Friday, August 22, 2014

The Unsung Heroines of Bannockburn

by Glen Craney

When Robert Bruce seized the Scottish crown in the spring of 1306, his new queen consort was said to have volunteered a dire prediction on his odds for surviving the year: A summer king you may be, but a winter king, no.

Berwick Panorama - Copyright Glen Craney

Some historians have questioned if Elizabeth de Burgh—the Irish daughter of the Earl of Ulster, an ally of Edward I of England—ever delivered that marital scolding. Others have surmised that, if she did, she was likely voicing public skepticism about Robert’s legitimacy in order to curry favor with her former Plantagenet benefactors should the Bruce clan fail in its dangerous game of thrones.

There's another interpretation possible, one that I find more persuasive: The strong-willed Elizabeth may have been trying to shame and goad her wavering husband—who no doubt felt some remorse for his complicity in the murder of rival John Comyn—to remain resolute under the threat of an inevitable English retaliation.

Elizabeth de Burgh
Wikimedia Commons
Elizabeth has been portrayed as fraught with doubt and regret during those frenzied first weeks of Robert’s kingship. This should come as no surprise. After all, the shade cast by Scotland’s warrior statuary has long overshadowed the crucial role its women played in the wars of independence. Even the venerable Robert Burns, in his famous martial ballad Scots What Hae, while exhorting the nation's "sons in servile chains" to choose victory or a gory bed, failed to extend that honor to its daughters who were also languishing in English prisons.

This year marks the 700th anniversary of the battle of Bannockburn, and a popular pastime of those with Scot ancestry is identifying a favorite hero of that era. The Bruce and William Wallace—who did not live to see his crushing defeat at Falkirk avenged—get many votes, as does James Douglas, the feared Borders raider. Thomas Randolph and Angus Og MacDonald garner their share of acclaim, too.

None can deny the contributions made by these Scot patriots, but their victory on the vales below the ramparts of Stirling Castle could not have been gained without the support of distant rebels too often forgotten: the Scot women who languished in English prisons or suffered the brunt of the oppressive English occupation. In fact, I would argue that throughout his life, Robert Bruce owed his unlikely success, first and foremost, to his remarkable good fortune with women. At his many moments of direst need, a courageous Scot lass or matron always seemed to appear just in the nick to salvage his sinking destiny or accept a cruel sacrifice for his survival.

If not for Christina of Gamoran, for example, Bannockburn would never have been fought. During Robert's retreat west after being ambushed at Methven, the influential Isles noblewoman nursed him back to strength during that bleak winter into 1307 and may have shared her bed with him. Risking English reprisals, she also supplied him with the men and galleys he needed for his return invasion of the mainland in the spring.

Then, according to the tradition of the McKees clan, a poor Galloway widow found Robert half-starved and on the run after his botched landing at Turnberry. The crone took him into her wilderness hut and, discovering his identity only after feeding him, sent her three surviving sons to join him on his seemingly doomed campaign to recover his realm.

Later in his life, Robert worried over the survival of his direct male bloodline. Returned from eight years of captivity in England, Elizabeth feared she could no longer bear children after giving birth to two daughters. Yet just three years before her death, she came to Robert’s rescue by delivering him a son. The arrival of David II was heralded as a miracle that, at least for the moment, would save the kingdom from another ruinous war.

Marjorie Bruce, Robert’s star-crossed daughter by his first wife, also endured a harsh imprisonment in England. Released after Bannockburn, Marjorie was married off to a Stewart and, while pregnant, suffered a violent fall from a horse. Minutes before dying, she gave birth prematurely to Robert II, who would firm his grandfather’s royal line and succeed David II. With her short life filled with so much misery and despair, poor Marjorie should be remembered as no less a martyr for Scotland than Wallace.

Marjorie Bruce's tomb
Wikimedia Commons

There are other such heroines, including Robert’s suffering sisters, Mary and Christina, but I have saved my favorite for last.

Robert Bruce crowned by the Countess of Buchan
Exhibit at Edinburgh Castle
Wikimedia Commons license
An ancient Caledonian law gave the Clan MacDuff the privilege of placing the crown on the head of a new king. At the time, the MacDuffs were allied with the Comyns, enemies of the Bruces. Yet Isabelle MacDuff, the Countess of Buchan, defied her Comyn husband and rushed to Scone to perform the sacred deed for Robert in a second ceremony on Moot Hill.

Isabelle MacDuff imprisoned
in the cage at Berwick.

Copyright Andy Hillhouse
English chroniclers at the time suspected that Isabelle, a distant kinswoman of the Bruces, must have been one of Robert’s secret mistresses. Outraged by her betrayal of the loyalty oath that the MacDuffs and Comyns had given him, Edward Longshanks ordered Isabelle tracked down and captured. Cornered with the other Bruce women in the sanctuary kirk at Tain, she was cruelly punished by being exposed for years in an iron cage hung from the ramparts of Berwick Castle.

Why did Isabelle risk her life to crown Robert Bruce? What happened to her during that brutish captivity? And why did so many brave women follow her lead to take up the Bruce’s cause? I unveil my theories about these mysteries and more in my latest release: The Spider and the Stone: A Novel of Scotland’s Black Douglas.


St. Duthac's sanctuary at Tain,
where Isabelle MacDuff and the
Bruce women were captured. 

