster who died in service. It's a rather lonely little inset in a side wall and has been overshadowed by a modern extension structure. Against all the gilding and opulence inside, it seems forlorn and perhaps even a little disrespectful. One feels that such a memorial should have more presence. It was a sobering thought and helped to keep us grounded amid all the rich surroundings.
My sense of direction is a trifle dyslexic and I can't remember now which part of the tour I saw it, but we were also vouched a glimpse of the wall paintings from Henry III's private apartments - his 'Painted chamber.' Again no photographs, but I could have stood for hours and looked at these. They were partially destroyed during the fire at Westminster, but remnants survive, and again, lead me to realise how colourful the medieval world was and it made me long to go back to the 12th or 13th century for a holiday.I have run out of my allotted time to write this blog post and I'm away researching next week, but I wanted to share this with you all first, and to say a huge thank you to Mike Pinchen for showing myself and Carole such a unique and important slice of our country's past and its
future. The sight of the marks Black Rod's staff of office have made on the doors of Parliament, reinforced to me how our traditions live on. Those marks could as easily have been made by John or William Marshal in their day.

St Stephens undercroft chapel Westminster