Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts

Friday, March 20, 2020

Prince Bernard of Lippe-Beisterfeld: A German Prince in the RAF

by Linda Fetterly Root

A replica of the Beech 17S flown by Prince Bernard of the Netherlands
in WWII; Courtesy of Mike Freer, Touchdown Aviation,
with Robert Lamblough in the cockpit

When I discovered the post I had planned to display on my birthday was too similar to one I had published here two years ago, I frantically searched for another event occurring on the 24th of April which readers might find equally interesting.

In desperation, I researched the date on several sites including www. OnThisDay, and found an intriguing snippet there: on April 24, 1941, Prince Bernard of the Netherlands became a pilot in the RAF.  I had never heard of the gentleman and would have glossed over it had it not juggled a personal memory. My Cleveland-born cousin Guy Patterson had joined the RCAF as a glider pilot in April, 1940. In my family, everything about Guy became a legend. He had been a musician in the '30s, a bassist in the George Duffy Orchestra, who expatriated a few weeks after his heiress wife, my godmother Helen Cooper Patterson, died of tuberculosis. Their tragic romance had a very Eddie Duchin Story tone to it. Although I knew what had prompted my kinsman to renounce his citizenship and risk his life, I wondered what might have precipitated such a move on the part of a European royal. I searched further and discovered Prince Bernard was German by birth, and in his youth had been a National Socialist. I was hooked.

Ian Fleming, by Andrew Lycett
The more I read, the more I became convinced I had uncovered the material for a blockbuster historical novel. I did not discover until much later that a British spymaster and author named Ian Fleming had beat me to it.

The Early Life of Bernard (Bernhard) Lippe


Prince Bernard (Bernhard) of Lippe-Biesterfeld was born in Jena, Germany, in 1911. He was the elder son of the brother of Leopold, Prince of Lippe, an independent German principality until the disasters of WWI. Bernard’s parent’s marriage was morganatic, that is a royal marriage between people of divergent social classes, which did not effect Bernard’s legitimacy but did limit him from the succession unless there were no other Lippes left. At birth, he was given the title of Count, but he was not considered a prince. That deficit was remedied in 1916, when Leopold elevated Bernard and his mother to royal status. The figure at the right is his Coat of Arms.

The family principality and its related revenues were lost at the end of World War I, but the Lippes were far from destitute. Prince Bernard's branch established a base in East Brandenburg in what now is modern Poland, where Bernard was home schooled until age twelve, possibly due to his fragile health. According to an obituary published in the Telegraph in 2004, his nurse was Chinese and English, and English became his first language Thereafter, he attended gymnasiums in Switzerland and Berlin before advancing to the University of Lausanne in Switzerland to study law in 1929. At some point, he studied in Munich and later transferred to The Humboldt University Unter den Linden in Berlin. At this time, his life took a turn that continued to vex him whenever his character came under scrutiny.

The Political Metamorphosis of Bernard Lippe

While Bernard was a law student at Humboldt, he joined the Nazi Party and was a member of its paramilitary wing, the S.A., commonly known as the Brownshirts. He also was on the rolls of the Reiter-SS. Although he had not yet resigned his membership, he ceased his participation in the movement when he graduated and went to work for I.G. Farben in Paris in 1934. His membership in Nazi organizations during his years as a student has been one of several sources of controversy, especially since he denied them when his participation was well documented. He later excused them as necessary if he wished to earn a law degree, although he conceded that space to garage his car was a compelling perk of membership.

There is some evidence he harbored a growing concern about Hitler's seizure of power well before he resigned his membership in the Nazi party. Apparently by 1935-36, his apprehensions had grown to a point where he considered leaving Europe. Acquaintances described the youthful Bernard Lippe as a nationalist but not a racist. Although he had met Hitler on at least two occasions, he was never considered a protégé. One story has Hitler referring to him an an idiot. Bernard had not spoken out publicly against Hitler at the time he formally resigned from the party in 1937, and he signed the letter 'Heil Hitler.' When asked about it later, he confessed to being an pragmatist, not a Nazi.

How Bernhard Lippe Became Bernard of the Netherlands

In 1936 while attending the Olympics, Bernard met Princess Juliana of the Netherlands. After serious vetting by Queen Wilhelmina, he and Juliana became engaged. Not all Dutch were enthusiastic about the match, but there was a paucity of suitable Protestant royals on the horizon, and the forceful queen had her way. She is quoted as stating: "This is the marriage of my daughter to the man she loves...not the marriage of the Netherlands to Germany."