(Author photo)

~~~~~~~~~~~~~

Inspired by a headstrong lass from Fife, a frail, dark-skinned boy named James Douglas defies three Plantagenet kings and champions the cause of his friend, Robert Bruce, to lead the armies to the bloody field of Bannockburn. An epic of star-crossed love and heroic sacrifice during the 14th century Scottish wars of independence. Amazon US   Amazon UK    Amazon CA

Glen Craney is a novelist, screenwriter, journalist, and lawyer. A three-time finalist for Foreword Reviews Book-of-the-Year Award, his historical fiction has taken readers to Occitania during the Albigensian Crusade, to the Scotland of Robert Bruce, to Portugal during the Age of Discovery, to the trenches of France during World War I, and to the American Hoovervilles of the Great Depression. More about his writing can be found at www.glencraney.com.


Thursday, August 21, 2014

Apple Peels and Snails to Snare a Husband in the Eighteenth Century?

by Diane Scott Lewis

Folklore abounds in the villages of England around the single girl’s search for a husband—as in the eighteenth century marriage was what most young women had to look forward to, or they’d be ridiculed and regulated to spinsters, farmed out as governesses, or forced to live on the charity of their family.

Most of these search-for-true-love customs revolved around the seasons.

At the ruined Abbey of Cerne Abbas in Dorsetshire, girls flocked around the wishing-well in all seasons. To obtain their heart’s desire, they’d pluck a leaf from a nearby laurel bush, make a cup of it, dip this in the well, then turn and face the church. The girl would then "wish" for presumably a man she already has in mind, but must keep this wish a secret or it wouldn’t come true.

Other customs included, in Somersetshire on May Day Eve or St. John’s Eve, a lass putting a snail on a pewter plate. As the snail slithered across the plate it would mark out the future husband’s initials.

On another ritual to this end, writer Daniel Defoe remarked by saying: "I hope that the next twenty-ninth of June, which is St. John the Baptist’s Day, I shall not see the pastures adjacent to the metropolis thronged as they were the last year with well-dressed young ladies crawling up and down upon their knees as if they were a parcel of weeders, when all the business is to hunt superstitiously after a coal under the root of a plantain to put under their heads that night that they may dream who should be their husbands."

Throwing an apple peel over the left shoulder was also employed in the hopes the paring would fall into the shape of the future husband’s initials. When done on St. Simon and St. Jude’s Day, the girls would recite the following rhyme as they tossed the peel: St. Simon and St. Jude, on you I intrude, By this paring I hold to discover, without any delay please tell me this day, the first letter of him, my true lover.


On St. John’s Eve, his flower, the St. John’s Wort, would be hung over doors and windows to keep off evil spirits, and the girls who weren’t off searching for snails in the pastures would be preparing the dumb cake. Two girls made the cake, two baked it, and two broke it. A third person would put the cake pieces under the pillows of the other six. This entire ritual must be performed in dead silence-or it would fail. The girls would then go to bed to dream of their future husbands.

On the eve of St. Mary Magdalene’s Day, a spring of rosemary would be dipped into a mixture of wine, rum, gin, vinegar, and water. The girls, who must be under twenty-one, fastened the sprigs to their gowns, drink three sips of the concoction, then would go to sleep in silence and dream of future husbands.

On Halloween, a girl going out alone might meet her true lover. One tale has it that a young servant-maid who went out for this purpose encountered her master coming home from market instead of a single boy. She ran home to tell her mistress, who was already ill. The mistress implored the maid to be kind to her children, then this wife died. Later on, the master did marry his serving-maid.

Myths and customs were long a part of village life when it came to match-making.


In my novel, Ring of Stone, which takes place in eighteenth-century Cornwall, my heroine Rose will experience magic on All Hallows Eve and glimpse her future husband-a most inappropriate man-over her shoulder.

~~~~~~~~~~~~~

For more on Diane Scott Lewis’s novels, visit her website: http://www.dianescottlewis.org

Source: English Country Life in the Eighteenth Century, by Rosamond Bayne-Powell, 1935.

Wednesday, August 20, 2014

WWII: History or Too Close to the Present?

by Elisabeth Marrion

Why write about World War II in the History section? When does the present stop and history start? 100 years, 150 or as little as 50 years. Who decides?

I have asked the same question on relevant Facebook, Twitter, Goodreads and Linkedin sites. The common belief is, yes World War II is now classed as History.

Strange that, because in World War II History we can still ask some of the people who experienced it first-hand. No need to only rely on the internet search engines, libraries or reference books. Even at school if the history teachers are so inclined he or she could still invite a member of the public for a live debate. There are many who would love to share their stories, I am quite sure. I hope we don’t miss the only chance we have and go right ahead. Ask them: ‘What was it like where you lived? Did you run and hide in an air raid shelter just like Annie and her family did in Liverpool Connection? Your building--was it destroyed? What about rationing? What about everyday life? Was there such a thing? Did you go to school? Were you evacuated?' And the biggest question of them all, and yes we can still ask this directly today although it is 70 years since end of the war, 'Did you go to war? Did you have to fight?’

My novels are all about that time in our history. It is a time still close to me although I was born in 1948. But it is more complicated than that. My mother was a German war widow, her husband, a young officer, fighting under Field Marshal Rommel. My father however, was a Lieutenant in the RAF.

Liverpool Blitz: This is the name now given to the air raids carried out on the town. It was the heaviest bombed town outside London with a total number of 4,000 lives lost. Second only to London which suffered a loss of 30,000.

