Showing posts with label Pattern welded Swords. Show all posts
Showing posts with label Pattern welded Swords. Show all posts

Thursday, June 2, 2016

Swords, Seaxes and Saxons

By Matthew Harffy

The Germanic tribes who settled in Britain from the 5th century onward, commonly known as the Anglo-Saxons, were a bellicose people. They put great stock in battle-prowess and dying in combat in the service of one's lord was the ideal death of a warrior. They were a people of tales and sagas told around hearth-fires in smoky halls. The story of Beowulf, a great warlord who later becomes a great king, harkens from sometime during this period. The eponymous character of the epic poem is typical of heroes of the time. He is brave, strong, honourable and his fame is known throughout the lands in which he travels. Warriors such as Beowulf measured their battle-fame and success in the quality of their weapons and armour. The Saxons are even named for their use of the single-edged knife or short sword called the seax.

High status warrior with pattern-welded sword

The period from the end of the Roman presence in Britain to the Norman Conquest is now known as the early medieval. However, it is more romantically, and much more commonly, known as the Dark Ages, and in many ways these centuries were dark. Literacy and education was very rare, so much of the history was not recorded in writing. As to remains for archaeologists to study, the Anglo-Saxons built their halls and houses of timber, leaving little in the way of visible marks on the landscape. The times were dark indeed for many who perished in the frequent bloody battles between the small kingdoms that divided Britain.

However, it was not all gloom and death. It was also a time of great craftsmen, who created some incredibly intricate work. Nowhere was this more apparent than when their love of war melded with their sense of the artistic in the creation of their sword blades and the ornate decorations that adorned their pommels and hilts. The Anglo-Saxons' skill in forging pattern welded blades was second to none. The discovery of the Bamburgh sword and the Staffordshire Hoard show the incredible workmanship that these craftsmen from the so-called Dark Ages were capable of.

Pattern welding

The best quality sword blades of the time were made using the forging technique that we now know as pattern welding.

Pattern welding involves forging together alternating twisted rods. These rods form complex patterns when forged into a blade. During the Anglo-Saxon period, sword manufacture reached a level where thin layers of steel were overlaid onto a soft iron core. This made the swords flexible with a springy strength that would prevent the blade bending or snapping in combat. The most sought after blades had pattern welding forged around an iron core.

Pattern-welded seax

Not only were these blades coveted due to their qualities, they were also things of beauty in their own right. One sword was described in Beowulf as "the woven snake-blade" and "marked with venom-stripes". It is likely that these descriptions came from the scop putting into words the fabulous, striped markings on the best pattern-welded blades.

Pattern-welded blade

Such blades would have been like the sports cars of their day, admired by many, owned by few. Both functional and beautiful, these incredible weapons were status symbols of kings, warlords and the richest of household warriors.

The Bamburgh Sword

One such fabulous pattern-welded sword is the Bamburgh Sword.

It was discovered at Bamburgh Castle in 1960 by Brian Hope-Taylor, who failed to identify it. It was only forty years later, following Dr Hope-Taylor's death, that a student found the blade in a suitcase that was going to be sent to landfill!

Luckily it was not destroyed, and subsequent studies of the blade showed it to be a unique seventh century sword made up of six separate strands of iron. No other sword has been found from the period with more than four rods in a pattern welded blade. It must have been fabulously valuable, perhaps even owned by a king.

It is now on display at Bamburgh Castle, along with a replica of what it would have looked like when it was new.


The Bamburgh Sword

The Staffordshire Hoard

The swords of noble warriors did not only have fine blades, their hilts were adorned with gold and garnet pommel caps, golden rings, and all manner of scroll work and runes. Nowhere can the quality of these items be seen more clearly or in greater quantity than in the huge number of pieces discovered in the Staffordshire Hoard.

Discovered by a metal detectorist in 2009 near Lichfield, it is the largest hoard of Anglo-Saxon gold and silver metalwork found to date, with a total of 5.1 kg of gold, 1.4 kg of silver and around 3,500 pieces of garnet cloisonné jewellery.


