Showing posts with label entertainment. Show all posts
Showing posts with label entertainment. Show all posts

Friday, June 20, 2014

Jane Austen at the Seaside

by Diana Birchall

“A Little Sea-bathing would set me up for ever” – Jane Austen

As we move toward midsummer, our thoughts may naturally turn toward the seaside, and as my thoughts ever turn toward Jane Austen, I have examined what the seaside meant to her, and what part it played in her life and writing.


Jane Austen at the seaside (1804)
Jane Austen is actually seen sitting by the seaside, in one of the two authenticated pictures of her, a water color done by her sister Cassandra in 1804. Only her back is shown, but we may imagine that she is enjoying the sea breezes. Perhaps she felt their reanimating and rejuvenating qualities, like her heroine Anne Elliot in Persuasion, who had “the bloom and freshness of youth restored” by her visit to the seaside.

In order to envision Jane Austen’s seaside, we must transport ourselves back to the coast of England two hundred years ago. We can dispense with picturing little Jenny Austen having bucket-and-spade summer holidays, as modern English children do. Jane Austen lived the first twenty-five years of her life mainly at Steventon, about thirty miles from the sea, a good day’s journey in those days. The busy Austen family, with George Austen rector of his parish and schooling a houseful of pupils as well, did not have money or leisure to frequent watering-places very often.

Yet the sea was important in the life of the Austen family. Jane Austen’s two sailor brothers were away at sea for most of her life starting in 1793, when she was seventeen. Frank, a year and a half older, and Charles, four years younger, served in the wars with France and America, and their letters home brought their family into contact with the wider world through their extensive travels. In many ways the Austens were a naval family, and as her nephew wrote, “with ships and sailors she felt herself at home.”

We don’t know exactly when Jane Austen first saw the sea, but it may be that her first visit was a tragic one. In 1783, at the age of seven, Jane and her sister Cassandra, then ten, were sent with their cousin Jane Cooper to school in the port city of Southampton. All three girls fell ill with typhus fever. They were taken to their homes, but Mrs. Cooper caught the disease and died. Jane Austen herself nearly died and was convalescent for about a year. Perhaps this gave her an idea that dangerous things might come from the sea. Not only disease, but the sea carried the dangers of accident, shipwreck, drowning, and warfare.

Jane wrote about such dangers in Persuasion, perhaps her most “nautical” novel. She rather coldly described the sailor Dick Musgrove: “he had been sent to sea, because he was stupid and unmanageable on shore; he had been very little cared for at any time by his family, though quite as much as he deserved; seldom heard of, and scarcely at all regretted, when the intelligence of his death abroad had worked its way to Uppercross.” Dick Musgrove resembled the Austen brothers not at all, but he illustrates the hazards of seagoing life, and the way such news traveled.

Jane Austen writes more feelingly about the dangers to Anne’s beloved Captain Wentworth: “His profession was all that could ever make her friends wish that tenderness less, the dread of a future war all that could dim her sunshine. She gloried in being a sailor's wife, but she must pay the tax of quick alarm for belonging to that profession which is, if possible, more distinguished in its domestic virtues than in its national importance.”

The young Jane Austen may have been taken to Portsmouth to see her brothers at the Royal Naval Academy, or to see one of their ships in its berth, similar to a scene in Mansfield Park where Fanny first sees her brother William in his uniform. After spending two years at the Academy, Frank joined the Perseverance, under Gen. Cornwallis, East India bound.


The topaz crosses Charles gave to his sisters
Charles, meanwhile, was involved in the Battle of Camperdown in 1797, and the taking of several Dutch prize ships; he famously spent some of his prize money buying his sisters topaz crosses. So Jane Austen might also see the sea as a changer of fortune and bringer of riches.

The Rev. George Austen’s busy working life centered around the home and parish, but in 1801, at the age of 70, he retired to Bath with his wife and daughters. Jane was then 25, and was not consulted about the move to Bath, which she disliked. Her father died in 1805, and Jane, her widowed mother and sister settled in Southampton, where they lived from 1805 to 1809, sharing quarters with Frank Austen and his wife Mary. The Austens looked forward to this move to the seaside, with Jane reporting “what happy feelings of escape” on leaving Bath.

They rented a house in Castle Square, with views across Southampton Water, over the old city walls and promenade. In Southampton they led a busy social life, with assemblies and balls; on one occasion Jane Austen wrote of dancing in “the same room in which we danced 15 years ago,” that is, in 1793.

We know something of that early visit to Southampton, where a plaque on the Dolphin Hotel reads: “It is said that Jane celebrated her 18th birthday here in the ball room of the Dolphin on 16 December 1793 with her brother Frank.” The plaque further reads, “Georgian Southampton was a spa resort. Running east from this spot was a waterside promenade for visitors to take daily exercise. Jane Austen and her family frequently walked along this shore, sometimes as far as Cross House Quay, where the Itchen Ferry operated.”