The first air raid on Liverpool was carried out the night of 28/8/1940. Liverpool was attacked by one hundred and sixty bombers, and the raid continued for three further nights just when most families of evacuated children were debating whether they should come home. By now the mothers believed the government had acted too hastily with the order to send children from possible target areas to safety in the country. The attacks on Liverpool continued relentlessly for three months, the most memorable being the Christmas Blitz which started on the 22nd of December 1940. ~

“Is it a false alarm again?”
“This one is for real, Annie! Grace, give me your David. Come on you, hurry along now.”
“I can’t see anything”
“Yes, we can, look.”
A flush of bright light through the corridor window. They stopped in their tracks. The light was followed by an ear-splitting noise, and the building seemed to move.
“Mam!”
“Hurry, Hurry, Hurry, to the shelter, now!” shouted the warden. Jeffrey and Grace ran past Annie and were already out of the door. Dorothy still clinging to her mam.
Outside on the right side, a fire was burning. The heat made Annie take a step back. She covered her mouth with her hand, trying to avoid choking.
“Dorothy. Run!” She managed to shout before she started to cough.
Aircraft noises drowned out Annie’s instructions. She hurried after Dorothy. A whistling sound, silence, then a massive boom, which seemed to be really close by. The earth shook under her feet, and Annie hit the ground, dropping Derek as she fell.
“Derek!” Nobody heard Annie’s cry for help. She was alone, flat on the ground, unable to move. From fear or shock, she did not know, but her legs refused to carry her weight. Burning rubble near to where Derek had fallen.
~

My father’s (Joseph) first assignment in England (after a spell in Hong Kong) was manning one of the towers in July 1940 when planes were spotted off the channel and Portsmouth harbour was under attack. Later he was on one of the crews of 227 Lancasters and 8 Mosquito bombers on a raid on Hildesheim (my home town). It was destroyed in a 15 minute raid on the 22nd of March 1945. My mother (Hilde) on the ground, ran for her life, trying to protect her family and friends. They survived.
After the end of the war, only just over one month later, Joseph volunteered to be stationed there since it was now in the British Zone. He helped in rebuilding the town where met my mother.
~

“Have you seen that English soldier outside Hilde?”
“What soldier?”
“The one across the road, see over there, he is lighting a cigarette. He has been here before, he keeps looking at you.”
Hilde walked over and stood next to Maria, who had moved the curtain for a better view.
“No, Maria, he is looking at you.”
“Hilde, go and ask him for a cigarette.”
“Maria, we don’t smoke.”
“He does not know that.”
“But I don’t speak English.”
“You can say Cigarette, please, don’t you?”
“Of course. But why?”
“Hilde, I know it’s hard, but we are running out of supplies and have very little left we can trade with. We can get butter for a few cigarettes. Plus, despite your old clothes, you look lovely, please go and ask him.”


Their story is told in my books The Night I danced with Rommel (in English and German) and Liverpool Connection. I am now working on the third book, Cuckoo Clock.

Amazon US
Amazon UK
Amazon CA



Tuesday, August 19, 2014

GIVEAWAY - A CHOICE FROM LINDA ROOT'S LEGACY SERIES

GIVEAWAY - LINDA ROOT'S Legacy Series;

Linda Root (that's me, the one who is forgetful and discombobulated and forgot to post  on Monday) is giving away a choice of either all three e-books in the Legacy of the Queen of Scots series   (Midwife's Secret:The Mystery of the Hidden Princess; The Other Daughter; and 1603:The Queen's Revenge  OR a paperback copy of 1603: The Queen's Revenge.   The giveaway ends on Sunday, August 24th at Midnight. To see some information about the books, please click HERE. Comment here to enter the drawing and be sure to leave your contact information.

Monday, August 18, 2014

The Triumvirate Which Changed the Face of Bath During the Georgian Era

by Regina Jeffers

The beginning of the 1700s in England saw the expansion of the middle class and a stronger economy. As such Bath had known a steady period of growth, but when the Queen visited the city in 1702 (and then again a year later), the fashionable crowd took notice. Although the Bath of the early 1700s remained smaller than other “bathing holes,” such as Tunbridge Wells, Daniel Defoe said, “We may say now it is the resort of the sound as well as the sick and a place that helps the indolent and the gay to commit the worst of murders–to kill time.”

Bath Abbey rose from a close and crowded resort town within the curve of the River Avon. One could find a crowded fish market at the East Gate on the river quay. Jacobean buildings sported gables and leaded windows. Sally Lunn’s house between Abbey Green and the Parade is said to be the city’s oldest house and is typical of the style of the Jacobean façade.


Sally Lunn's house

Unfortunately, the eighteenth century society in Bath was not what one might term “first tier.” The hot baths attracted the infirm and all those who thought to “cure” them. Hooligans and gamblers and those who practiced deceit polluted the city.

Beau Nash

It was Richard ‘Beau’ Nash, the Master of Ceremonies of the Corporation, who changed the city. Nash was named to the unpaid position after the incumbent had lost his life in a duel. He was a man known to possess an excessively high opinion of himself, but he was also seen a very practical gentleman.