Following the engagement, Bernard became a Dutch citizen and changed the spelling of his names to the Dutch versions. He avoided speaking German on public occasions. Living in the Netherlands, he was comfortable going public with his criticism of Adolf Hitler.

Once married to Princess Juliana, he adopted the attitudes of a royalist Dutchman, and severed all connections with members of his family who were Nazis. Insofar as his politics were concerned, it appeared Queen Wilhelmina had chosen well.

WWII and the Birth of James Bond: The British Connection

There were other causes of concern beyond Bernard's political past, not the least of which was the bridegroom’s tendency toward acts of derring-do. Some analysts speculate that he translated his survival of poor health in childhood as a victory over death. Whatever the case may be, Prince Bernard enjoyed living on the edge of the abyss. He raced, collected and demolished expensive high-powered race cars. Ferraris were his favorites. He crashed two airplanes. In one of his misadventures, he broke his back and fractured ribs. He had at least two extramarital affairs yielding daughters, risky business when your mother-in-law is the queen. He showed no fear in confronting Hitler’s advancing army. When Hitler’s forces invaded the Netherlands, Bernard organized the Palace Guard into a fighting force to shoot at German airplanes with machine guns. He was critical of the queen when she elected to flee to England. He preferred to stay and fight. But, when Hitler’s forces overran the country and German victory seemed inevitable, he escorted his family to England but returned to lead the resistance. When the overwhelmed Dutch defenders surrendered, he escaped to England with a remnant of his men.

During the Blitz, Bernard escorted Princess Juliana and their daughters to safety in Canada, but he returned to England to resume the fight. He learned to fly a variety of fighters and bombers and sought a commission with the RAF. At first the English did not trust him quite enough for that, but trained pilots were scarce and eventually they relented. During his days with the RAF, the Prince flew thousands of air miles of missions into occupied Europe under the alias Wing Commander Gibbs. Among his many medals are English campaign ribbons for service in France and Germany. He was an advisor on the Allied War Council, and the military head of the Royal Dutch Army in exile. However, not all of his wartime exploits were in the air.

When Prince Bernard expressed a desire to aid the intelligence efforts, the request met with the same reluctance he had experienced earlier. Flying was one thing, but trusting a former member of the S.A. with military secrets was quite another.

However, Sir Winston Churchill was reluctant to let a man of such obvious talent and connections go to waste so he ordered him assessed by his famous spymaster, Ian Fleming. Fleming was impressed and cleared him for work at the highest levels of planning of the Allied Offensive.

There are rumors that the suave Fleming and fearless Bernard were combined to give life to the spy James Bond. In an article that appeared at the MI6 Community site [1], Gustav Graves recalled an incident from Andrew Lycett’s biography Ian Fleming, describing a caper of Bernard’s during a dinner with Fleming at the Lincoln Inn. A German bomb exploded, destroying a 200 year old staircase leading to the entrance of the hotel. Bernard descended with great panache to the lowest point and loudly thanked Fleming for ‘a most enjoyable evening,’ as if the incident was an everyday occurrence. Fleming does not report how Bernard made it down to the demolished lobby. Gingerly, I presume. Lycett also notes that according to Fleming, Prince Bernard's cocktail of choice was a martini made with ‘Wodka’ rather than gin, an unusual cocktail made to His Highness's exacting specifications.

Bernard served on the Allied War Council and personally led the Dutch forces during the Allied Offensive in the Netherlands. He was present at the negotiations for the Armistice and the surrender of Germany. Throughout the proceedings, he spoke English and Dutch, but not a word of German. He was highly decorated by governments throughout the world, was friendly with Harry S. Truman and a colleague of the usually distant Field Marshall Bernard Montgomery, as seen in the photo below.


In spite of post war scandals regarding his financial dealings and a reluctance of some to overlook the affiliations of his youth, he remains a popular hero in the Netherlands and a larger-than-life character of flamboyance and charm to the rest of us--the quintessential sophisticated man of action who took his vodka martinis straight up, always shaken, not stirred, a deviation from the customary martini of which Ian Fleming took note and used. How much else of Commander Bond is borrowed from the Prince is a matter of conjecture.