The Staffordshire Hoard

The hoard was most likely deposited sometime in the 8th century, though the exact date or indeed why such riches were abandoned, can only be speculated upon. However, many of the items were stripped from fine weapons, attesting perhaps to the hoard being spoils of war, or maybe payment from a defeated force containing many wealthy warriors of high standing. The level of detail on the items is really astounding, and shows that weapons were clearly status symbols in their own right and not merely tools for dealing death.

Burials with weapons

Another way we can see the importance of weapons to the Anglo-Saxons is by the objects they buried with their dead. Before Christianity took a firm hold on the Anglo-Saxon kingdoms, men were often interred with swords, shields, spears and seaxes, not to mention other items that presumably they would have found useful in the afterlife.

Later in the Anglo-Saxon period the number of grave goods dwindled, perhaps due to pressure from the Christian church or maybe more prosaic reasons, such as inheritance and trade becoming more commonplace.


Anglo-Saxon swords

Estimating from the number of swords found in graves, only a small number of warriors owned a sword (most had to make do with a spear). However, the sword remained the symbol of the successful warrior. It was what all young men would aspire to own. Lords would gift swords to their most trusted warriors and blades were given names. They were the ultimate Dark Ages status symbol.

Nowadays, if someone wishes to show off at a dinner party they might mention what model of car they drive. If you met a Saxon warrior at a feast in a mead hall, he might boast of the quality of his sword’s blade and regale you with the tales of its exploits in battle.

Images:

Warrior: Copyright Stephen Weatherly, used with permission.

Staffordshire hoard: By David Rowan, Birmingham Museum and Art Gallery (Staffordshire hoard) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

Anglo-Saxon Swords: By Internet Archive Book Images [No restrictions], via Wikimedia Commons

All other photos, Copyright Matthew Harffy

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Matthew Harffy is the author of the Bernicia Chronicles, a series of novels set in seventh century Britain. The first of the series, The Serpent Sword, was published by Aria, an imprint of Head of Zeus on 1st June 2016. The sequel, The Cross and The Curse will be released on 1st August 2016. Book three, By Blood and Blade, is due for publication in January 2017.

The Serpent Sword is available on Amazon, Kobo, Google Play, and all good online bookstores.

The Cross and the Curse is available for pre-order on Amazon and all good online bookstores.

Website: www.matthewharffy.com
Twitter: MatthewHarffy
Facebook: MatthewHarffyAuthor


Thursday, July 24, 2014

A Sinuous and Deadly Beauty: Pattern Welded Swords

The hard-edged blade with its woven patterns quivers and trembles; grasped with terrible sureness, it flashes into changing hues.
- excerpt from the Anglo-Saxon poem Elene. Translated by H.R. Ellis Davidson

The sinuous curves of a pattern welded blade, crafted by master
 weapon smith Robert P. Shyan-Norwalt. For a detailed tutorial
of his work, see The Creation of a Pattern Welded Blade.
Photographs by Melissa Shayan-Norwalt

A good sword is strong, flexible, and light. Lacking high-quality iron ore, Anglo-Saxon (and earlier) weapon-smiths devised the technique of pattern welding to impart desired flexibility and strength to their sword blades.

Simply put, pattern welding is the art of hammering together, and then twisting and re-hammering layers of iron (often of varying strengths) in a charcoal fire to add the one per cent of carbon critical to the blade's flexibility. A brittle blade is the sword of a dead man, for it is a sword that breaks under the stresses of combat.

The many layers of steel prior to heating, hammering, and twisting.

Pattern welded swords show a distinct interwoven figuring in the steel that imparted an especial beauty and visual liveliness to the blade. Twisting, heating, and hammering drives the crystalline structure of the steel to form the wavy, watery pattern which the technique produces. Shaping and grinding the rough blade into finished shape reveals differing levels of the respective layers. Weapon-smiths further emphasized this figuring by acid etching. Amongst the materials weapon-smiths had at their disposal for this purpose were tannic acid, vinegar-produced acetic acid, urine (that indispensable by-product which found its way into so much early manufacture), sour beer, and various acidic fruit juices. Tannic acid would have given a blade a dramatic blue-black colouring, and helped protect it from rust.