“Almost immediately Nash forbade dueling and the wearing of swords in the city; persuaded the Corporation to repair the roads, to pave, clean and light the streets, to license the sedan-chair men and regulate their behavior. He engaged a good orchestra from London and was responsible not only for the building of a new Pump Room, but a large public room, Harrison’s Room, for dances as well as gaming on what is now Parade Gardens. He outlawed private gatherings and strictly controlled the public ones, and drew up a rigid list of rules to which everyone–and that included dukes, duchess, and even the Prince of Wales–had to conform. It might not have worked had not the age been one in which people were amused by such things: half the amusement of Bath was in obeying the ‘King,’ who was no doubt unaware that he himself was part of the fun. Besides, it worked. Bath was civilized and ‘different’–rather than a large, smart holiday camp.” (Winsor, Diana: Historic Bath)

John Wood

It was the architect John Wood who changed the face of Bath. His “Grand Design” for the city was executed in segments. He began with Queen Square, first leasing the land and then designing the square before sub-letting the sites for individual houses to builders who could design the interiors as they wished but who were compelled to follow Wood’s exterior design. Queen Square was completed within seven years. “It should be seen as the forecourt of a palace, the north dominating what was then a formal garden of parterre beds with espaliered limes and a low balustrade. Wood also designed the obelisk in the centre, raised by Beau Nash as a tribute to the Prince of Wales, with an inscription by the poet Alexander Pope.” (Winsor)

In the heart of Bath is Queen Square–a square of Georgian houses designed by John Wood the Elder in the early 18th century and paid for by Beau Nash. The square was designed to join the houses in unison and give the impression that together they formed one large mansion when viewed from the south facing side.

Queen Square

The focal point of Queen Square is the obelisk at the centre which commemorates the visit of Frederick, Prince of Wales.

Next, Wood built his “Royal Forum.” The Parades are a series of historic terraces built around 1741. The Royal Forum was to include North Parade, South Parade, Pierrepont, and Duke Streets, but was never completed. In the last year of his life, John Wood the Elder began the Grand Circus, but it was his son John Wood the Younger who brought the project to fruition. A Roman amphitheatre turned into domestic architecture, the Circus is made up of three segments and 33 houses, all of three stories, with Roman Doric, Ionic and Corinthian columns. The younger Wood linked the Circus to the Royal Crescent with his design of Brock Street. Between 1767 and 1775 the paving stones were laid and 30 houses rose to form the Royal Crescent. He also oversaw the completion of the Hot Bath and the Bath Assembly Rooms. These buildings contrasted with the more decorated and embellished style preferred by his father. Whilst John Wood the Elder’s Circus includes superimposed orders and a detailed frieze, the Royal Crescent – designed by his son, has a single order and plain decoration throughout.

North Parade

The site Wood chose for the Royal Crescent also demonstrates his interest in creating a “dialogue” between his buildings and their settings. Previous buildings and set pieces in Bath were all intensely urban and inward looking whereas the Royal Crescent was fully open and looked out on the open fields. This is not always apparent today, but when it was built in 1775, the crescent was situated right on the edge of the city with no nearby buildings to block residents’ views of the countryside.

The Royal Crescent is among the greatest examples of Georgian architecture to be found. Outside of Bath, Wood’s most notable works include Buckland House in Buckland, Oxfordshire, and General Infirmary in Salisbury.

The third man to change the face of Bath was the assistant to the postmistress, one Ralph Allen, a savvy businessman and philanthropist. Allen developed a powerful friend in the form of Marshall George Wade. Allen had shared with Wade the news of a large cache of arms stored in the area, and as Wade meant to squash the Jacobite insurgence in the west country, he took an immediate liking to Allen. Later, Allen married Wade’s daughter.

Allen developed several profitable postal routes, earning him high sums from the Postal System. He invested in the new Avon Navigation company, which was designed to make the river navigable to Bristol.

In 1726, Allen developed stone quarries on Combe Down. Allen built simple houses for his workers, which can still be seen as part of Combe Down village, and what is now the village recreation ground was once his quarry. Allen also built a railroad to carry the stone blocks to the river and canal wharf at Widcombe.

Earning a fabulous living, Allen built his home Prior Park, which was designed by Wood the Elder, to highlight the beauty and quality of Bath Stone. At Prior Park, Allen entertained writers, statesmen, poets, and actors. Henry Fielding’s character Squire Allworthy in Tom Jones is based on Ralph Allen.

"Almost anyone who was anyone visited Bath to take the waters and gossip in the Pump Room. It was a sparkling century, with aspects both sordid and brutal, but never lacking in vigour, wit and style. Bath was part of it all. By the beginning of the nineteenth century, when the gaming tables had long been forbidden and the old king buried more than forty years, the city had changed. Tobias Smollet wrote in 1771 that 'a very inconsiderable proportion of genteel people are lost in a mob of impudent plebians…'