Prince Bernard followed Princess Juliana in death by mere months in 2004 [2]. There is no question that he suffered from an advanced cancer, nor is there any doubt his remaining days were shorten by Princess Juliana's death. I am delighted to have made his acquaintance.
Queen Juliana and Prince Bernard
Sculpture by Kees Verkade

Author's Note
There is much more to Prince Bernard Lippe-Biesterfeld’s story after WWII. However, this chapter is the one most appropriate to the timeline and subject matter of the English Historical Fiction Author’s blog. As stated above, both he and Juliana died in 2004. Referring to Juliana as a Princess in this post and not as a queen is not an error. The times mentioned are before she succeeded her mother or after she abdicated in favor of her daughter Queen Beatrix.

References

[2] BBC Obituary of Prince Bernard, December 2004

An Editor's Choice from the #EHFA Archives, originally published April 23, 2017.
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Linda Fetterly Root is a retired major crimes prosecutor and a historical novelist writing of events in 16th and 17th century Scotland, France and England. She lives in the Morongo Basin area of the California desert with two wooly malamutes, a flock of chickens and assorted wild things. Her books are on Amazon.

Wednesday, November 27, 2013

Hans Holbein: Politics of Art in the Court of Henry VIII

By Nancy Bilyeau

Just two years into the reign of James I, a Dutch painter and poet named Karel van Mander toured Whitehall Palace and came upon something truly memorable: a large wall mural of two generations of Tudors. Dominating the nine foot by twelve foot mural was the long-dead Henry VIII. At his side was his third wife, Jane Seymour; above the couple were his parents, Henry VII and Elizabeth of York.

Whitehall mural, a 17th century painting reproduction

Van Mander was stunned. He wrote that Henry VIII "stood there, majestic in his splendor...so lifelike that the spectator felt abashed, annihilated in his presence."

Lifelike. This was the supreme achievement of the mural's creator, Hans Holbein. then and now. Peter Ackroyd has written, "He illustrates his sitters in the light of some sudden but characteristic emotion, as if he had caught their thought on the wing."

Hans Holbein the Younger

It is in part because of Holbein that we feel we know the Tudor personalities, from Henry VIII and Jane Seymour to Thomas More and Thomas Cromwell to a baby Prince Edward. But do we really know Holbein?

It seems to us now as if Hans Holbein the Younger was always there, the favorite, the prize artist of the king. But in fact his artistic reign was fairly brief. He did not become "court painter" until shortly before painting that famous mural. It had taken years to win the trust of Henry VIII and secure royal commissions. Just three years after the Whitehall mural, he was under a cloud because of his painting of Henry's fourth wife, Anne of Cleves. Three years after that, he was dead.

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Hans Holbein was born in 1497 in Augsburg, now the third largest city in Bavaria, Germany. Then it was a "free Imperial city" within the Holy Roman Empire, faithful to emperor and pope. Hans Holbein the Elder came from a family of talented artists and made sure to teach his son everything he knew. The father painted mostly altarpieces, church windows and other religious works--in the late medieval age, this was where artists found their majority of paying work.

Martin Luther transformed Germany--and then the rest of Christendom--when he challenged papal authority in 1517, nailing his 95 theses to the door of the castle church of Wittenerg. Two years earlier, Hans and his older brother Ambrosius had moved to the thriving Swiss city of Basel to work as journeyman painters. He created portraits and murals and designed woodcuts for printers. But soon enough Hans Holbein was engulfed in Luther's revolution.

Dance of Death, the Abbot

Holbein's cover of the Luther bible

It is in his woodcuts that Hans Holbein the Younger gives some indication of his religious beliefs. He designed the title page of Martin Luther's bible. And he created woodcuts for The Dance of Death, an eerie series of drawings showing a skeleton reaching for people across every level of society: merchant, king, abbess, old woman---and pope. Death came to everyone, high or low, was the message.

But in the first of several ironies, when Holbein came to England, his sponsor was Sir Thomas More, known for his hatred of Luther and determination to destroy the books written by those who wanted to reform the church.

Holbein departed from Basel in 1526, leaving a wife and children behind. Religious commissions had dried up as Lutheranism ignited. No one wanted altarpieces anymore. To earn enough money to live--and to, hopefully, find fame--he'd need to establish himself in a foreign court. He tried France first, but nothing happened. The famous Dutch Renaissance humanist Erasmus, whom Holbein had painted at least twice, gave him a letter of recommendation to be given to Sir Thomas More, a fellow Humanist and one of the most valued councilors of Henry VIII.

Sir Thomas More

Holbein may have lived in More's Chelsea home for a time. What is known for certain is that he painted a famous portrait of Sir Thomas as well as many of his family members. More raved about the artist's abilities in a letter to Erasmus. If he knew about Holbein's belief in religious reform, he'd decided to overlook it.