Netley Abbey
In 1807 the Austens used this ferry to visit Netley Abbey, the most complete surviving Cistercian monastery in southern England, whose ruins inspired Romantic writers. However, the only mention of Southampton Jane Austen makes in her fiction is in her juvenile work, Love & Freindship where she writes, “Beware of the unmeaning luxuries of Bath & of the stinking fish of Southampton.”

Portsmouth, where the Royal Naval Base is located, about 15 miles southeast of Southampton, was rather a squalid place when Frank and Charles were training there, with press gangs, brutality, prostitutes, and riots, all very different from the genteel home life the Austen boys had known.

Jane Austen has Fanny Price reflect on Portsmouth life in Mansfield Park: “The men appeared to her all coarse, the women all pert, everybody under-bred.” Fanny’s father “had no information beyond his profession; he read only the newspaper and the navy-list; he talked only of the dock-yard, the harbour, Spithead, and the Motherbank.”

Yet the beauty of the seaside shines through even the rough aspects of Portsmouth, in the way Jane Austen describes Fanny’s walk along the ramparts with Henry Crawford: “Everything looked so beautiful under the influence of such a sky, the effects of the shadows pursuing each other, on the ships at Spithead and the island beyond, with the ever-varying hues of the sea now at high water, dancing in its glee and dashing against the ramparts with so fine a sound.”

In 1808 Jane’s sister-in-law Elizabeth died with the birth of her 11th child. Her two eldest boys were at school in Winchester, and they were sent to visit Jane in Southampton, where she tried to cheer them up, taking them on “a little water party” along the river and rowing upstream to inspect a man o’ war. Soon afterward, Edward, Jane’s newly widowed brother, offered his mother and sisters a cottage near his house at Chawton. They left Southampton and were settled at their Chawton home in July 1809. Jane Austen’s seaside life was essentially over.

Jane Austen’s most extensive “watering-place” period was while she was living in Bath, for one of that city’s attractions, and certainly one of the things that reconciled her to living there, was that residents often made regular trips to seaside watering resorts. Bath, in an interior bowl, is hot during the summer, but seaside watering-places such as Lyme and Sidmouth were relatively accessible. By 1800 there were around 40 seaside settlements that had a holiday season, such as Brighton, Margate, and Ramsgate. Jane Austen wrote cheerfully at the prospect of one such tour to the seaside:

“The prospect of spending future summers by the sea or in Wales is very delightful. For a time we shall now possess many of the advantages which I have often thought of with Envy in the wives of Sailors or Soldiers.” Possibly one of the Austens’ purposes in these seaside tours, was to improve the prospects of this unmarried daughter.

In January 1801 she wrote that Sidmouth was “talked of” for their summer abode. There was also an invitation from their clergyman cousin Edward Cooper, Rector who was “so kind as to want us all to come to Hamstall this summer, instead of going to the sea, but we are not so kind as to mean to do it. The summer after, if you please, Mr. Cooper, but for the present we greatly prefer the sea to all our relations.”

Family tradition holds that it was at Sidmouth that Jane Austen met and fell in love with a young clergyman, who died. Nothing more is known of this incident, but it seems to confirm the impression that to Jane Austen, momentous, life-changing things did happen at the seaside.

According to scholar Brian Southam this visit to Sidmouth, as well as Barmouth and Tenby on the Welsh coast, occurred in summer 1801. The following year the Austens visited Dawlish and Teignmouth, and in 1803 and 1804 they went to Lyme Regis. They even traveled into Wales, visiting Tenby and Barmouth, a round trip from Bath of 400 miles.

Doctors recommended visits to such spas for ailments ranging from scurvy to putrid fever. The treatment consisted not only of bathing in seawater, but drinking it. The saltiness was sometimes cut with new milk, and it was an effective purgative.

In the early days, men and women bathed together, and there was no such thing as a bathing costume, but by Jane Austen’s day modesty was important and the bathing-machine was standard equipment. Ladies were plunged into the sea by strong women dippers. In September, 1804, Jane wrote about going into the water, at Lyme:

“The Bathing was so delightful this morning & Molly so pressing with me to enjoy myself that I believe I staid in rather too long, as since the middle of the day I have felt unreasonably tired.”

In Sanditon, Jane Austen writes of Miss Diana Parker feeling the need “to encourage Miss Lambe in taking her first Dip. She is so frightened, poor thing, that I promised to come & keep up her Spirits, & go in the Machine with her if she wished it.”