Palladin Bridge at Prior Park

“Nevertheless, Bath was still elegant and fashionable, if a trifle less frothy and fizzy – more of a medium sherry than champagne. ‘Enchanted castles raised on hanging terraces,’ observed Smollett’s Lydia Melford. Its population had grown to more than 30,000; it had spread far beyond the old walls to incorporate surrounding villages and hills. It was now one of the most beautiful cities in Europe.” (Winsor)

~~~~~~~~~~~~~

Meet Regina Jeffers:
Regina Jeffers is the author of several Austen-inspired novels, including Darcy’s Passions, Darcy’s Temptation, Vampire Darcy’s Desire, Captain Wentworth’s Persuasion, The Phantom of Pemberley, Christmas at Pemberley, The Disappearance of Georgiana Darcy, Honor and Hope and The Mysterious Death of Mr. Darcy. She also writes Regency romances: The Scandal of Lady Eleanor, A Touch of Velvet, A Touch of Cashémere, A Touch of Grace, A Touch of Mercy, A Touch of Love and The First Wives’ Club. A Time Warner Star Teacher and Martha Holden Jennings Scholar, Jeffers often serves as a consultant in language arts and media literacy. Currently living outside Charlotte, North Carolina, she spends her time with her writing, gardening, and her adorable grandson.

Sunday, August 17, 2014

Grimalkins, Buffers, Prancers and Chick-a-Biddies: Animals of the Regency Era


by Maria Grace

Francis Grose 
Author of Dictionary of The Vulgar Tongue
We have a house full of cats and a dog who thinks she a momma-cat.  They all have their own proper names. But they've also got multiple nicknames each. I may just incorporate a few of these regency Era slang terms as new nicknames for them!
  
Cat
  • Grimalkin. 
  • Tibby.
Ram Cat. A he cat.
Gib Cat. A northern name for a he-cat, there commonly called Gilbert.
Cherry-coloured Cat. A black cat, their being black cherries as well as red.
Smellers. A cat's whiskers.

Dog
  • Buffer
  • Jugelow
Gnarler. A little dog that, by his barking, alarms the family when any person is breaking into the house.
Rum Bugher. A valuable dog. 

Horse
  • Grogham
  • Keffel
  • Prad
  • Prancer
Rip. A miserable rip; a poor, lean, worn-out horse.
Roarer. A broken-winded horse.
Rum Prancer. A fine horse. 
Star Gazer. A horse who throws up his head
Queer Prancer. A bad worn-out foundered horse
Scarlet Horse. A high red, hired or hack horse: a pun on the word hired.
Galloper. A blood-horse, a hunter.
Gibbe. A horse that shrinks from the collar, and will not draw.

Chickens ect
  • Cackler. 
  • Margery Prater.
  • Chick-a-biddy. 
Sucking Chicken. A young chicken
Cackler's Ken. A hen-roost. 
Cackling Cheats. Fowls. 
Cackling Farts. Eggs. 
Cobble Colter. A turkey.
Gobbbler. A turkey cock.
Quacking Cheat. A duck.
Tib Of The Buttery. A goose.

Cow
  • Dunnock. 
  • Mower. 
Cow's Spouse. A bull.
Churk. The udder.

Calf
  • Blater
  • Cow's Baby
  • Essex Lion
  • Quaking Cheat
  • Rumford lion

Sheep
  • Bleating Cheat
  • Woolbird
  • Havil
Bleating Rig. Sheep-stealing. 

Hogs
  • Grunter. 
  • Swing Tail. 

Lice
  • Active Citizen 
  • Creepers 
  • Scotch Greys  

Other Animals
Dickey. An ass.
Roll your dickey; drive your ass.
Kingswood Lion. An ass. Kingswood is famous for the great number of asses kept by the colliers who inhabit that place.
Long One. A hare: a term used by poachers.
Pantek. A hart; that animal is, in the Psalms, said to pant after the fresh water brooks
Sea Lawyer. A shark.

Quoted from: Grose, Captain (Francis). (2004) Dictionary of the Vulgar Tongue, 1811 ed. Ikon Classics
~~~~~~~~~~~~

 Maria Grace is the author of Darcy's Decision,  The Future Mrs. Darcy, All the Appearance of Goodness, and Twelfth Night at LongbournClick here to find her books on Amazon. For more on her writing and other Random Bits of Fascination, visit her website. You can also like her on Facebook, follow on Twitter or email her.
Enhanced by Zemanta

Saturday, August 16, 2014

Forgotten English Words

by Maggi Andersen

As I like to use old words in my books, I thought I'd look at some no longer in use in the English language, and their meaning.
  

1746 H.Walpole Let. to Mann 21 Aug. "I am retired hither like an old summer dowager; only that I have no toad-eater to take the air with me."

TOAD-EATER  A toad-eater had one of the most unpleasant jobs in the history of medicine. In the 17th century, a charlatan's obediant side-kick would, in view of a crowd, pretend to eat a toad; a creature seen as very poisonous. He would then fein a severe reaction, to the horror or amusement of the naive crowd. Then the mountbank master, who was careful not to invoke the name of St. Benedict, the patron saint of poisoning victims, would dramatically demonstrate the curative power of a remedy potion he had for sale and "revive" his sidekick by pouring the miracle nostrum into his mouth.


It wasn’t clear whether or not toad-eaters did actually eat the toads. There are records of people having heard of someone who had once seen it happen, but no first-hand accounts. Presumably, the toad-eater would simply pretend to eat it. Or perhaps eat a non-poisonous frog. Or they might have swallowed the toad and simply accepted the resulting illness as the cost of keeping their jobs.

Samuel Butler commented on the psychology used by these hucksters:

Doubtless, the pleasure is as great,
Of being cheated, as to cheat;
As lookers-on feel most delight,
That least perceive a juggler's slight,
And still the less they understand,
The more th' admire his slight of hand.

Toads were once used for a variety of different applications for the sick. Salmon's 1678 Dictionary: "Toad steeped in vinegar...stops bleeding of the nose, especially laid to the forehead...or hung around the neck."

Shudder.