At the end of the 5th century Cassiodorus described pattern welded sword made by the Teutonic Warni tribe:

The central part of their blades, cunningly hollowed out, appears to be grained with tiny snakes, and here such varied shadows play that you would believe the shining metal to be interwoven with many colours.

The snake-like pattern that so impressed Cassiodorus is caused by viewing the hammered, twisted layers of steel on edge, as it were. As in the excerpt from the poem Elene, in which the poet speaks of the blade's changing hues, Cassiodorus takes delight in the sword's "many colours."

The term "pattern welding" is a modern one, coined in 1947 by researcher Herbert Maryon upon examination of an Anglo-Saxon sword found in a heathen burial from Ely. It was he who also determined that inscriptions in sword blades were created by the insertion of narrow iron rods into the white-hot blade. After reheating the inlaid inscription would be hammered flush into the surface of the blade.

Weapon smith Robert P. Shyan-Norwalt at the forge;
the steel bundle is 1800 degrees F.

The process is an ancient one. The Celts as far back as the 8th century BCE may have made swords by pattern welding, and the Anglo-Saxons and Vikings used the technique extensively until the end of the 9th century CE. Because the intertwined and hammered layers of softer and harder iron had varying cutting ability, often an edge of high carbon steel was welded to the nearly completed blade, allowing a consistently sharp edge to be ground along the length of the sword. All of this was highly labour intensive, and the makers of pattern welded words were justly esteemed and rewarded in society. By the 10th century better, more consistent iron ore was obtainable via import in Britain, and furnace technology improved, making this laborious technique unnecessary - and swords the less glorious for it.

Yet practical knowledge of pattern welding in the West was not completely lost. In 1771, Jean Jacques Perret in his illustrated L'Art du Coutelier (The Art of the Cutler) describes in detail the making of pattern welded blades, praising them for their superior beauty and strength. He refers to such blades as "Damascus", a confusion which has persisted many centuries. True Damascus steel blades, gun stocks, and other objects with their beautiful figuring are not pattern welded, but instead forged from iron ore heated with carbon inside a closed crucible. "Damascus steel" forged from the cakes of steely, high-carbon-content iron called wootz likely originated in the Hyderabad region India and dates from between 200 BCE to 200 CE. The material spread both Eastward and Westward from there, with Romans importing the cakes for their own blade making.

Seax created by Robert P. Shyan-Norwalt.  The seax was the distinctive
angle-bladed hand weapon which took its name from the Saxons.

 In the 1950's Englishman John Anstee successfully duplicated the pattern welded technique used by Anglo-Saxon and Viking weapon-smiths. During the course of his research he found that due to the crystalline nature of iron, he could produce wavy patterns on the finished blade even without layering wrought iron and steel, but by simply twisting the heated metal. Such blades however lacked the most important qualities of pattern welding, its superior strength and flexibility. He was also able to determine that old blades exhibiting a herringbone pattern and those with curving patterns were not structurally different; rust had removed the curving pattern in some, leaving only the herringbone figuring.

Interested in swords, and their importance to society? Hilda Ellis Davidson is a great expert, and her excellent book The Sword in Anglo-Saxon England is full of fascinating information, including complete details of John Anstee's recreation of pattern welding. A more recent work, covering all weaponry utilized by Anglo-Saxon warriors, is The English Warrior from Earliest Times to 1066 by Stephen Pollington ( Anglo-Saxon Books, 1996) a treasure trove of information about the men and their weapons. For more about Damascus iron work, see On Damascus Steel by Leo Figiel (The Print Center, NY 1991). Modern American weapon smith Robert P. Shyan-Norwalt’s detailed two part tutorial, The Creation of a Pattern Welded Blade, contains many photos and technical advice.

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Octavia Randolph is the author of  The Circle of Ceridwen Saga, all four of which are happily nestled on  Amazon's Top Twenty Best Sellers for Women's Adventure. Young women with courage. Swords with names. Vikings with tattoos. Warfare. Passion. Survival. Sheep. And Other Good Things...

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Book One