Bathing Machines

Jane Austen’s readers would have known just what each resort meant, in social standing and gentility. Each seaside town had its own reputation. Tom Bertram of Mansfield Park met his raffish friends at Ramsgate, which is also where Mr. Wickham of Pride and Prejudice tried to abduct Georgiana Darcy. In Emma, John Knightley chose Southend as being near his home in London, while Mr. Perry recommended the more remote and colder Cromer.

Jane Austen used seaside locations most extensively in her later novels. Mansfield Park is thoroughly suffused with seaside references, with the sailor brother William and the Crawfords’ circle of Admirals; though Mary Crawford, no lover of nature, urges Fanny not to let the sea airs ruin her pretty looks. The heroine of Emma has never even seen the sea, though she finally achieves that delight on her honeymoon with Mr. Knightley, after she’s been purified of her willful ways. And there are a number of watery references in connection with hypochondriacal Mr. Woodhouse, who holds that sea-air never did any body any good, and he is sure that it nearly killed him once.

It is in her last complete novel, Persuasion, that Jane Austen most intensely reveals her love for the sea, when she writes, “All must linger and gaze on a first return to the sea, who ever deserve to look on it at all.”

Jane Austen clearly felt all the enchantment of the seaside, but she also reveals it in another guise, as less idyllic for those who live there year round, not as tourists. Captain Harville and his family are settled in Lyme for the winter, in cheap lodgings. And the reader is reminded again of the dangers of the seaside with Louisa’s famous fall on the Cobb at Lyme. It is as if at the seaside, there’s no telling what will happen.

The different spas and seaside towns Jane Austen knew all had different characters and were frequented by people of differing social levels. Brighton, where the Prince Regent began building his Pavilion in 1813, is associated with immorality in Jane Austen’s novels, most famously with Lydia and Wickham; Wickham ran up a thousand pounds of debt in Brighton, and Elizabeth knew that a sojourn there would be “the death knell of all possibility of common sense for Lydia.”

Sanditon, Jane Austen’s unfinished novel, seems the culmination of all that she observed in her stays at watering places. She chose this subject when she was in poor health, toward the end of her life, so it is no surprise that health, hypochondria, and medical men receive their share of satire in Sanditon.

She gives a meticulous, if humorous, picture of a watering-place that is actively being developed from its former fishing village existence. Her inimitable depiction of the enthusiastic promoter Tom Parker may have been based on Mr. Edward Ogle, the entrepreneur of Worthing, whom she knew. Austen wrote that Sanditon “was his Mine, his Lottery, his Speculation & his hobby horse; his Occupation his hope and his futurity.” She adds, in a wonderful satiric spate: “He held it indeed as certain that no person could be really in a state of secure & permanent Health without spending at least 6 weeks by the Sea every year. – The Sea air & Sea Bathing together were nearly infallible, one or the other of them being a match for every Disorder of the Stomach, the Lungs, or the blood.” By the time she wrote this, Jane Austen was already ill. For her there was no cure, and she could only mock such empty promises.