A corresponding verb based upon this common scenario, toad-eat,  developed about this time. It meant to do something unpleasant for one's master and survived as the word "toady."

The toxicity of toads was legendary. Thomas Lupton tells a supposedly true story of two lovers who both died suddenly from rubbing their teeth with leaves of sage, an early substitute for a toothbrush, at the base of which "was a greate toade founde, which infected the same with his venomous breath."

In 1811 a toad eater was a poor female relation and humble companion or reduced gentlewoman in a great family, the standing butt on whom all kinds of practical jokes are played off and all ill humours vented.


Today, the word "toad-eating" as well as the practice is now  forgotten but for the term 'toady'. A toad-eater was someone who would risk illness and even death for his boss, which suggests he would have been an obsequious type of person. Thus, a toady today is defined as a bootlicker, brownnose, fawn, flatterer, a stooge or a 'yes' man.

 Source:
FORGOTTEN ENGLISH by Jeffrey Kacirk Quill William Morrow, NY.
Wikipedia
Definition taken from The 1811 Dictionary of the Vulgar Tongue, originally by Francis Grose.

~~~~~~~~~~~~~

Maggi Andersen writes historical romance mysteries and adventure novels. 

WHAT A RAKE WANTS Book #3, The Spies of Mayfair is released on 26th August with Knox Robinson Publishing.


Blurb:
King George sends his private investigator, an Irishman, Kieran Flynn, Lord Montsimon, on a mission, the reason for which is unclear. Is it a plot against the Crown? Or something entirely unrelated? Flynn's inquiries lead him to the widow, Lady Althea Brookwood. Known amongst the ton as a rake, Flynn is rarely turned down by a lady, and when Althea refuses not just him but many other men, he becomes intrigued. After her neighbor, Sir Harold Crowthorne informs Althea that he means to take her country property, Owltree Cottage, by fair means or foul, she must search for help. The first man she turns to is promptly murdered and the second lies to her. That leaves Flynn, Lord Montsimon, a man she has been studiously avoiding. But Montsimon is decidedly unhelpful, and more than a little mysterious. Her only option is to seduce him. Althea has little confidence that she will succeed, especially as before her husband was killed in a duel, he often told her she was quite hopeless at intimacy. When a spy is murdered, Flynn wonders just what Althea knows and what her involvement might be with the man the king wants Flynn to investigate.

Available in print and ebook
AMAZON
Knox Robinson Publishing
Website
Facebook
Twitter

Friday, August 15, 2014

The Importance of the Post Office in World War I

by E.M. Powell

I recently had the privilege of being involved with a project that has built a memorial of words to commemorate World War I. As part of the Letter to an Unknown Soldier project, thousands of people have written letters which will be preserved as a permanent memorial by the British Library in the National Archive.

As with so much of writing about history, the research took me down some side alleys. Now, so much of the history of World War I is familiar and iconic, even 100 years after the outbreak of war. And so it should be. Images of the trenches, the unimaginable loss of life, of the catastrophic destruction should never fade.

But it was the contribution to the war effort of something that we still use everyday that I found completely fascinating. It is not an institution that immediately springs to mind: it is the Post Office.

In 1914, the Post Office in the United Kingdom employed over 250,000 people and was the largest single employer in the world. With the outbreak of war, the operation was expanded even more as letters and parcels were sent between troops and loved ones. During the war, over 12 million letters were sent to the front line every week.

Letters were seen as essential in maintaining morale. I came to this project through the Bury Libraries and Archives Service. They sifted through their collection of newspapers to find glimpses of the role of the Post Office.

© 2014 E.M. Powell 
Here we see a report of a 1916 letter from Corporal Hutchinson, awarded the Victoria Cross (the highest military decoration for honour and valour), writing to his Sunday school teacher about all the messages of congratulation he has received.

But of course there is no detail about injuries or losses. All letters were heavily censored. Soldiers could use a field postcard, an honour postcard or self-censor. Field postcards were pre-printed, and the soldier just had to cross out the statements that did not apply. With an honour envelope, the sender had to sign a declaration to say their letters did not contain any sensitive information. Self-censorship was also widely used and soldiers gave those at home no hint of what life was like at the front.

And of course it was not only letters. Parcels were essential too. Soldiers were sent items like soap and lice powder. Public donations of items was also made, as in this appeal for razors.

© 2014 E.M. Powell 

While sending large batches of sharp metal that potentially might be intercepted seems a little risky, the line was drawn when it came to matches.

© 2014 E.M. Powell 

It was not just physical comforts either. Here we have an appeal for literature for soldiers.

© 2014 E.M. Powell 

Again, then the number of items being quoted (in the hundreds of thousands) is remarkable.

Another heart-rending appeal is for a melodeon:

© 2014 E.M. Powell 

But of course the most heart-breaking items as always were the letters, for words are the most treasured possession of all.  The Archivist found this poem printed in a 1917 newspaper. It was sent by a Lance-Corporal J.W. Gilbert to his mother.

© 2014 E.M. Powell 

Lance-Corporal Gilbert was a cricket-playing mill worker before he enlisted. He never did come home to his cosy feather bed or his fireside. He never did come home to his mother. On June 16, 1917, Mrs. Gilbert received 'official information of his death.' She received this almost a year after being informed he was 'missing.' He was twenty-two years old.

The Post Office could never have brought back Mrs. Gilbert's son. But they brought his words back to her, as they did to millions of others. We can only hope that they were a small comfort.

