The Fate of a Grand House in the English Civil War

by Deborah Swift

Towards the end of the English Civil War, many English manor houses and stately homes lay in ruins, their treasures plundered, their art-works melted down, destroyed or divided. One good example of this is Basing House, near Basingstoke.

As the King's cause became more and more hopeless, and he lost the crucial towns of Leicester, Bridgewater, Bath, and Bristol to Cromwell's New Model Army, Cromwell moved on towards London. He wanted to keep the road to the city open, and one of the places that stood in the way was Basing House. The house itself had been under siege on two previous occasions, but this was to be its last stand.

Old postcard of the Garrison Gate at Basing House (circa 1900)

An elegant walled and turreted red-brick stronghold with its own chapel, Basing House was home to the Marquess of Winchester. When it was first built it was the largest private house in the country with around 360 rooms. In Tudor times it was frequently visited by Kings and Queens, including Henry VIII, Elizabeth I, and not forgetting Philip II of Spain and Queen Mary I who spent their honeymoon there in 1554. This fabulous piece of Tudor history was soon to be left a pile of smoking rubble.

Ernest Crofts - Cromwell at the siege of Basing House

The Catholic defenders of the house were not only accused of being 'a nest of Romanists' - but also bad landlords, greedy and self-serving, who cared little for their tenants or neighbours. However, they were to stand no chance against the assembled siege-train of five enormous demi-cannons and a sixty-three pounder cannon, which blasted their way through the walls.

Once the stronghold was breached, the Roundhead storming parties swarmed over the doomed mansion, and the defenders, though they fought bravely, were far too few to stand a chance against the might of the incoming army. Women witnessed their husbands, fathers, and brothers slaughtered before them, and rushed in to try to prevent the attackers, but they were bludgeoned down.

CW Cope - The Defence of Basing House

The house was a treasure trove of beautiful artifacts, silver and gold plate, tapestries, and elegant furniture, so unsurprisingly, the soldiers thoughts soon turned to booty. The treasures in the house were said to have been worth £200,000, and Hugh Peter, Cromwell's chaplain, in his eyewitness account, the Full and Last Elation of all things concerning Basing House, speaks of 'a bed in one room furnished that cost £1300' - nearly $2000, an enormous sum in the seventeenth century.

Landseer - The Plundering of Basing House

The scene by Landseer above shows the Marquess sitting distraught, comforted by his daughter and his dog. Dead on the floor lies Major Cuffle, whilst Hugh Peter, the chaplain, is swigging stolen wine in the background.

In the wardrobes of the house were more than a hundred richly embroidered petticoats and gowns in silks and satins. These were prey to the plunderers, but not content with these, the ladies were stripped of their outer-garments, the dresses taken literally off their backs until they were left clad only in their shifts. Men were also de-robed, and poor old Inigo Jones, famous architect of Whitehall Banqueting House, had to be carried out of the house naked, but wrapped in a blanket.The Marquess of Winchester himself is said to have been captured whilst hiding in a bread-oven.

after that they sold the household stuff, whereof there was a good store; and the country loaded away many carts, and continued a great while...till they had fetched out all the stools, chairs and other lumber, all of which they sold to the country people piecemeal. In these great houses there was not one iron bar left in all the windows before night... and the last work of all was the lead, and by Thursday morning they had hardly left one gutter about the house.

~Hugh Peter

Fire was the great house's final indignity. The flames spread rapidly, burning for twenty hours, leaving little remaining but charred and blackened walls. With the house still hot from the flames, country people flocked in crowds to buy the cheese, the bacon, and the wheat which had been hastily dragged out. A cart took all the popish books, idols, rosaries and relics to London, to be burned on a public bonfire.

Even after his house was burned and looted, the Marquess was heard to say; "If the King had no more ground in England but Basing House, I would adventure as I did, and so maintain it to the uttermost. Basing House is called Loyalty."