One final lovely word-picture from Sanditon: “Charlotte having received possession of her apartment, found amusement enough in standing at her ample Venetian window, & looking over the miscellaneous foreground of unfinished Buildings, waving Linen, & tops of Houses, to the Sea, dancing & sparkling in Sunshine & Freshness."

~~~~~~~~~~~~~

Diana Birchall is a story analyst at Warner Bros, reading novels to see if they would make movies. She is also the author of a scholarly biography of her grandmother, the first Asian American novelist, Onoto Watanna (University of Illinois Press), and several "Austenesque" novels, includingMrs. Darcy's Dilemma and Mrs. Elton in America (Sourcebooks). She's also written and produced several Jane Austen-related comedy plays, and her latest, "A Dangerous Intimacy: Behind the Scenes at Mansfield Park", written in collaboration with Syrie James, is being featured at the Jane Austen Society of North America's conference in Montreal this October.

My blog:  www.lightbrightandsparkling.blogspot.com
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Thursday, January 10, 2013

Regency Social Life: The Public Assembly

By Maria Grace
  
In the Regency era, an active social season was not limited to London. Most country towns had a formal social season during the autumn and winter months, often beginning in early to mid-October. Extra events might also take place in the spring. Public assemblies or balls were usually scheduled to coincide with the full moon to ease travel. Traveling at night, especially for those with a considerably journey to an assembly, was not considered safe without the light of a full moon. 

 Assemblies were held at local inns or assembly rooms, typically between the hours of 8pm and 11:30 pm. Subscriptions funded the events. A season's subscription might cost anywhere between £1 in the country to 10 guineas in London. Attendance was only limited by the ability to pay for the subscription and to dress appropriately for the event. Consequently, the company would be mixed, those of rank mingling with the lower orders.  

Assembly Rooms 

Assembly rooms followed a very distinct pattern. Each of three separate spaces accommodated a different activity: a ball room that included a musicians' gallery for dancing, a card room for various card game, and a supper room for refreshments. The layout might vary somewhat, but the essentials remained consistent. For example, in Bath, the assembly rooms were on the first floor, while in York, the assembly rooms were on the ground floor. Billiard rooms were also provided in some places. At grand assemblies, orchestras would be engaged while for smaller occasions, a few local musicians, perhaps only a fiddler, would be enough.  

Master of Ceremonies

A Master of Ceremonies supervised every aspect of the ball including room arrangements, the musicians, even the ordering of the dances. His duties also included insuring that too many undesirables did not gain entrance. He enforced dress codes: ladies were forbidden to dance in colored gloves (at Weymouth); men could not appear in ‘trowsers or coloured pantaloons’, boots or half-boots(Bath). And of course, he would insist that gentlemen leave their swords at the door. The Master of Ceremonies also performed the service of introducing dancing partners so that young people could interact respectably. 

 Dancers generally arranged themselves in order of precedence. To help manage issues of precedence in places where the lesser gentry, the professions and the genteel trades were the bulk of the attendance, ladies were usually presented with numbers as they entered the assembly rooms. These numbers indicated their place in the dance. Before each dance, the Master of Ceremonies would call out a number and the lady with that number and her partner would be the couple to lead that particular dance.  

For those who did not care to dance 

While some attended assemblies to dance, flirt and look for potential marriage partners, others attended simply to meet their acquaintances, talk and play card and possibly billiards. Chairs and benches were provided at the sides of the dance floor and in the card room. Private gossip might be facilitated by a stroll about the room with one’s conversational partner. 

While supper might be served at a private ball, public balls did not provide meals. Light refreshments might be provided with the tea served halfway through the night. Negus, a drink made from sugar mixed with water and wine (sherry and port) was also sometimes among the offerings.  

Dancing 

Unmarried girls were accompanied by a chaperon, typically a married relative, or an older woman friend, and closely supervised. A young woman did not dance more than two pairs of dances with the same man or her reputation would be at risk. Even two dances signaled to observers that the gentleman in question had a particular interest in her. Pairs of dances usually lasted half an hour, so an undesirable dance partner could have been quite a burden, especially considering dancing in a large set involved a lot of standing around waiting one’s turn to dance. However, if one’s partner were pleasing company, it was possible to have private conversations under cover of the crowd. 

Dances of this era were lively and bouncy. Ladies pinned up the trains of their ball gowns for ease in performing the steps. This also signaled potential partners that they meant to dance that night. 

Steps ranged from simple skipping to elaborate ballet-style movements. Country dances, the cotillion, quadrille and the scotch reel made up most of the dancing. Many versions of these dances existed and often the lady of the leading couple would get to select the specific one that was to be danced. 

 In the country dance, a line of couples performed steps and figures with each other, progressing up and down the line. As they reached the top, each couple in turn would dance down until the entire set had returned to its original positions. 

The scotch reel consisted of alternate interlacing and fancy steps danced in place by a line of three or four dancers. 

The cotillion was a French import, with elaborate footwork. It was performed in a square or long ways, like the country dance. It consisted of a "chorus" figure unique to each dance which alternated with a standard series of up to ten "changes" (simple figures such as a right hand star common to cotillions in general). 

The quadrille consisted of five distinct parts or figures assembled from individual cotillions without the changes, making it a much shorter dance. 

For a wonderful animated tour of the figures danced check out this site: http://rivkinetic.org/flash/ecdflash.html

 One dance not likely to be found in a Regency era ball was the waltz. When it was first introduced, the waltz was regarded as shocking because of the physical contact involved. Even Lord Byron was scandalized by the prospect of people "embracing" on the dance floor. It was unlikely to have been seen often in public assemblies until the latter part of the Regency era, and even then, not often.

References

Britain Express: Regency Dances

Rendell, Jane. The Pursuit of Pleasure: Gender, Space and Architecture in Regency London. Rutgers University Press (2002) 

Selwyn, David. Jane Austen & Leisure. The Hambledon Press (1999)

Sullivan, Margaret C. The Jane Austen Handbook. Quirk Books (2007) 

 Todd, Janet & Bree, Linda (editors). The Cambridge Edition of Later Manuscripts. Cambridge University Press (2008) 

 Period References  
The Gentleman & Lady’s Companion: Containing the Newest Cotillions and Country Dances; to which is added Instances of Ill Manners to be carefully avoided by Youth of Both Sexes. 1798.  

The Complete System of English Country Dancing – 1815 (click to download pdf)  

Pierce Egan - "Walks through Bath..." 1819 

 Maria Grace is the author of Darcy's Decision and The Future Mrs. Darcy. Click here to find her books on Amazon. For more on her writing and other Random Bits of Fascination, visit her website. You can also like her on Facebook, follow on Twitter or email her.