~~~~~~~~~~~~~~~~~~~~~~~~~
References:
Letter to an Unknown Soldier: http://www.1418now.org.uk/whats-on/
The British Postal Museum & Archive: www.postalheritage.org.uk
BBC History- World War One Centenary: http://www.bbc.co.uk/history/0/ww1/
Bury Libraries and Archives: http://www.bury.gov.uk/index.aspx?articleid=3698

E.M. Powell is the author of The Fifth Knight, a medieval thriller based on the murder of Thomas Becket in Canterbury Cathedral in 1170.

The sequel, The Blood of The Fifth Knight, will be released by Thomas & Mercer on January 1st 2015.

Amazon US
Amazon UK
Amazon CA

Visit her website at www.empowell.com.

Thursday, August 14, 2014

The Seven Deadly Sins – And What They Say About Medieval Society

by Helena P. Schrader

The other day, a friend and I were trying to list the seven deadly sins. We couldn’t, so we went and looked them up. The list surprised me for including “sins” that seem odd in modern society and that got me thinking about how the definition of “deadly sins” reflected the ills of Medieval Society.  Essentially, the Church was trying to discourage certain types of behavior thought detrimental to a functioning, Christian society by proclaiming them “deadly” sins – sins so egregious that they brought the sinner “spiritual death” – if the sinner did not repent, do penance and receive absolution.


Now some of the deadly sins still strike us as reprehensible behavior. Wrath, for example, is something no one would recommend and most people would agree brings harm – usually not only to the intended target. Likewise lust is a sin whose negative impact is widely recognized to this day. No matter how tolerant modern society may be of sexual freedom for consenting adults, lust remains a dangerous emotional force behind many modern crimes from child abuse and rape to trafficking in persons. Finally, envy is still seen as undesirable. 

But greed has more recently been praised as “good” – some people in modern society equating it with ambition and the driving force behind capitalism and free private enterprise. Even more striking, “pride” is something we hold up as a virtue, not a sin. We are proud of our country, proud of our armed forces, proud to be who we are – or at least we strive to be. And who nowadays would put “gluttony” or “sloth” right up there beside lust, wrath and envy?

Upon reflection, however, I concluded that the deadly sins tell us a great deal about what behavior Medieval Society particularly feared.

In a society where hunger was never far from the poor and famines occurred regularly enough to scar the psyche of contemporaries, excessive consumption of food was not about getting fat it was about denying others.  Because there were always poor who did not have enough to eat just around the corner, someone who indulged in gluttony rather than sharing excess food was clearly violating the most fundamental of Christian principles. Nothing could be more essential to the concept of Christian charity than giving food to the hungry, and a person who not only kept what he/she needed for himself but engaged in excess eating was therefore especially sinful.