 In 1529 Sir Thomas More became chancellor of England. It would seem that Holbein couldn't have picked a better patron.

But More was devoted to Catherine of Aragon, the first wife of Henry VIII, and although he tried hard to avoid it, he got caught up in the Great Matter of the king's divorce. More did not have a high opinion of Anne Boleyn, who would eventually become Henry's second queen, and could not swear an oath of supremacy to king over pope. In 1532 he resigned as chancellor, in anguish, claiming illness.

Holbein was not damaged by his patron's fall from power because he'd returned to Basel, to his family and his circle of artist friends. But this was no place for an artist. The pendulum had swung so far in Basel that religious reformers were destroying statues and works of art in churches. It is believed that some of Holbein's paintings were burned in the rages of iconoclasm. Holbein decided to go  back to England. Before he left, he painted his wife, looking undeniably sad.

Holbein's wife and two of their children

There was a whole new group running the Tudor court in 1533, and Holbein headed for the top. His new patron? The stylish Anne Boleyn. He designed decorations for her coronation; pieces of jewelry; and several silver cups. It is believed that he painted Queen Anne's portrait, but after her fall, Henry VIII had many images of his second wife destroyed. One that survives is a sketch of Anne signed by Holbein.

The Ambassadors

Perhaps the greatest contribution Anne made to the legacy of Holbein was sponsoring his painting The Ambassadors, considered his master work. The strongest clue that Anne commissioned the work is that on a table between the two Frenchmen is a wooden cylinder used to determine dates. Visible is April 11, the day that the court was officially told that Anne Boleyn would be awarded royal honors.

Holbein's sketch of Anne Boleyn

Anne's execution in May 1536 could have led to Holbein's downfall. Instead, he shifted again, becoming the favored painter of Henry VIII himself and Thomas Cromwell, who many believe concocted the charges against Anne of adultery and incest.

Henry VIII, the year Anne Boleyn was executed

Holbein painted Jane Seymour, Anne Boleyn's prim-looking replacement as queen, and the family mural in Whitehall. He received the all-important commissions to paint the king himself and his heir, Prince Edward. He painted Cromwell. This was when Holbein's status at court became official and he earned an annual salary of thirty pounds.

Jane Seymour died the same year that the mural was painted. Henry VIII was reluctant to marry a foreign princess without having any idea of what she looked like. So Holbein was sent to various courts to paint the candidates: France, Flanders, Germany.

Anne of Cleves

In Cleves, he painted Anne, the older sister of Duke William, and Henry was charmed by her appearance. Yet from almost the moment he set eyes on her when she arrived, days before their wedding, he loathed Anne of Cleves. "I like her not," the king declared.

Did Holbein, the artist celebrated for his lifelike images, over-flatter Anne of Cleves in his painting? Did he feel pressure from Cromwell, who supported the marriage alliance to a German power, to make her look more attractive than she was? Cromwell was arrested and then executed in 1540, and one of the reasons for his shocking fall from power was that Henry felt his minister had bungled his fourth marriage. "I am not well handled," the king said, menacingly.

Thomas Cromwell

Did Holbein handle his part well? Others have said that Anne of Cleves' painting must have been accurate because, unlike Cromwell, Holbein was not punished in the fallout of the Cleves divorce. Which is strictly true. But Hans Holbein did not receive any more high profile royal commissions. He concentrated on private commissions, such as miniatures of various members of the nobility, like Katherine Willoughby, the young wife of the Duke of Suffolk.

In late 1543 at the age of 45, Hans Holbein died, perhaps of the plague, in London. He left a will, written in haste. His debts were settled and some of his monies went to the care of the children in Basel he had left behind. His grave is unmarked.

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Ackroyd, Peter, The Life of Thomas More

Ives, Eric, The Life and Death of Anne Boleyn

Thurley, Simon, Whitehall Palace: An Architectural History of the Royal Apartments, 1240-1690

Weir, Alison, Henry VIII: The King and His Court

Wolf, Norbert, Hans Holbein the Younger, the German Raphael

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Nancy Bilyeau is the author of an award-winning trilogy of historical thrillers set in the time of Henry VIII. The protagonist is a Dominican novice. The first two novels, The Crown and The Chalice, are on sale in North America, the United Kingdom, and Germany, The third book, to be published in March 2015, is called The Tapestry. Hans Holbein is a character in the novel.

U.S. publication

UK publication

To learn more, go to www.nancybilyeau.com