When Parliament was queried about the bloodshed, the reply was; "You must remember what they were: they were most of them Papists; therefore our muskets and our swords did show but little compassion, and this house being at length subdued, did satisfy for her treason and rebellion by the blood of the offenders."
Wikipedia

The experiences of the Royalists of Basing House were not uncommon. In my most recent novel, Spirit of the Highway for teens and adults, the setting is a house that has been attacked and plundered in just such a way. Some Royalists, left homeless, with their houses requisitioned by Parliament, turned to highway robbery to survive.

Although the remains of Basing House were demolished by order of Parliament, and much of the masonry carried off to be re-used in other buildings, the ruin can still be visited today.


Pictures :
Further Reading:

By The Sword Divided - John Adair
The English Civil War at First Hand - Tristram Hunt
Going to the Wars - Charles Carlton
British Civil Wars Project
Basing House
Historic Old Basing

The first enduring historical novel for children

by Deborah Swift

1911 edition

I am in the middle of writing the second part of The Highway Trilogy for young adults (and adults!) which is set in the English Civil War. One of the characters spends a long time hiding in the forest  - in a similar fashion to Robin Hood, and I was reminded of The Children of the New Forest by Captain Marryat, a book that has been adapted for TV no less than three times.

The Children of the New Forest was one of the first historical novels specifically written for a young audience. I loved the book as a child, but my memory of it was hazy so I bought a copy and dived in. Immediately I was struck by the fact that this book, although being about children, was not necessarily tailored to meet their needs. The vocabulary is sophisticated - lands are 'sequestered', 'appellations' are used. Marryat could so easily have chosen simpler words like 'removed' or 'names'.

Of course some of the language is archaic because Captain Marryat was a contemporary of Dickens and The Children of the New Forest was written in 1847, but it seems that the idea of children as being somehow a separate species with different reading needs did not exist then. Although we think of Dickens' books as 'historical' they were actually contemporary to him - Marryat on the other hand, has written a genuine historical from 200 years before him. Did he adapt his Victorian language to make it sound more seventeenth century? We will never know.

1998 BBC TV series

The novel exemplifies the class structure of the era in which it was written - servants call young boys 'sir' if they are of a better class, and girls are expected to cook and clean, whilst the boys hunt. However what is clear from the book is that having a certain status also brings with it great responsibility - the young boys feel obliged to protect and take care of their sisters, and their servants, in a way which is quite touching. The eldest boy is very concerned with his family house - his 'inheritance' - which he fears he has lost. Of course for the historical novelist these are obvious ideas, but I urge you to try this book because it is threaded so completely with these attitudes it really helps to understand the 'feeling' of that sort of society, and how it affects everything in the narrative.

Lymington, Hampshire, where the book is set

Another difference from more modern historical novels for children is the attitude towards food. Very few children's books would now contain imagery of a thirteen year old boy shooting a stag in the head at point blank range until it 'fell down dead', and then show him disembowelling it. In those days, animals were meat, and did not have the sentimental attachment we accord them now. And of course we are expected to applaud his skill, not feel sorry for the stag.

The narrator is very obvious in the novel. He stops the narrative every now and then to explain,

'What is a Leveller?' thought Jacob.
As perhaps my readers might ask the same question they must know that a large proportion of the Parliamentary army had at the time assumed the name of Levellers ' etc

He goes on to explain for another half page! This sort of obvious narration is much out of fashion now, but it works perfectly well in the book. We might call it an 'information dump', but it works because it is very clear that we are leaving the story whilst we get educated!

Craig Kelly in the TV adaptation

The plot is an exciting tale of adventure and young love, full of misunderstandings and traitorous deeds, and tension between the rival factions of Cavaliers and Roundheads.
Clips on Youtube
Download and read Children of the New Forest for Free - Project Gutenberg

Shadow on the Highway - the first in the trilogy about real-life highwayman Lady Katherine Fanshawe, and set in exactly the same period as Children of the New Forest - is out now.

What is your favourite Children's Historical Novel?
(apologies, US readers, I just can't get used to leaving out the 'u' in favourite!)