Sloth is the other side of the same coin. In a society without machines, automation or robots, the production of all food, shelter and clothing depended on manual labor. Labor was the basis of survival, and survival was often endangered. Medieval society could not afford for any member to be idle. Even the rich were not idle! Medieval queens, countesses and ladies no less than their maids spun, wove and did other needlework – when they weren’t running the estates of their husbands. The great magnates of the realm were the equivalent of modern corporate executives, managing vast estates and ensuring both production and distribution of food-stuffs. The gentry provided not just farm management but the services now provided by police, lawyers and court officials. In medieval society every man and woman had their place – and their job. Whether the job was to work the land or to pray for the dead, it was a job that the individual was expected to fulfill diligently and energetically. Sloth was therefore seen as a dangerous threat to a well-functioning society.


~~~~~~~~~~~~~

Helena P. Schrader is the author of numerous books of history and historical fiction.  She is currently working on a biographical novel in three parts of Balian d’Ibelin. Read more about her published works at: http://helenapschrader.com and more about her series of novels set in the age of chivalry at: http://tales-of-chivalry.com You can also follow Helena’s blogs: about writing: http://schradershistoricalfiction.blogspot.com about the history of the crusader kingdoms at: http://defendingcrusaderkingdoms.blogspot.com

A crusader in search of faith —
A lame lady in search of revenge —
And a king who would be saint.

St. Louis’ Knight takes you to the Holy Land in the 13th century and a world filled with nobles, knights prophet — and assassins.

Buy now!

Wednesday, August 13, 2014

The Four Ancient Books of Wales

by Richard Denning

As a writer of historical fiction set in the late 6th and early 7th century I am constantly faced with a lack of documentation. I have in the past discussed the surviving historical documentation for this era  (Gildas: On the Ruin of Britain, Nennius: The History of the Britons, Bede: The Ecclesiastical History of the English People, the Annales Cumbriae and the Anglo-Saxon Chronicles) Taken as a whole they give us an idea of what went on between the end of Roman Britain and the creation of the Kingdom of England some five centuries later but there are vast gaps and few tangible facts.

Turning to what went on in the evolving Welsh Kingdoms there are so many gaps that we have to look to poetry to fill in some holes. The Four Ancient Books of Wales is a term coined by William Forbes Skeen (a Victorian historian and Antiquarian) to describe four surviving medieval manuscripts. These documents are written in Welsh and themselves date from the 13th to 15th centuries but contain texts some of which originate from as far back as the early as the sixth and seventh centuries.  So what we have are copies of earlier writings some of which date back to this post Roman period.  What is also fascinating is that they also contain some of the earliest references to a King Arthur and to a Merlin.

The four books included by Skene in his list are:
1)The Black Book of Carmarthen


This book is believed to be the earliest surviving manuscript written in Welsh as opposed to Latin. The Britons at the time the Romans left spoke a Celtic language called Brythonic. Out of these evolved the language we now know as Old Welsh. This book then shows the first poems written in this new language.

The book gets its name because it had a black binding and was probably created in the priory at Camarthen in the early 13th century from older possibly 9th century poetry.  Along with the other books many of the poems contains themes of praise and mourning but from a historical point of view there are references to Welsh Heroes of the 6th to 9th century. So we get snippets about battles in Cumbria and battles in which an Arthur and a Merlin participated.

2)The Book of Aneirin


This a late 13th century book written in Welsh and attributed to the late 6th century poet, Aneirin. The manuscript itself dates from around 1265, but is probably a copy of a lost 9th century original. This in turn was probably written down from the original poems composed by Aneirin three hundred years earlier and passed on as oral tradition.

Aneirin was present at and wrote his most famous poem about the Battle of Catraeth which was fought circa 595 to 600 AD between the Northumbrian Anglo-Saxons and the Northern British. It was a disaster for the British and so the poem, Y Gododdin is an eulogy for his fallen comrades. It remains the chief source we have for this battle. Here is an exerpt:

Men went to Catraeth at morn
Their high spirits lessened their life-span
They drank mead, gold and sweet, ensnaring;
For a year the minstrels were merry.
Red their swords, let the blades remain
Uncleansed, white shields and four-sided spearheads,
Before Mynyddog Mwynfawr's men.

3)The Red Book of Hergest


This manuscript was written shortly after 1382. It is bound in red leather and for a couple of centuries resided  at Hergest hence the name. Within this large volume is the heart of ancient Welsh poetry and prose including the Mabinogion  (a collection of early Welsh stories and lore) and a set of peculiarly Welsh lists called Triads. These are an odd collection of sets of three things such as:

Three Great Queens of Arthur:
Gwennhwyfar daughter of Cywryd Gwent, and Gwenhwyfar daughter of Gwythyr son of Greidiawl, and Gwenhwyfar daughter of Gogfran the Giant.

Three Noble Retinues of the Island of Britain:
The Retinue of Mynyddawg at Catraeth, and the Retinue of Dreon the Brave at the Dyke of Arfderydd, and the third, the Retinue of Belyn of Llyn in  Erethlyn in Rhos.

Now these lists don’t tell us much but they give us names and places that may be of use. When the history is so sparse just knowing there was a chap called Belyn from Llyn who took his retinue to Rhos (where other references suggest a battle occurred between the Welsh and Northumbrians in the 620’s now gives us something.)

Did you notice the mention in this triad of Mynyddawg at Catraeth  - who is also referred to in that quote from Aneirin in Y Goddodin. These poems then are more than just stiring verse. In many cases they are history retold. The trick of course is working out what is myth and what is history.

4)The Book of Taliesin


This dates from the first half of the 14th century. It contains poems from different authors –some from the 10th century and some much older. Many of them represent the very oldest poems that were composed in Welsh including those attributed to Taliesen who was active in the mid to late 6th century and composed in Brythonic the precursor to Old Welsh. Taliesen was a prolific writer on the “Old North” - the Post Roman world that was clashing with the new world of the Angles and Saxons.

In the morning of Saturday there was a great battle,
From when the sun rose until it gained its height.
Flamdwyn hastened in four hosts
Godeu and Reged to overwhelm.
They extended from Argoed to Arvynyd.
They retained not life during one day.
Flaindwyn called out again, of great impetuosity,
Will they give hostages? are they ready?
Owain answered, Let the gashing appear,
They will not give, they are not, they are not ready.
And Ceneu, son of Coel, would be an irritated lion
Before he would give a hostage to any one.
Urien called out again, the lord of the cultivated region,
If there be a meeting for kindred,
Let us raise a banner above the mountain,
And advance our persons over the border.
And let us misc our spears over the heads of men,
And rush upon Flamdwyn in his army,
And slaughter with him and his followers.
And because of the affair of Argoed Llwyfain,
There was many a corpse.
The ravens were red from the warring of men.
And the common people hurried with time tidings.
And I will divine the year that I am not increasing.
And until I fail in old age,
In the sore necessity of death,
May I not be smiling,
If I praise not Urien.

Taliesen gives us much of what we know about the battles between the Northumbrians (here under Flamebrand – a nickname for the Northumbrian king invading the Cumbrian lands of Rheged.) and the Britons. We get mentions of Owain and Urien  and other great British leaders like Coel (old King Cole of the nursery rhyme). It is also the main reference for the battle of Argoed Llwyfain – apparently fought on a Saturday morning according to this poem.

So these Four Ancient Books of Wales  are priceless. Yes they are mostly poems and semi myth. Indeed they are confusing and difficult to read but for the historian and for the historical fiction writer of the post Roman period for whom the expression “beggars can’t be choosers” might have been invented they give us something to get our teeth into and extract something approaching a history from.

~~~~~~~~~~~~~

Richard Denning is a historical fiction author whose main period of interest is the Early Anglo-Saxon Era. His Northern Crown series explores the late 6th and early 7th centuries through the eyes of a young Saxon lord.

Explore the darkest years of the dark ages with Cerdic.
www.richarddenning.co.uk